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In Case You Missed It: The State Of Black Theatre Discussion

Last week HowlRound.com hosted an entire week of talk about Black theatre. The week was filled with twitter discussions, interviews, and articles that targeted the development of black theatre. Anything and everything you could have thought to bring up was talked about during this time. We hope that you were able to find a place within this discussion but if not, you can find all that happened right here. Click and read away. The topic is not over and it’s never complete. Feel free to comment on the articles and join the ongoing discussion of the Black theatre movement. It’s who we are and who we’ll always be.

Some of Our Favorites:

What Shall We Tell Our Young Playwrights Who Are Black? by Carla Stillwell

Who We Are: Black theater in the Bay Area by Edris Cooper-Anifowoshe

The Tradition of Defining a Tradition by Talvin Wilks

Keeping the Flame by Sarah Bellamy

The Roster: Black theaters in America by Michael Dinwiddie & Jonathan McCrory

AND THERE’S PLENTY MORE HERE!!!

Written By

Drew Shade is a visionary creative force at the intersection of Black theatre, media, and culture. As the Founder and Creative Director of Broadway Black, Off-Book: The Podcast, and The Antonyo Awards, he champions artistic excellence and amplifies the voices of Black theatre artists with intention, heart, and unapologetic pride. His work has been featured in The New York Times, Playbill, Deadline, The Observer, and Apple TV’s Dear…, and he's collaborated with brands and institutions such as NBC, BET, Audible, Universal Pictures, SheaMoisture, The Public Theater, Signature Theatre, National Black Theatre, and more. He has also served as a cultural consultant and curator for countless Broadway productions for over a decade — establishing himself as a trusted voice and tastemaker in theatre and media. In addition to his work behind the scenes, Shade is a performer and creative artist in his own right, with credits including Classical Theatre of Harlem’s The First Noel at The Apollo, The Preacher’s Wife musical at The Alliance Theatre, and a Sondheim tribute concert at Carnegie Hall led by Tituss Burgess. He’s also lent his voice to campaigns for Google and continues to explore visual storytelling through photography — from red carpets to press coverage. Rooted in joy, justice, and the belief that Black theatre is both legacy and revolution, Shade continues to build platforms and shine light where it’s long been overdue — so Black artists are seen, heard, and celebrated on their own terms. “Have a belief in yourself that is bigger than anyone’s disbelief.” – August Wilson

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