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	<title>You searched for Kyle Beltran - Broadway Black</title>
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		<title>The 2nd Annual Awards by Broadway Black: Full Winners List</title>
		<link>https://www.broadwayblack.com/the-2nd-annual-awards-by-broadway-black-full-winners-list/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Sat, 04 Mar 2023 15:09:00 +0000</pubDate>
				<category><![CDATA[Events and Happenings]]></category>
		<category><![CDATA[The Antonyo Awards]]></category>
		<category><![CDATA[The Awards]]></category>
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					<description><![CDATA[<p>Broadway Black held a private ceremony for The Awards formerly known as The Antonyos on February 20th, 2023 at Chelsea Table + Stage. The ceremony was hosted by Broadway Black founder, Drew Shade, and playwright Loy A. Webb. Presenters and performers included Chuck Cooper, Ryan Jamaal Swain, Amber Iman, NaTasha Yvette Williams, Cody Renard Richard, [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/the-2nd-annual-awards-by-broadway-black-full-winners-list/">The 2nd Annual Awards by Broadway Black: Full Winners List</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p>Broadway Black held a private ceremony for The Awards formerly known as The Antonyos on February 20th, 2023 at Chelsea Table + Stage. The ceremony was hosted by Broadway Black founder,<strong> Drew Shade</strong>, and playwright <strong>Loy A. Webb</strong>. Presenters and performers included <strong>Chuck Cooper</strong>, <strong>Ryan Jamaal Swain</strong>, <strong>Amber Iman</strong>, <strong>NaTasha Yvette Williams</strong>, <strong>Cody Renard Richard</strong>, <strong>Darius de Haas</strong>, <strong>Kayla Davion</strong>, and more. The Awards creative team consisted of musical direction by <strong>Manny Houston</strong>, Choregraphy by <strong>Chadaé</strong>, and direction by Drew Shade. Also, special recognition was given posthumously to The Awards Co-Creator <strong>Darius Barnes</strong>.</p>



<p><strong>Ruben Santiago Hudson</strong>, <strong>L. Morgan Lee</strong>, <strong>Justin Cooley</strong>, &amp; <strong>Nikiya Mathis </strong>were in attendance and amongst the winner&#8217;s circle. View the full list of winners and watch the entire show below.</p>



<p></p>



<p>* = denotes the winner</p>



<p><strong>BEST FEATURED ACTOR IN A PLAY (OFF-BROADWAY)</strong></p>



<p>Andrea Patterson, <em>Confederates</em></p>



<p><strong>*Abena, <em>Merry Wives</em></strong></p>



<p>Stephanie Berry, <em>On Sugarland</em></p>



<p>Billy Eugene Jones, <em>On Sugarland</em></p>



<p>Britton Smith, <em>To My Girls</em></p>



<p>Andrea Patterson, <em>Cullud wattah</em></p>



<p>Alicia Pilgrim, <em>Cullud wattah</em> </p>



<p></p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A PLAY (BROADWAY)</strong></p>



<p>Kara Young, <em>Clyde’s</em></p>



<p>Ron Cephas Jones,<em> Clyde’s</em></p>



<p>Chuck Cooper, <em>Trouble in Mind</em></p>



<p>*<strong>Kenita R.. Miller, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></strong></p>



<p>Tendayi Kuumba, &nbsp;<em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Brandon J. Dirden, <em>Skeleton Crew</em></p>



<p>Luke James, <em>Thoughts of a Colored Man</em></p>



<p></p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A MUSICAL (OFF-BROADWAY)</strong></p>



<p>Alysha Deslorieux, <em>The Visitor </em></p>



<p>Tamika Sonja Lawrence, <em>Black No More</em></p>



<p>Ephraim Sykes, <em>Black No More</em></p>



<p>Lillias White, <em>Black No More</em></p>



<p><em></em>Adrianne Danrich<em>, Intimate Apparel Opera</em></p>



<p>*<strong>Justin Cooley, <em>Kimberly Akimbo</em></strong></p>



<p></p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A MUSICAL (ON BROADWAY)</strong></p>



<p>Tavon Olds-Sample, <em>MJ: The Musical&nbsp;</em></p>



<p>Ayana George, <em>MJ: The Musical</em></p>



<p>*<strong>L Morgan Lee, <em>A Strange Loop</em></strong></p>



<p>James Jackson Jr., <em>A Strange Loop</em></p>



<p>Jared Grimes, <em>Funny Girl</em></p>



<p>Sidney Dupont, <em>Paradise Square</em></p>



<p>Charity Angel Dawson, <em>Mrs. Doubtfire</em></p>



<p></p>



<p></p>



<p><strong>BEST CHOREOGRAPHY</strong></p>



<p>Ellenore Scott &amp; Jeffrey Alkins, <em>Mr. Saturday Night</em></p>



<p>*<strong>Bill T. Jones, Chloe Davis, Gelan Lambert, <em>Paradise Square</em></strong></p>



<p>Raja Feather Kelly, <em>A Strange Loop</em></p>



<p>Ellenore Scott &amp; Ayodele Casel, <em>Funny Girl</em></p>



<p>Adesola Osakulumi,<em> Skeleton Crew</em></p>



<p>Darrell Grand Moultrie, <em>Space Dogs</em></p>



<p></p>



<p></p>



<p><strong>BEST DIRECTION (OFF-BROADWAY)</strong></p>



<p>*<strong>Stori Ayers, <em>Confederates</em></strong></p>



<p>Saheem Ali, <em>Merry Wives</em></p>



<p>Candis C. Jones, <em>Cullud wattah</em></p>



<p>Whitney White,<em> On Sugarland</em></p>



<p>Awoye Timpo, <em>Wedding Band</em></p>



<p>Saheem Ali, <em>Nollywood Dreams</em></p>



<p></p>



<p></p>



<p><strong>BEST DIRECTION (BROADWAY)</strong></p>



<p>Zhailon Levingston, <em>Chicken &amp; Biscuits</em></p>



<p>Steve H. Broadnax III, <em>Thoughts of a Colored Man</em></p>



<p>Ruben Santiago Hudson, <em>Skeleton Crew</em></p>



<p>*<strong>Camille A. Brown, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></strong></p>



<p>Charles Randolph-Wright<em>, Trouble In Mind</em></p>



<p>Lileana Blain-Cruz, <em>The Skin of Our Teeth</em></p>



<p></p>



<p></p>



<p><strong>BEST LIGHTING DESIGN</strong></p>



<p>*<strong>Stacey Derosier, <em>Wedding Band</em></strong></p>



<p>Alan C. Edwards, <em>Twilight: Los Angeles, 1992</em></p>



<p>Kathy A. Perkins, <em>Trouble In Mind</em></p>



<p><strong>BEST SCENIC DESIGN</strong></p>



<p>Chris Cumberbatch, <em>Gong Lum’s Legacy</em></p>



<p>*<strong>Lawrence E. Moten III, <em>Chicken &amp; Biscuits</em></strong></p>



<p></p>



<p></p>



<p><strong>BEST SOUND DESIGN</strong></p>



<p>Mikaal Sulaiman, On Sugarland</p>



<p>Jimmy Keys, <em>Confederates</em></p>



<p>Rena Anakwe, <em>Wedding Band</em></p>



<p>Justin Ellington, <em>Clyde’s</em></p>



<p>*<strong>Justin Ellington, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></strong></p>



