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Tony Award Winning Producer Ron Simons Says: “I Just Wanted To Make Sure These Stories Were Told”

“What we need more than anything is someone willing to forego stardom and celebrity and step behind the scenes and take care of business….” -Ossie Davis

Ron Simons is an actor. He is also a two-time Tony Award-winning producer. In 2012 he won a Tony Award for Best Revival of a Musical for The Gershwins’ Porgy & Bess, and in 2013 he won a Tony Award for Best Play for Vanya and Sonia and Masha and Spike.

What makes Mr. Simons so remarkable is that he started producing only four years ago, and has since produced three Broadway productions and four feature films. This is an amazing feat for someone who, until 2009, had no producing experience.

As a professional actor Ron Simons met many artists whose talents were criminally underutilized; especially gifted writers whose powerful stories remained on the page and undeveloped.

“…I wanted to do something about these stories, because I had decided that the stories I hadn’t seen, but wanted to see, were not being given any kind of exposure. So in 2009, I said that I was going to start putting my money where my mouth is. I said, I’m going to start helping to get these stories out, and put them on the screen, and on the stage, and so I kind of put that out there into the universe. And at the time, I really didn’t say that I wanted to start a company, or had any long-range goals of being a big producer type. I just wanted to make sure these stories were told.”

Simons began production on his first project in 2009, a film entitled Night Catches Us starring Kerry Washington and Anthony Mackey.

“Initially I was just going to come on as an associate producer, because I thought, what do I know about producing?”

Upon the suggestion of director Tanya Hamilton, Simons eventually answered his calling:

“…I said, well, Tanya, I don’t really know anything about producing. But maybe we can hire someone to work with us…and maybe we can figure it out. And then, basically, after weeks of back and forth, I said, you know what, let’s do this. I then went and bought 5 books about producing, and read them all…and next thing I knew, I was negotiating contracts, I was reviewing scripts and giving feedback for characters and stories”

Ron Simons founded SimonSays Entertainment in 2009 with a mission to Tell Every Story. He and his equally incredible producing associate, actor/writer April Yvette Thompson (Good Bread Alley, Liberty City), have been doing just that.

A theatre and film company, SimonSays Entertainment produced the 2011 all-Black revival of A Streetcar Named Desire and the 2012 revival of The Gershwins’ Porgy & Bess on Broadway. Its critically-acclaimed films include Night Catches Us (2010) , Gun Hill Road (2011), Blue Caprice (2013), and Mother of George (2013).

Broadway Black would like to salute Ron Simons and SimonSays Entertainment for answering the call to create opportunities and new paths for artists. Thank you for inspiring the aspiring producers of the world.

Learn more about SimonSays Entertainment:

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Written By

Drew Shade is a visionary creative force at the intersection of Black theatre, media, and culture. As the Founder and Creative Director of Broadway Black, Off-Book: The Podcast, and The Antonyo Awards, he champions artistic excellence and amplifies the voices of Black theatre artists with intention, heart, and unapologetic pride. His work has been featured in The New York Times, Playbill, Deadline, The Observer, and Apple TV’s Dear…, and he's collaborated with brands and institutions such as NBC, BET, Audible, Universal Pictures, SheaMoisture, The Public Theater, Signature Theatre, National Black Theatre, and more. He has also served as a cultural consultant and curator for countless Broadway productions for over a decade — establishing himself as a trusted voice and tastemaker in theatre and media. In addition to his work behind the scenes, Shade is a performer and creative artist in his own right, with credits including Classical Theatre of Harlem’s The First Noel at The Apollo, The Preacher’s Wife musical at The Alliance Theatre, and a Sondheim tribute concert at Carnegie Hall led by Tituss Burgess. He’s also lent his voice to campaigns for Google and continues to explore visual storytelling through photography — from red carpets to press coverage. Rooted in joy, justice, and the belief that Black theatre is both legacy and revolution, Shade continues to build platforms and shine light where it’s long been overdue — so Black artists are seen, heard, and celebrated on their own terms. “Have a belief in yourself that is bigger than anyone’s disbelief.” – August Wilson

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