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A Must See

Don’t Miss It: Pullman Porter Blues At The Goodman Theatre Starring Cleavant Derricks

Straight on the heels of the world premiere of Jungle Book, The Goodman Theatre in Chicago brings another must see, Cheryl L. West’s Pullman Porter Blues, with some of BroadwayBlack’s favorites. This blues filled and Chicago spirited musical follows three generations of African American Pullman porters in the 1930s in an updated production especially for the city of Pullman’s origin. It stars Broadway’s original James “Thunder” Early in Dreamgirls and Tony Award winner Cleavant Derricks as Sylvester Sykes, a second-generation railway porter, union organizer and father. Also, the original Sportin’ Life in Gershwins’ Porgy & Bess and Tony nominee Larry Marshall is among the cast as Monroe Sykes, the family patriarch. Just off of those two alone, you should see this show. However, it gets better!

Pullman Porter Blues

Newcomer Tosin Morohunfola portrays Cephas, the youngest Sykes son and med-school hopeful with an itch for adventure. The always phenomenal E. Faye Butler portrays Sister Juba, a tough-as-nails blues singer with a few secrets. Also, Claire Kander makes her Goodman Theatre debut in the role of Lutie, a stowaway. The musicians aboard the train include Jmichael (Keys) on piano, Anderson Edwards (Shorty) on bass, Chic Street Man (Professor Slick) on guitar and Senuwell Smith (Twist) on drums.

It’s June of 1937, and the Panama Limited Pullman Train is speeding from Chicago to New Orleans on the night of the Joe Louis/James Braddock world heavyweight championship. Three generations of Sykes men—African American train porters—wrestle with ghosts of the past and dreams for the future as they eagerly await word of the Brown Bomber’s victory. Set to timeless Blues tunes performed by a live, on-stage band, Pullman Porter Blues is a spirited, music-infused ride you won’t soon forget!

“I remember being enamored with the smiling Pullman porters on my first train ride. Little did I know about the horrific
working conditions they faced; and yet they persevered to become the first organized black labor union, a feat that cost
many of them their jobs and their lives,” said playwright Cheryl L. West. “I have the incredible opportunity to bring this play to
Chicago, my hometown, where so many Pullman porters lived. With the Sykes men as guides, audiences are invited to both
explore the dark world behind the porters’ smiles and to recapture that initial fascination with a long train journey.

Make sure to get your tickets ASAP! Show started previews this past Saturday (September 14) and runs thru October 20, 2013 In the Albert
Approximate running time: 2 hours and 40 minutes with one intermission

There is still time to get tickets for the special Blues & Brews night on September 19 at 6pm; an evening of food, music and fun before a performance of Pullman Porter Blues. Enjoy a pre-show beer tasting, light hors d’oeuvres and the tunes of live Blues classics. Then, hear E. Faye Butler (Sister Juba) talk about her role in the play. Tickets are $49

    for this event

.

Check out The Goodman Theatre for more information

Written By

Drew Shade is a visionary creative force at the intersection of Black theatre, media, and culture. As the Founder and Creative Director of Broadway Black, Off-Book: The Podcast, and The Antonyo Awards, he champions artistic excellence and amplifies the voices of Black theatre artists with intention, heart, and unapologetic pride. His work has been featured in The New York Times, Playbill, Deadline, The Observer, and Apple TV’s Dear…, and he's collaborated with brands and institutions such as NBC, BET, Audible, Universal Pictures, SheaMoisture, The Public Theater, Signature Theatre, National Black Theatre, and more. He has also served as a cultural consultant and curator for countless Broadway productions for over a decade — establishing himself as a trusted voice and tastemaker in theatre and media. In addition to his work behind the scenes, Shade is a performer and creative artist in his own right, with credits including Classical Theatre of Harlem’s The First Noel at The Apollo, The Preacher’s Wife musical at The Alliance Theatre, and a Sondheim tribute concert at Carnegie Hall led by Tituss Burgess. He’s also lent his voice to campaigns for Google and continues to explore visual storytelling through photography — from red carpets to press coverage. Rooted in joy, justice, and the belief that Black theatre is both legacy and revolution, Shade continues to build platforms and shine light where it’s long been overdue — so Black artists are seen, heard, and celebrated on their own terms. “Have a belief in yourself that is bigger than anyone’s disbelief.” – August Wilson

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