<p>Twi McCallum, <em>Little Girl Blue</em></p>



<p></p>



<p></p>



<p><strong>BEST COSTUME DESIGN (OFF-BROADWAY)&nbsp;</strong></p>



<p>Ari Fulton, <em>Confederates</em></p>



<p>*<strong>Dede M. Ayite, <em>Merry Wives</em></strong></p>



<p>Dede M. Ayite, <em>Nollywood Dreams</em></p>



<p>Qween Jean, <em>On Sugarland</em></p>



<p>Kara Harmon, <em>Cullud wattah</em></p>



<p>Toni-Leslie James, <em>Suffs</em></p>



<p></p>



<p></p>



<p><strong>BEST COSTUME DESIGN (BROADWAY)</strong></p>



<p>*<strong>Paul Tazewell, <em>MJ: The Musical</em></strong></p>



<p><em></em>Toni-Leslie James, <em>Paradise Square</em></p>



<p>Sarafina Bush<em>, Pass Over</em></p>



<p><em></em>Emilio Sosa<em>, Skeleton Crew</em></p>



<p><em></em>Sarafina Bush<em>, </em><em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Montana Levi Blanco, <em>The Skin of Our Teeth</em></p>



<p></p>



<p></p>



<p><strong>BEST WIG/HAIR&nbsp; DESIGN</strong></p>



<p>*<strong>Nikiya Mathis, <em>Nollywood Dreams</em></strong></p>



<p>Earon Chew Nealey <em>On Sugarland</em></p>



<p>Cookie Jordan<em>, The Skin of Our Teeth</em></p>



<p><em></em><em>Cookie Jordan Clyde’s</em></p>



<p><em></em>Nikiya Mathis,<em> Confederates</em></p>



<p>Earon Chew Nealey, <em>Cullud wattah</em></p>



<p></p>



<p></p>



<p><strong>BEST DIGITAL THEATER PRODUCTION</strong></p>



<p>*<strong><em>The Last 5 Years</em>,  Out of the Box Theatrics</strong></p>



<p><em>Semblance</em>, New York Theatre Workshop</p>



<p><em>After Midnight</em>, Signature Theatre Streaming On Demand</p>



<p></p>



<p></p>



<p><strong>BEST AUDIO THEATER PRODUCTION</strong></p>



<p>*<strong><em>Dreamgirls</em> on Clubhouse, Leroy Church</strong></p>



<p><em>Paradise Blue</em>, Williamstown Theatre Festival, Audible Theater</p>



<p><em>The Lion King</em> on Clubhouse, Noelle Chesnut Whitmore</p>



<p><em>Mugabe, My Dad &amp; Me</em>, Tonderai Munyevu, Audible Theater</p>



<p></p>



<p></p>



<p><strong>BEST MUSICAL&nbsp; ENSEMBLE&nbsp;</strong></p>



<p>*<em><strong>MJ: The Musical</strong></em></p>



<p>Paradise Square</p>



<p>A Strange Loop</p>



<p>Black No More</p>



<p>Intimate Apparel Opera</p>



<p>Caroline, Or Change</p>



<p>The Visitor</p>



<p></p>



<p></p>



<p><strong>BEST PLAY ENSEMBLE</strong>&nbsp;</p>



<p><em>Clyde’s</em></p>



<p>Thoughts of a Colored Man</p>



<p>Skeleton Crew</p>



<p>*<em><strong>for colored girls who have considered suicide/when the rainbow is enuf</strong></em></p>



<p><em>The Skin of Our Teeth</em></p>



<p><em>What To Send Up When It Goes Down</em></p>



<p><em>Wedding Band</em></p>



<p></p>



<p></p>



<p><strong>BEST MUSIC IN A PLAY</strong></p>



<p>Justin Hicks, <em>Cullud wattah</em></p>



<p>Justin Ellington, <em>Tambo &amp; Bones</em></p>



<p>Starr Busby, <em>On Sugarland</em></p>



<p>Alphonso Horne, <em>Wedding Band</em></p>



<p>*<strong>Bill Sims Jr., <em>Lackawanna Blues</em></strong></p>



<p>Jimmy Keys<em>, Skeleton Crew</em></p>



<p>Te’La and Kamauu, &amp; Keenan Scott II, <em>Thoughts of a Colored Man</em></p>



<p></p>



<p></p>



<p><strong>BEST ORCHESTRATION</strong></p>



<p>*<strong>Jason Michael Webb, <em>MJ: The Musical</em></strong></p>



<p>Joseph Joubert,<em> Caroline, Or Change</em></p>



<p>Daryl Waters<em>, Black No More</em></p>



<p></p>



<p></p>



<p><strong>BEST ORIGINAL SCORE</strong></p>



<p>*<strong>Michael R. Jackson, <em>A Strange Loop</em></strong></p>



<p>James Posner, Daryl Waters, Anthony Tidd, Tariq Trotter, <em>Black No More</em></p>



<p>Masi Asare, <em>Paradise Square</em></p>



<p></p>



<p></p>



<p><strong>BEST BOOK OF A MUSICAL</strong></p>



<p>John Ridley, <em>Black No More</em></p>



<p>Kwame Kweo-Armah<em>, The Visitor</em></p>



<p>Lynn Nottage, <em>Intimate Apparel Opera</em></p>



<p>*<strong>Lynn Nottage, <em>MJ: The Musical</em></strong></p>



<p></p>



<p><em>*A Strange Loop won this category in 2020. Artists are ineligible for nomination if previously won the category for the same work.</em></p>



<p></p>



<p></p>



<p><strong>BEST SOLO PERFORMANCE</strong></p>



<p>Laiona Michelle,<em> Little Girl Blue</em></p>



<p>*<strong>Ruben Santiago Hudson<em>, Lackawanna Blues</em></strong></p>



<p></p>



<p></p>



<p><strong>BEST ACTOR IN A PLAY (OFF-BROADWAY)</strong></p>



<p>Crystal A. Dickinson<em>, Cullud wattah</em></p>



<p>Susan Kelechi Watson, <em>Merry Wives</em></p>



<p>Kiki Layne, <em>On Sugarland</em></p>



<p>Kyle Beltran, <em>Case for the Existence of God</em></p>



<p>Daniel J. Watts, <em>The Last of the Love Letters</em></p>



<p>Jacob Ming-Trent, <em>Merry Wives</em></p>



<p>*<strong>Kristolyn Lloyd, <em>Confederates</em></strong></p>



<p></p>



<p></p>



<p><strong>BEST ACTOR IN A PLAY (BROADWAY)</strong></p>



<p>Namir Smallwood, <em>Pass Over</em></p>



<p>*<strong>Phylicia Rashad, <em>Skeleton Crew</em></strong></p>



<p>Ruth Negga, <em>Macbeth</em></p>



<p>Gabby Bean, <em>The Skin of Our Teeth</em></p>



<p>LaChanze, <em>Trouble In Mind</em></p>



<p>Uzo Aduba,<em> Clyde’s</em></p>



<p>Laurence Fishburne, <em>American Buffalo</em></p>



<p></p>



<p></p>



<p><strong>BEST ACTOR IN A MUSICAL ( OFF-BROADWAY)</strong></p>



<p>Kearstin Piper Brown, <em>Intimate Apparel Opera</em></p>



<p>Brittany Nicole Simpson, <em>Penelope, or How the Odyssey Was Really Written&nbsp;</em></p>



<p>Bryonha Marie Parham, <em>A Commercial Jingle for Regina Comet</em></p>



<p>Tariq Trotter,<em> Black No More</em></p>



<p>*<strong>Brandon Victor Dixon<em>, Black No More</em></strong></p>



<p>Justin Austin, <em>Intimate Apparel Opera</em></p>



<p></p>



<p></p>



<p><strong>BEST ACTOR IN A MUSICAL (BROADWAY)</strong></p>



<p>Myles Frost,<em> MJ: The Musical</em></p>



<p>*<strong>Joaquina Kalukango, <em>Paradise Square</em></strong></p>



<p>Jaquel Spivey, <em>A Strange Loop</em></p>



<p>Sharon D. Clarke, <em>Caroline, or Change</em></p>



<p></p>



<p></p>



<p><strong>BEST REVIVAL</strong></p>



<p><em>Macbeth</em></p>



<p>*<em><strong>Skeleton Crew</strong></em></p>



<p><em>Trouble in Mind</em></p>



<p><em>Twilight: Los Angeles, 1992</em></p>



<p><em>Merry Wives</em></p>



<p><em>The Skin of Our Teeth</em></p>



<p></p>



<p>*<em>For Colored Girls&#8230;won this category in 2020. Artists are ineligible for nomination if previously won the category for the same work.</em></p>



