HomeA Must SeeWe Were There: A Taste of Barbecue at the Public Theater

We Were There: A Taste of Barbecue at the Public Theater

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Broadway Black was pleased to attend both a preview and opening night of Barbecue at the Public Theater. Written by Obie Award Winner Robert O’Hara, the play is full of twists and turns that will leave the audience gasping and guessing even after the house lights come up.

On the preview night that we attended, we were treated to a lovely offering of wine and, you guessed it, barbecue! Pulled chicken sandwiches, potato salad, and even cornbread were available for patrons. What an appetizing and fitting way to begin a production that takes place around two picnic benches in a public park.

The play itself centers on family, addiction, and making difficult choices. We learn early on that siblings have gathered at a park for a barbecue, which is actually used as a ruse to hold an intervention for their sibling, Barbara. But through their pleading that Barbara get help, the audience learns that all of the siblings have issues with which they must grapple. Twice in the play, the theater goes dark, and when it is illuminated again, twists are revealed that the audience could not have seen coming. Without any spoilers, this is definitely a show that must be seen to be believed, and perhaps more than once to be fully understood.

As previously reported, Barbecue features Becky Ann Baker, Marc Damon Johnson, Arden Myrin, Paul Niebanck, Tamberla Perry, Constance Shulman, Heather Alicia Simms, Samantha Soule, Benja Kay Thomas, and Kim Wayans, who is making her New York City theater debut. The cast plays well together and you have no problem believing that they are siblings.

After the preview performance, we were treated to a Question and Answer session with the actors, the writer and the director. It was heartening to hear Kim Wayans say that doing a play at the Public Theater was on her bucket list. Mr. O’Hara spoke of the importance of race and how it intersects in this production. Again, telling you how would spoil the surprise, but it’s clear that Mr. O’Hara took race into account when writing the play.

Opening Night of Barbecue was October 8 and Broadway Black was there to mingle among the Broadway Black stars. In attendance, among others, were Colman Domingo, Sharon Washington, Logan Vaugh, Maurice, McRae, De’Adre Aziza, Ruben Santiago-Hudson, Tamara Tunie, & Gloria Reuben and more!

Broadway Black thoroughly enjoyed Barbecue and would recommend seeing it at the Public Theater before its closing date of November 1. Single tickets, starting at $50, can be accessed by calling (212) 967-7555, visiting www.publictheater.org, or in person at the Taub Box Office at The Public Theater at 425 Lafayette Street.

So excited for the Opening Night of #BarbecuePlay @publictheaterny! We’re Here! #BroadwayBlack MUST SEE!

A photo posted by BroadwayBlack (@broadwayblack) on

Drew Shade
Drew Shade
Drew Shade is a visionary creative force at the intersection of Black theatre, media, and culture. As the Founder and Creative Director of Broadway Black, Off-Book: The Podcast, and The Antonyo Awards, he champions artistic excellence and amplifies the voices of Black theatre artists with intention, heart, and unapologetic pride. His work has been featured in The New York Times, Playbill, Deadline, The Observer, and Apple TV’s Dear…, and he's collaborated with brands and institutions such as NBC, BET, Audible, Universal Pictures, SheaMoisture, The Public Theater, Signature Theatre, National Black Theatre, and more. He has also served as a cultural consultant and curator for countless Broadway productions for over a decade — establishing himself as a trusted voice and tastemaker in theatre and media. In addition to his work behind the scenes, Shade is a performer and creative artist in his own right, with credits including Classical Theatre of Harlem’s The First Noel at The Apollo, The Preacher’s Wife musical at The Alliance Theatre, and a Sondheim tribute concert at Carnegie Hall led by Tituss Burgess. He’s also lent his voice to campaigns for Google and continues to explore visual storytelling through photography — from red carpets to press coverage. Rooted in joy, justice, and the belief that Black theatre is both legacy and revolution, Shade continues to build platforms and shine light where it’s long been overdue — so Black artists are seen, heard, and celebrated on their own terms. “Have a belief in yourself that is bigger than anyone’s disbelief.” – August Wilson

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