<p></p>



<p></p>



<p><strong>BEST PLAY</strong></p>



<p><em>Clyde’s</em> by Lynn Nottage</p>



<p>*<strong><em>Thoughts of a Colored Man</em> by Kennan Scott II</strong></p>



<p><em>Confederates</em> by Dominique Morisseau</p>



<p><em>What To Send Up When It Goes Down</em> by Aleshea Harris</p>



<p><em>Nollywood Dreams </em>by Jocelyn Bioh</p>



<p><em>On Sugarland</em> by Aleshea Harris</p>



<p><em>Cullud wattah</em> by Erika Dickerson-Despenza</p>



<p></p>



<p></p>



<p><strong>BEST MUSICAL</strong></p>



<p>MJ: The Musical</p>



<p>Paradise Square</p>



<p>*<strong>A Strange Loop</strong></p>



<p>Caroline, or Change</p>



<p>Intimate Apparel</p>



<p>Black No More</p>



<p></p>
<p>The post <a href="https://www.broadwayblack.com/the-2nd-annual-awards-by-broadway-black-full-winners-list/">The 2nd Annual Awards by Broadway Black: Full Winners List</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<item>
		<title>The 2nd Annual Antonyo Awards To Be Presented Live at the Legendary Apollo Theater</title>
		<link>https://www.broadwayblack.com/the-2nd-annual-antonyo-awards-to-be-presented-live-at-the-legendary-apollo-theater/</link>
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		<dc:creator><![CDATA[Drew Shade]]></dc:creator>
		<pubDate>Mon, 22 Aug 2022 15:53:00 +0000</pubDate>
				<category><![CDATA[#TheAntonyos]]></category>
		<category><![CDATA[Apollo Theater]]></category>
		<category><![CDATA[The Antonyo Awards]]></category>
		<guid isPermaLink="false">https://www.broadwayblack.com/?p=33139</guid>

					<description><![CDATA[<p>Broadway Black presents&#160;The 2nd Annual Antonyo Awards, which honors Black theatre artists during the 2021-2022 season.&#160;The live, in-person ceremony will be held on Monday, October 10 at the legendary Apollo Theater in Harlem (253 West 125th Street). Awards in 29 competitive and five honorary categories will be presented along with performances and guest appearances.&#160;The event [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/the-2nd-annual-antonyo-awards-to-be-presented-live-at-the-legendary-apollo-theater/">The 2nd Annual Antonyo Awards To Be Presented Live at the Legendary Apollo Theater</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p>Broadway Black presents&nbsp;<strong>The 2nd Annual Antonyo Awards</strong>, which honors Black theatre artists during the 2021-2022 season.&nbsp;The live, in-person ceremony will be held on Monday, October 10 at the legendary Apollo Theater in Harlem (253 West 125th Street). Awards in 29 competitive and five honorary categories will be presented along with performances and guest appearances.&nbsp;The event will be produced by Broadway Black’s&nbsp;<strong>Drew Shade</strong>,&nbsp;<strong>Eric Emauni</strong>,&nbsp;<strong>Jennifer Friedland</strong>,&nbsp;<strong>LaChanze</strong>,&nbsp;<strong>Tituss Burgess</strong>,&nbsp;<strong>Shoshana Bean</strong>,&nbsp;<strong>Tina Johnson-Marcel</strong>,&nbsp;<strong>Rashad T. Bailey</strong>,&nbsp;<strong>National Black Theatre</strong>&nbsp;and&nbsp;<strong>Level Forward.&nbsp;</strong>&nbsp;Co-Producers include<strong>&nbsp;DeRay Mckesson</strong>,&nbsp;<strong>Ezra Ezzard</strong>,&nbsp;<strong>Alexander Robertson</strong>,<strong>&nbsp;Crissle West</strong>&nbsp;and&nbsp;<strong>Ashley C. Ford</strong>.&nbsp;</p>



<p>&nbsp;<br>The Antonyo Awards were originally conceived in 2020 by Drew Shade of the multimedia company Broadway Black, which is dedicated to highlighting the achievements and successes of African American theatre artists on and off the Broadway stage.&nbsp;<br><br>The inaugural ceremony, presented on Juneteenth 2020, was live-streamed on YouTube and was heralded by international press, including The New York Times, NPR and the BBC. The 2020 Antonyo Awards were the first awards show to feature non-gendered categories.<br><br>“The Antonyo Awards were born to remind ourselves of the joy that Black theatre artists have created in a fractured country,” Shade commented. “For almost 10 years Broadway Black has championed Black voices in many different ways and we are thrilled to move from the well-received initial streaming broadcast in our first year to a fully produced awards ceremony at the legendary Apollo Theater, the centerpiece of live performance in Harlem.”</p>



<p class="has-text-align-left has-medium-font-size"><p class="has-text-align-left has-medium-font-size">Nominations for the 2022 Awards were announced on Monday, June 20, 2022 (Juneteenth Observed).<br><br>The nominating committee consisted of theatre professionals <strong>Alaina Newell</strong>, <strong>Ayanna Prescod</strong>, <strong>Brittani Samuel</strong>, <strong>Juan Michael Porter II</strong>, <strong>Eric Emauni</strong>, <strong>Drew Shade</strong>, <strong>Judith Lovell</strong>, and <strong>Cody Renard Richard</strong>.<br><br>Nominations for the 2021-2022 Antonyo Awards are: <br><br><strong>BEST FEATURED ACTOR IN A PLAY (OFF-BROADWAY) </strong><br>Abena, <em>Merry Wives</em><br>Stephanie Berry, <em>On Sugarland</em><br>Billy Eugene Jones, <em>On Sugarland</em><br>Andrea Patterson, <em>Confederates</em><br>Andrea Patterson, <em>Cullud Wattah</em><br>Alicia Pilgrim, <em>Cullud Wattah</em><br>Britton Smith, <em>To My Girls</em><br><br><strong>BEST FEATURED ACTOR IN A PLAY (BROADWAY)</strong><br>Ron Cephas Jones, <em>Clyde&#8217;s</em><br>Chuck Cooper, <em>Trouble in Mind</em><br>Brandon J. Dirden, <em>Skeleton Crew</em><br>Luke James, <em>Thoughts of a Colored Man</em><br>Tendayi Kuumba, <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>Kenita R. Miller, <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>Kara Young, <em>Clyde&#8217;s</em><br><br><strong>BEST FEATURED ACTOR IN A MUSICAL (OFF-BROADWAY)</strong><br>Justin Cooley, <em>Kimberly Akimbo</em><br>Adrianne Danrich, <em>Intimate Apparel</em><br>Alysha Deslorieux, <em>The Visitor</em><br>Tamika Lawrence, <em>Black No More</em><br>Ephraim Sykes, <em>Black No More</em><br>Lillias White, <em>Black No More</em><br><br><strong>BEST FEATURED ACTOR IN A MUSICAL (BROADWAY)</strong><br>Charity Angel Dawson, <em>Mrs. Doubtfire</em><br>Sidney DuPont, <em>Paradise Square</em><br>Ayana George, <em>MJ: The Musical</em><br>Jared Grimes, <em>Funny Girl</em><br>James Jackson Jr., <em>A Strange Loop</em><br>L Morgan Lee, <em>A Strange Loop</em><br>Tavon Olds-Sample, <em>MJ: The Musical</em><br><br><strong>BEST CHOREOGRAPHY</strong><br>Bill T. Jones, Chloe Davis, Gelan Lambert, <em>Paradise Square</em><br>Raja Feather Kelly, <em>A Strange Loop</em><br>Darrell Grand Moultrie, <em>Space Dogs</em><br>Adesola Osakalumi, <em>Skeleton Crew</em><br>Ellenore Scott &amp; Ayodele Casel, <em>Funny Girl</em><br>Ellenore Scott &amp; Jeffrey Alkins, <em>Mr. Saturday Night</em><br><br><strong>BEST DIRECTION (OFF-BROADWAY)</strong><br>Saheem Ali, <em>Merry Wives</em><br>Saheem Ali, <em>Nollywood Dreams</em><br>Stori Ayers, <em>Confederates</em><br>Candis C. Jones, <em>Cullud Wattah</em><br>Awoye Timpo, <em>Wedding Band</em><br>Whitney White, <em>On Sugarland</em><br><br><strong>BEST DIRECTION (BROADWAY)</strong><br>Lileana Blain-Cruz, <em>The Skin of Our Teeth</em><br>Steve H. Broadnax III, <em>Thoughts of a Colored Man</em><br>Camille A. Brown, <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>Zhailon Levingston<em>, Chicken &amp; Biscuits</em><br>Charles Randolph-Wright, <em>Trouble in Mind</em><br>Ruben Santiago-Hudson, <em>Skeleton Crew</em><br><br><strong>BEST LIGHTING DESIGN</strong><br>Kathy A. Perkins, <em>Trouble in Mind</em></p></p>



<p class="has-text-align-left has-medium-font-size"><p class="has-text-align-left has-medium-font-size"><span style="font-size: var(--wp--preset--font-size--medium) ;">Stacey Derosier, </span><em style="font-size: var(--wp--preset--font-size--medium) ;">Wedding Band</em><span style="font-size: var(--wp--preset--font-size--medium) ;"> </span></p></p>



<p class="has-text-align-left has-medium-font-size"><p class="has-text-align-left has-medium-font-size">Alan C. Edwards, <em>Twilight: Los Angeles, 1992</em><br><br><strong>BEST SCENIC DESIGN</strong><br>Chris Cumberbatch, <em>Gong Lum&#8217;s Legacy</em><br>Lawrence E. Moten III, <em>Chicken &amp; Biscuits</em><br><br><strong>BEST SOUND DESIGN</strong><br>Rena Anakwe, <em>Wedding Band</em><br>Justin Ellington, <em>Clyde&#8217;s</em><br>Justin Ellington, <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>Jimmy Keys, <em>Confederates</em><br>Twi McCallum, <em>Little Girl Blue</em><br>Mikaal Sulaiman, <em>On Sugarland</em><br><br><strong>BEST COSTUME DESIGN (OFF-BROADWAY)</strong><br>Dede M. Ayite, <em>Merry Wives</em><br>Dede M. Ayite, <em>Nollywood Dreams</em><br>Ari Fulton, <em>Confederates</em><br>Kara Harmon, <em>Cullud Wattah</em><br>Toni-Leslie James, <em>Suffs</em><br>Qween Jean, <em>On Sugarland</em><br><br><strong>BEST COSTUME DESIGN (BROADWAY)</strong><br>Montana Levi Blanco, <em>The Skin of Our Teeth</em><br>Sarafina Bush, <em>Pass Over</em><br>Sarafina Bush, <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>Toni-Leslie James, <em>Paradise Square</em><br>Emilio Sosa, <em>Skeleton Crew</em><br>Paul Tazewell, <em>MJ: The Musical</em><br><br><strong>BEST WIG/HAIR DESIGN (BROADWAY)</strong><br>Cookie Jordan, <em>Clyde&#8217;s</em><br>Cookie Jordan, <em>The Skin of Our Teeth</em><br>Nikiya Mathis, <em>Nollywood Dreams</em><br>Nikiya Mathis, <em>Confederates</em><br>Earon Chew Nealey, <em>Cullud Wattah</em><br>Earon Chew Nealey, <em>On Sugarland</em><br><br><strong>BEST DIGITAL THEATER PRODUCTION</strong><br><em>After Midnight</em>, Signature Theatre Streaming On Demand<br><em>The Last 5 Years</em>, Out of the Box Theatrics and Holmdel Theatre Company<br><em>Semblance</em>, New York Theatre Workshop<br><br><strong>BEST AUDIO THEATER PRODUCTION</strong><br><em>Dreamgirls on Clubhouse</em>, Leroy Church<br><em>The Lion King on Clubhouse</em>, Noelle Chesnut Whitmore<br><em>Mugabe, My Dad &amp; Me</em>, Tonderai Munyevu, Audible Theater<br><em>Paradise Blue</em>, Williamstown Theatre Festival, Audible Theater<br><br><strong>BEST MUSICAL ENSEMBLE</strong><br><em>Black No More</em><br><em>Caroline, Or Change</em><br><em>Intimate Apparel </em><br><em>MJ: The Musical</em><br><em>Paradise Square</em><br><em>A Strange Loop</em><br><em>The Visitor</em><br><br><strong>BEST PLAY ENSEMBLE</strong><br><em>Clyde&#8217;s</em><br><em>for colored girls who have considered suicide/when the rainbow is enuf</em><br><em>Skeleton Crew</em><br><em>The Skin of Our Teeth</em><br><em>Thoughts of a Colored Man</em><br><em>What To Send Up When It Goes Down</em><br><em>Wedding Band</em><br><br><strong>BEST MUSIC IN A PLAY</strong><br>Starr Busby, <em>On Sugarland</em><br>Justin Ellington, <em>Tambo &amp; Bones</em><br>Justin Hicks, <em>Cullud Wattah</em><br>Alphonso Horne, <em>Wedding Band</em><br>Te&#8217;La and Kamauu, &amp; Keenen Scott II, <em>Thoughts of a Colored Man</em><br>Jimmy Keys, <em>Skeleton Crew</em><br>Bill Sims Jr., <em>Lackawanna Blues</em><br><br><strong>BEST ORCHESTRATION</strong><br>Joseph Joubert, <em>Caroline, or Change</em><br>Daryl Waters, <em>Black No More</em><br>Jason Michael Webb, <em>MJ: The Musical</em><br><br><strong>BEST ORIGINAL SCORE</strong><br>Masi Asare, <em>Paradise Square</em><br>Michael R. Jackson, <em>A Strange Loop</em><br>James Posner, Daryl Waters, Anthony Tidd, Tariq Trotter, <em>Black No More</em><br><br><strong>BEST BOOK OF A MUSICAL</strong><br>Kwame Kweo-Armah, <em>The Visitor</em><br>Lynn Nottage,<em> Intimate Apparel</em><br>Lynn Nottage, <em>MJ: The Musical</em><br>John Ridley, <em>Black No More</em><br><br>*NOTE: <em>A Strange Loop</em> was ineligible, as it won this category in 2020. Productions are ineligible for nomination if they have previously won the category for the same work.<br><br><strong>BEST SOLO PERFORMANCE</strong><br>Ruben Santiago-Hudson, <em>Lackawanna Blues</em><br>Laiona Michelle, <em>Little Girl Blue</em><br><br><strong>BEST ACTOR IN A PLAY (OFF-BROADWAY)</strong><br>Kyle Beltran, <em>Case for the Existence of God</em><br>Crystal A. Dickinson, <em>Cullud Wattah</em><br>Susan Kelechi Watson, <em>Merry Wives</em><br>Kiki Layne, <em>On Sugarland</em><br>Kristolyn Lloyd, <em>Confederates</em><br>Jacob Ming-Trent, <em>Merry Wives</em><br>Daniel J. Watts, <em>The Last of the Love Letters</em><br><br><strong>BEST ACTOR IN A PLAY (BROADWAY)</strong><br>Uzo Aduba, <em>Clyde&#8217;s</em><br>Gabby Beans, <em>The Skin of Our Teeth</em><br>Laurence Fishburne, <em>American Buffalo</em><br>LaChanze, <em>Trouble in Mind</em><br>Ruth Negga, <em>Macbeth</em><br>Phylicia Rashad, <em>Skeleton Crew</em><br>Namir Smallwood, <em>Pass Over</em><br><br><strong>BEST ACTOR IN A MUSICAL (OFF-BROADWAY)</strong><br>Justin Austin, <em>Intimate Apparel </em><br>Kearstin Piper Brown, <em>Intimate Apparel</em><br>Brandon Victor Dixon, <em>Black No More</em><br>Britney Nicole Simpson, <em>Penelope, or How the Odyssey Was Really Written</em><br>Bryonha Marie Parham, <em>A Commercial Jingle for Regina Comet</em><br>Tariq Trotter, <em>Black No More</em><br><br><strong>BEST ACTOR IN A MUSICAL (BROADWAY)</strong><br>Sharon D. Clarke, <em>Caroline, or Change</em><br>Myles Frost, <em>MJ: The Musical</em><br>Joaquina Kalukango, <em>Paradise Square</em><br>Jaquel Spivey, <em>A Strange Loop</em><br><br><strong>BEST REVIVAL</strong><br><em>Macbeth</em><br><em>Skeleton Crew</em><br><em>Trouble in Mind</em><br><em>Twilight: Los Angeles, 1992</em><br><em>Merry Wives</em><br><em>The Skin of Our Teeth</em><br><br>**NOTE: <em>for colored girls who have considered suicide/when the rainbow is enuf</em><br>was ineligible, as it won this category in 2020. Productions are ineligible for nomination if they have previously won the category.<br><br><strong>BEST PLAY</strong><br><em>Clyde&#8217;s </em>by Lynn Nottage<br><em>Confederates</em> by Dominique Morisseau<br><em>Cullud Wattah</em> by Erika Dickerson-Despenza<br><em>Nollywood Dreams</em> by Jocelyn Bioh<br><em>On Sugarland</em> by Aleshea Harris<br><em>Thoughts of a Colored Man</em> by Keenan Scott II<br><em>What To Send Up When It Goes Down</em> by Aleshea Harris<br><br><strong>BEST MUSICAL</strong><br><em>Black No More</em><br><em>Caroline, or Change</em><br><em>Intimate Apparel</em><br><em>MJ: The Musical</em><br><em>Paradise Square</em><br><em>A Strange Loop</em><br><br><strong>LORRAINE HANSBERRY AWARD</strong><br>This award is given to a Black female-identified or nonbinary femme playwright/book writer whose contributions to the stage have exemplified the balance of dynamic storytelling and social justice ideologies. </p></p>



<p><strong><em>Erika Dickerson-Despenza</em></strong><br><br><strong>LANGSTON HUGHES AWARD</strong><br>This award is given to a Black male-identified or nonbinary masc playwright/book writer whose contributions to the stage have exemplified the balance of dynamic storytelling and social justice ideologies.<br><br><strong><em>Mansa Ra</em></strong></p>



<p><strong>THE DOORS OF THE THEATRE ARE OPEN AWARD OR THE DR. BARBARA ANN TEER AWARD</strong><br>This award is presented to a theatre company or brick-and-mortar theatre that has demonstrated a fervent commitment to celebrating and uplifting the full breadth of Black people’s humanity.&nbsp;</p>



<p><strong><em>Karamu House&nbsp;</em></strong><em>in Cleveland, Ohio</em></p>



<p><strong>THE WELCOME AWARD OR THE KYLE JEAN-BAPTISTE AWARD</strong><br>This award is presented to newcomers in the New York Black Theatre scene who show great promise to contribute a great deal to our community.<br><br><strong><em>Esco Jouléy&nbsp;</em></strong><em>for their work in Wolf Play</em></p>



<p><strong>THE LIFETIME ACHIEVEMENT ANTONYO AWARD</strong><br><br><strong><em>Leslie Uggams</em></strong><br><br>Shows by nominations:<br><br><em>Black No More</em>&nbsp;– 10&nbsp;<br><em>On Sugarland</em>&nbsp;– 9<br><em>Cullud Wattah</em>&nbsp;– 8<br><em>MJ: The Musical</em>&nbsp;– 8&nbsp;<br><em>Skeleton Crew</em>&nbsp;– 8<br><em>A Strange Loop</em>&nbsp;&#8211; 7&nbsp;<br><em>Clyde’s</em>&nbsp;– 7&nbsp;<br><em>Confederates</em>&nbsp;– 7&nbsp;&nbsp;<br><em>Paradise Square</em>&nbsp;– 7&nbsp;<br><em>Intimate Apparel</em>&nbsp;– 6&nbsp;<br><em>Merry Wives</em>&nbsp;– 6<br><em>The Skin of Our Teeth</em>&nbsp;– 6&nbsp;<br><em>Thoughts of a Colored Man</em>&nbsp;– 5&nbsp;<br><em>Wedding Band</em>&nbsp;– 5&nbsp;<br><em>Caroline, or Change</em>&nbsp;– 4&nbsp;<br><em>for colored girls&#8230;</em>&nbsp;– 4&nbsp;<br><em>Nollywood Dreams</em>&nbsp;– 4&nbsp;<br><em>Trouble in Mind</em>&nbsp;– 4<br><em>Chicken &amp; Biscuits</em>&nbsp;– 2&nbsp;<br><em>Funny Girl</em>&nbsp;– 2&nbsp;<br><em>Lackawanna Blues</em>&nbsp;– 2&nbsp;<br><em>Little Girl Blue</em>&nbsp;– 2&nbsp;<br><em>Macbeth</em>&nbsp;– 2&nbsp;<br><em>Pass Over</em>&nbsp;– 2&nbsp;<br><em>Twilight: Los Angeles, 1992</em>&nbsp;– 2&nbsp;<br><em>The Visitor</em>&nbsp;– 2<br><em>What to Send Up When It Goes Down</em>&nbsp;– 2&nbsp;<br><em>After Midnight</em>&nbsp;– 1&nbsp;<br><em>American Buffalo</em>&nbsp;– 1&nbsp;<br><em>Case for the Existence of God</em>&nbsp;&#8211; 1<br><em>A Commercial Jingle for Regina Comet</em>&nbsp;&#8211; 1<br><em>Dreamgirls on Clubhouse</em>&nbsp;– 1&nbsp;<br><em>Gong Lum’s Legacy</em>&nbsp;– 1&nbsp;<br><em>Kimberly Akimbo</em>&nbsp;– 1<br><em>The Last 5 Years</em>&nbsp;– 1&nbsp;<br><em>The Last of the Love Letters</em>&nbsp;&#8211; 1<br><em>The Lion King on Clubhouse</em>&nbsp;– 1&nbsp;<br><em>Penelope, or How the Odyssey Was Really Written</em>&nbsp;&#8211; 1<br><em>Mr. Saturday Night</em>&nbsp;– 1&nbsp;&nbsp;<br><em>Mrs. Doubtfire</em>&nbsp;– 1&nbsp;<br><em>Mugabe, My Dad &amp; Me</em>&nbsp;– 1<br><em>Paradise Blue</em>&nbsp;– 1&nbsp;<br><em>Semblance</em>&nbsp;– 1&nbsp;<br><em>Space Dogs</em>&nbsp;– 1&nbsp;<br><em>Suffs</em>&nbsp;– 1&nbsp;<br><em>Tambo &amp; Bones</em>&nbsp;&#8211; 1<br><em>To My Girls</em>&nbsp;– 1</p>
<p>The post <a href="https://www.broadwayblack.com/the-2nd-annual-antonyo-awards-to-be-presented-live-at-the-legendary-apollo-theater/">The 2nd Annual Antonyo Awards To Be Presented Live at the Legendary Apollo Theater</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<title>The 2nd Annual Antonyo Award Nominations</title>
		<link>https://www.broadwayblack.com/2nd-annual-antonyo-award-nominations/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Tue, 21 Jun 2022 17:08:28 +0000</pubDate>
				<category><![CDATA[#TheAntonyos]]></category>
		<category><![CDATA[Award Nominations]]></category>
		<category><![CDATA[Awards Nominees & Winners]]></category>
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					<description><![CDATA[<p>Broadway Black is pleased to announce that the Antonyo Awards will be returning this Fall for an in-person celebration that will also be live-streamed. www.AntonyoAwards.com Find the full list of nominees for the 2021-2022 Antonyo Awards below: BEST FEATURED ACTOR IN A PLAY (OFF-BROADWAY) Andrea Patterson, Confederates Abena, Merry Wives Stephanie Berry, On Sugarland Billy [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/2nd-annual-antonyo-award-nominations/">The 2nd Annual Antonyo Award Nominations</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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<p><strong>Broadway Black</strong> is pleased to announce that the <strong>Antonyo Awards</strong> <a href="https://www.broadwayblack.com/antonyo-awards-return-this-fall-nomination-ceremony-june-20th/" target="_blank" rel="noreferrer noopener"><em>will be returning</em> </a>this Fall for an in-person celebration that will also be live-streamed. www.AntonyoAwards.com</p>



<p>Find the full list of nominees for the 2021-2022 Antonyo Awards below:</p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A PLAY (OFF-BROADWAY)</strong></p>



<p>Andrea Patterson, <em>Confederates</em></p>



<p><em></em>Abena, <em>Merry Wives</em></p>



<p>Stephanie Berry, <em>On Sugarland</em></p>



<p>Billy Eugene Jones, <em>On Sugarland</em></p>



<p>Britton Smith, <em>To My Girls</em></p>



<p>Andrea Patterson, <em>Cullud wattah</em></p>



<p>Alicia Pilgrim, <em>Cullud wattah</em> </p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A PLAY (BROADWAY)</strong></p>



<p>Kara Young, <em>Clyde’s</em></p>



<p>Ron Cephas Jones,<em> Clyde’s</em></p>



<p>Chuck Cooper, <em>Trouble in Mind</em></p>



<p><em></em>Kenita R.. Miller, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Tendayi Kuumba, &nbsp;<em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Brandon J. Dirden, <em>Skeleton Crew</em></p>



<p>Luke James, <em>Thoughts of a Colored Man</em></p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A MUSICAL (OFF-BROADWAY)</strong></p>



<p>Alysha Deslorieux, <em>The Visitor </em></p>



<p>Tamika Sonja Lawrence, <em>Black No More</em></p>



<p>Ephraim Sykes, <em>Black No More</em></p>



<p>Lillias White, <em>Black No More</em></p>



<p><em></em>Adrianne Danrich<em>, Intimate Apparel Opera</em></p>



<p>Justin Cooley, <em>Kimberly Akimbo</em></p>



<p></p>



<p><strong>BEST FEATURED ACTOR IN A MUSICAL (ON BROADWAY)</strong></p>



<p>Tavon Olds-Sample, <em>MJ: The Musical&nbsp;</em></p>



<p>Ayana George, <em>MJ: The Musical</em></p>



<p>L Morgan Lee, <em>A Strange Loop</em></p>



<p>James Jackson Jr., <em>A Strange Loop</em></p>



<p>Jared Grimes, <em>Funny Girl</em></p>



<p>Sidney Dupont, <em>Paradise Square</em></p>



<p>Charity Angel Dawson, <em>Mrs. Doubtfire</em></p>



<p></p>



<p><strong>BEST CHOREOGRAPHY</strong></p>



<p>Ellenore Scott &amp; Jeffrey Alkins, <em>Mr. Saturday Night</em></p>



<p>Bill T. Jones, Chloe Davis, Gelan Lambert, <em>Paradise Square</em></p>



<p>Raja Feather Kelly, <em>A Strange Loop</em></p>



<p>Ellenore Scott &amp; Ayodele Casel, <em>Funny Girl</em></p>



<p>Adesola Osakulumi,<em> Skeleton Crew</em></p>



<p>Darrell Grand Moultrie, <em>Space Dogs</em></p>



<p></p>



<p><strong>BEST DIRECTION (OFF-BROADWAY)</strong></p>



<p>Stori Ayers, <em>Confederates</em></p>



<p>Saheem Ali, <em>Merry Wives</em></p>



<p>Candis C. Jones, <em>Cullud wattah</em></p>



<p>Whitney White,<em> On Sugarland</em></p>



<p>Awoye Timpo, <em>Wedding Band</em></p>



<p>Saheem Ali, <em>Nollywood Dreams</em></p>



<p></p>



<p><strong>BEST DIRECTION (BROADWAY)</strong></p>



<p>Zhailon Levingston, <em>Chicken &amp; Biscuits</em></p>



<p>Steve H. Broadnax III, <em>Thoughts of a Colored Man</em></p>



<p>Ruben Santiago Hudson, <em>Skeleton Crew</em></p>



<p>Camille A. Brown, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Charles Randolph-Wright<em>, Trouble In Mind</em></p>



<p>Lileana Blain-Cruz, <em>The Skin of Our Teeth</em></p>



<p></p>



<p><strong>BEST LIGHTING DESIGN</strong></p>



<p>Stacey Derosier, <em>Wedding Band</em></p>



<p>Alan C. Edwards, <em>Twilight: Los Angeles, 1992</em></p>



<p>Kathy A. Perkins, <em>Trouble In Mind</em></p>



<p><strong>BEST SCENIC DESIGN</strong></p>



<p>Chris Cumberbatch, <em>Gong Lum’s Legacy</em></p>



<p>Lawrence E. Moten III, <em>Chicken &amp; Biscuits</em></p>



<p></p>



<p><strong>BEST SOUND DESIGN</strong></p>



<p>Mikaal Sulaiman, On Sugarland</p>



<p>Jimmy Keys, <em>Confederates</em></p>



<p>Rena Anakwe, <em>Wedding Band</em></p>



<p>Justin Ellington, <em>Clyde’s</em></p>



<p>Justin Ellington, <em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Twi McCallum, <em>Little Girl Blue</em></p>



<p></p>



<p><strong>BEST COSTUME DESIGN (OFF-BROADWAY)&nbsp;</strong></p>



<p>Ari Fulton, <em>Confederates</em></p>



<p>Dede M. Ayite, <em>Merry Wives</em></p>



<p>Dede M. Ayite, <em>Nollywood Dreams</em></p>



<p>Qween Jean, <em>On Sugarland</em></p>



<p>Kara Harmon, <em>Cullud wattah</em></p>



<p>Toni-Leslie James, <em>Suffs</em></p>



<p></p>



<p><strong>BEST COSTUME DESIGN (BROADWAY)</strong></p>



<p>Paul Tazewell, <em>MJ: The Musical</em></p>



<p><em></em>Toni-Leslie James, <em>Paradise Square</em></p>



<p>Sarafina Bush<em>, Pass Over</em></p>



<p><em></em>Emilio Sosa<em>, Skeleton Crew</em></p>



<p><em></em>Sarafina Bush<em>, </em><em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p>Montana Levi Blanco, <em>The Skin of Our Teeth</em></p>



<p></p>



<p><strong>BEST WIG/HAIR&nbsp; DESIGN</strong></p>



<p>Nikiya Mathis, <em>Nollywood Dreams</em></p>



<p>Earon Chew Nealey <em>On Sugarland</em></p>



<p>Cookie Jordan<em>, The Skin of Our Teeth</em></p>



<p><em></em><em>Cookie Jordan Clyde’s</em></p>



<p><em></em>Nikiya Mathis,<em> Confederates</em></p>



<p>Earon Chew Nealey, <em>Cullud wattah</em></p>



<p></p>



<p><strong>BEST DIGITAL THEATER PRODUCTION</strong></p>



<p><em>The Last 5 Years</em>,&nbsp; Out of the Box Theatrics</p>



<p><em>Semblance</em>, New York Theatre Workshop</p>



<p><em>After Midnight</em>, Signature Theatre Streaming On Demand</p>



<p></p>



<p><strong>BEST AUDIO THEATER PRODUCTION</strong></p>



<p><em>Dreamgirls</em> on Clubhouse, Leroy Church</p>



<p><em>Paradise Blue</em>, Williamstown Theatre Festival, Audible Theater</p>



<p><em>The Lion King</em> on Clubhouse, Noelle Chesnut Whitmore</p>



<p><em>Mugabe, My Dad &amp; Me</em>, Tonderai Munyevu, Audible Theater</p>



<p></p>



<p><strong>BEST MUSICAL&nbsp; ENSEMBLE&nbsp;</strong></p>



<p><em>MJ: The Musical</em></p>



<p>Paradise Square</p>



<p>A Strange Loop</p>



<p>Black No More</p>



<p>Intimate Apparel Opera</p>



<p>Caroline, Or Change</p>



<p>The Visitor</p>



<p></p>



<p><strong>BEST PLAY ENSEMBLE</strong>&nbsp;</p>



<p><em>Clyde’s</em></p>



<p>Thoughts of a Colored Man</p>



<p>Skeleton Crew</p>



<p><em>for colored girls who have considered suicide/when the rainbow is enuf</em></p>



<p><em>The Skin of Our Teeth</em></p>



<p><em>What To Send Up When It Goes Down</em></p>



<p><em>Wedding Band</em></p>



<p></p>



<p><strong>BEST MUSIC IN A PLAY</strong></p>



<p>Justin Hicks, <em>Cullud wattah</em></p>



<p>Justin Ellington, <em>Tambo &amp; Bones</em></p>



<p>Starr Busby, <em>On Sugarland</em></p>



<p>Alphonso Horne, <em>Wedding Band</em></p>



<p>Bill Sims Jr., <em>Lackawanna Blues</em></p>



<p>Jimmy Keys<em>, Skeleton Crew</em></p>



<p>Te’La and Kamauu, &amp; Keenan Scott II, <em>Thoughts of a Colored Man</em></p>



<p></p>



<p><strong>BEST ORCHESTRATION</strong></p>



<p>Jason Michael Webb, <em>MJ: The Musical</em></p>



<p>Joseph Joubert,<em> Caroline, Or Change</em></p>



<p>Daryl Waters<em>, Black No More</em></p>



<p></p>



<p><strong>BEST ORIGINAL SCORE</strong></p>



<p>Michael R. Jackson, <em>A Strange Loop</em></p>



<p>James Posner, Daryl Waters, Anthony Tidd, Tariq Trotter, <em>Black No More</em></p>



<p>Masi Asare, <em>Paradise Square</em></p>



<p></p>



<p><strong>BEST BOOK OF A MUSICAL</strong></p>



<p>John Ridley, <em>Black No More</em></p>



<p>Kwame Kweo-Armah<em>, The Visitor</em></p>



<p>Lynn Nottage, <em>Intimate Apparel Opera</em></p>



<p>Lynn Nottage, <em>MJ: The Musical</em></p>



<p></p>



<p><em>*A Strange Loop won this category in 2020. Artists are ineligible for nomination if previously won the category for the same work.</em></p>



<p></p>



<p><strong>BEST SOLO PERFORMANCE</strong></p>



<p>Laiona Michelle,<em> Little Girl Blue</em></p>



<p>Ruben Santiago Hudson<em>, Lackawanna Blues</em></p>



<p></p>



<p><strong>BEST ACTOR IN A PLAY (OFF-BROADWAY)</strong></p>



<p>Crystal A. Dickinson<em>, Cullud wattah</em></p>



<p>Susan Kelechi Watson, <em>Merry Wives</em></p>



<p>Kiki Layne, <em>On Sugarland</em></p>



<p>Kyle Beltran, <em>Case for the Existence of God</em></p>



<p>Daniel J. Watts, <em>The Last of the Love Letters</em></p>



<p>Jacob Ming-Trent, <em>Merry Wives</em></p>



<p>Kristolyn Lloyd, <em>Confederates</em></p>



<p></p>



<p><strong>BEST ACTOR IN A PLAY (BROADWAY)</strong></p>



<p>Namir Smallwood, <em>Pass Over</em></p>



<p>Phylicia Rashad, <em>Skeleton Crew</em></p>



<p>Ruth Negga, <em>Macbeth</em></p>



<p>Gabby Bean, <em>The Skin of Our Teeth</em></p>



<p>LaChanze, <em>Trouble In Mind</em></p>



<p>Uzo Aduba,<em> Clyde’s</em></p>



<p>Laurence Fishburne, <em>American Buffalo</em></p>



<p></p>



<p><strong>BEST ACTOR IN A MUSICAL ( OFF-BROADWAY)</strong></p>



<p>Kearstin Piper Brown, <em>Intimate Apparel Opera</em></p>



<p>Brittany Nicole Simpson, <em>Penelope, or How the Odyssey Was Really Written&nbsp;</em></p>



<p>Bryonha Marie Parham, <em>A Commercial Jingle for Regina Comet</em></p>



<p>Tariq Trotter,<em> Black No More</em></p>



<p>Brandon Victor Dixon<em>, Black No More</em></p>



<p>Justin Austin, <em>Intimate Apparel Opera</em></p>



<p></p>



<p><strong>BEST ACTOR IN A MUSICAL (BROADWAY)</strong></p>



<p>Myles Frost,<em> MJ: The Musical</em></p>



<p>Joaquina Kalukango, <em>Paradise Square</em></p>



<p>Jaquel Spivey, <em>A Strange Loop</em></p>



<p>Sharon D. Clarke, <em>Caroline, or Change</em></p>



<p></p>



<p><strong>BEST REVIVAL</strong></p>



<p><em>Macbeth</em></p>



<p><em>Skeleton Crew</em></p>



<p><em>Trouble in Mind</em></p>



<p><em>Twilight: Los Angeles, 1992</em></p>



<p><em>Merry Wives</em></p>



<p><em>The Skin of Our Teeth</em></p>



<p></p>



<p>*<em>For Colored Girls&#8230;won this category in 2020. Artists are ineligible for nomination if previously won the category for the same work.</em></p>



<p></p>



<p><strong>BEST PLAY</strong></p>



<p><em>Clyde’s</em> by Lynn Nottage</p>



<p><em>Thoughts of a Colored Man</em> by Kennan Scott II</p>



<p><em>Confederates</em> by Dominique Morisseau</p>



<p><em>What To Send Up When It Goes Down</em> by Aleshea Harris</p>



<p><em>Nollywood Dreams </em>by Jocelyn Bioh</p>



<p><em>On Sugarland</em> by Aleshea Harris</p>



<p><em>Cullud wattah</em> by Erika Dickerson-Despenza</p>



<p></p>



<p><strong>BEST MUSICAL</strong></p>



<p>MJ: The Musical</p>



<p>Paradise Square</p>



<p>A Strange Loop</p>



<p>Caroline, or Change</p>



<p>Intimate Apparel</p>



<p>Black No More</p>



<p></p>



<p>KINFOLK AWARDS&nbsp;will be announced by Broadway Black at a later date.</p>
<p>The post <a href="https://www.broadwayblack.com/2nd-annual-antonyo-award-nominations/">The 2nd Annual Antonyo Award Nominations</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">30273</post-id>	</item>
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		<title>Phylicia Rashad Will Star In Tarell Alvin McCraney’s Head Of Passes at The Public Theater</title>
		<link>https://www.broadwayblack.com/phylicia-rashad-will-star-tarell-alvin-mccraneys-head-passes-public-theater/</link>
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		<dc:creator><![CDATA[Drew Shade]]></dc:creator>
		<pubDate>Wed, 11 Nov 2015 17:29:55 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Celebrity Takeover]]></category>
		<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[Hot Topics]]></category>
		<category><![CDATA[Leads & Legends]]></category>
		<category><![CDATA[Surprise!]]></category>
		<category><![CDATA[What The Cast Look Like]]></category>
		<category><![CDATA[Alana Arenas]]></category>
		<category><![CDATA[Francois Battiste]]></category>
		<category><![CDATA[J. Bernard Calloway]]></category>
		<category><![CDATA[Kyle Beltran]]></category>
		<category><![CDATA[Phylicia Rashad]]></category>
		<category><![CDATA[Tarell Alvin McCraney]]></category>
		<category><![CDATA[The Public Theater]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=11793</guid>

					<description><![CDATA[<p>What is life right now?! Well, we&#8217;ll tell you. Life is heaven because it was announced today that Phylicia Rashad will return to the stage in Tarell Alvin McCraney&#8217;s Head of Passes. The show will play The Public Theater, starting with previews on March 15th. The play will be directed by Tina Landau. Phylicia Rashad returns to The [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/phylicia-rashad-will-star-tarell-alvin-mccraneys-head-passes-public-theater/">Phylicia Rashad Will Star In Tarell Alvin McCraney’s Head Of Passes at The Public Theater</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>What is life right now?! Well, we&#8217;ll tell you. Life is heaven because it was announced today that <strong>Phylicia Rashad</strong> will return to the stage in Tarell Alvin McCraney&#8217;s <em>Head of Passes</em>. The show will play The Public Theater, starting with previews on March 15th. The play will be directed by <b>Tina Landau</b>. Phylicia Rashad<b> </b>returns to The Public to play “Shelah” in this deeply moving new drama about family, acceptance, and the power of faith.  Rashad last appeared at The Public in <i>The Story </i>by Tracey Scott Wilson in 2003. An official press opening will happen on Monday, March 28.</p>
<p>We previously talked about a run of<em> Head of Passes</em> at Berkeley Repertory Theatre to rave reviews back in May starring <strong>Cheryl Lynn Bruce</strong>. So, we&#8217;re so excited that Tony Award winner Phylicia Rashad has signed on and that this new mounting is a co-production with Berkley Rep. Joining her in the cast of the nine person play includes <b>Alana Arenas</b> (<i>Cookie</i>), <b>Francois Battiste </b>(<i>Aubrey</i>), <b>Kyle Beltran </b>(<i>Crier</i>), and <b>J. Bernard Calloway </b>(<i>Spencer</i>). This is something you do not want to miss. The show is being billed as follows:</p>
<blockquote>
<div>
<div>
<p><span style="color: #333333;">Tarell Alvin McCraney, MacArthur Award-winning playwright of the acclaimed <i>Brother/Sister Plays</i>, has written a poetic and contemporary parable inspired by the Book of Job. At the mouth of the Mississippi River, Shelah’s family and friends have come to celebrate her birthday and save her from a leaking roof, but unexpected events turn the reunion into the ultimate test of faith and love. As her world seems to collapse around her, Shelah must fight to survive the rising flood of life’s greatest challenges. </span></p>
</div>
</div>
</blockquote>
<div>
<p style="text-align: center;"><em>Watch a discussion at Head of Passes with the playwright Tarell Alvin McCraney below!</em></p>
</div>
<p><iframe src="https://www.youtube.com/embed/aqu7vbm2SYc" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<div>
<p>You know how tickets fly at the The Public Theatre so get them as soon as you can! Do whatever you need to do  but do not miss this show. Just in case you don&#8217;t understand why we&#8217;re so excited about Queen Rashad taking on this role, check her résumé and see how much she slays. Long after the Cosby days she has made waves in the theatre world.</p>
</div>
<blockquote>
<div>
<div>
<p><b>PHYLICIA RASHAD </b>(<i>Shelah</i>) was last seen at The Public in <i>The Story </i>by Tracey Scott Wilson in 2003, as well as in <i>Helen </i>in 2002, and <i>Everybody’s Rudy </i>in 1999. She is a versatile performer who became a household name when she portrayed “Claire Huxtable” on “The Cosby Show<i>,</i>”<i> </i>a character whose appeal has earned numerous honors and awards for over two decades. While television was a catalyst in the rise of Rashad&#8217;s career, she has also been a force on the stage, appearing both on and off-Broadway, often in projects that showcase her musical talent such as <i>Jelly&#8217;s Last Jam, Into The Woods, Dreamgirls</i>, and <i>The Wiz</i>. As a dramatic actress, Rashad has appeared on Broadway in <i>August Osage County,</i> <i>Cat on a Hot Tin</i> <i>Roof</i> (also West End), <i>Gem Of The Ocean </i>(Tony nomination), <i>A Raisin in the Sun </i>(Drama Desk and Tony Awards) and <i>Cymbeline</i>. She appeared in Tyler Perry&#8217;s <i>Good Deeds, </i>and starred in Perry&#8217;s highly acclaimed film version of Ntozake Shange’s <i>For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf. </i>She made her directorial debut at the Seattle Repertory Theater with August Wilson&#8217;s <i>Gem of the Ocean </i>and has directed works at<i> </i>The Ebony Repertory, Kirk Douglas Theatre, Westport County Playhouse, Mark Taper, Longwharf Theatre, and the McCarter Theatre. Rashad has received numerous honorary doctorate degrees and awards for excellence both in theater and television.</p>
</div>
</div>
</blockquote>
<p>The post <a href="https://www.broadwayblack.com/phylicia-rashad-will-star-tarell-alvin-mccraneys-head-passes-public-theater/">Phylicia Rashad Will Star In Tarell Alvin McCraney’s Head Of Passes at The Public Theater</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">11793</post-id>	</item>
		<item>
		<title>Kyle Beltran Stars In The Flick At Barrow Street Theatre</title>
		<link>https://www.broadwayblack.com/kyle-beltran-stars-flick-barrow-street-theatre/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Tue, 29 Sep 2015 20:21:06 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Good Works]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Barrow Street Theatre]]></category>
		<category><![CDATA[Kyle Beltran]]></category>
		<category><![CDATA[The Flick]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=9375</guid>

					<description><![CDATA[<p>Annie Baker’s Pulitzer Prize- and Obie Award-winning The Flick re-opened Off-Broadway at Barrow Street Theatre in May with the original cast and creative team. A new cast has take over, including Kyle Beltran, who made his Broadway debut replacing Lin-Manuel Miranda in the Tony-winning In The Heights. The Flick, directed by Sam Gold, is set in a run-down movie [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/kyle-beltran-stars-flick-barrow-street-theatre/">Kyle Beltran Stars In The Flick At Barrow Street Theatre</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Annie Baker’s Pulitzer Prize- and Obie Award-winning <i>The Flick</i> re-opened Off-Broadway at Barrow Street Theatre in May with the original cast and creative team. A new cast has take over, including <strong>Kyle Beltran</strong>, who made his Broadway debut replacing Lin-Manuel Miranda in the Tony-winning <i><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/heights-hamilton-talks-hollywood/">In The Heights</a></span>.</i></p>
<p><i>The Flick</i>, directed by Sam Gold, is set in a run-down movie theatre in Worcester, Massachusetts. Three low-wage ushers, at various points in their lives and careers, clean the house and attend to one of the last 35 millimeter film projectors in the state.</p>
<p>For three hours.</p>
<p>And 10 minutes.</p>
<p>In <em>The Flick</em>: “&#8230;tiny battles and not-so-tiny heartbreaks play out in the empty aisles, becoming more gripping than the lackluster, second-run movies on screen.”  In each scene of the play, characters clean the theatre after moviegoers have left, sometimes without any words said. The production has met with empty seats after intermission, but Baker is praised for her rich characters and entertaining dialogue, as theatre seats are pit against movie theater seats.</p>
<p>In an interview with <em>Variety</em>, Baker said she was inspired by “watching ushers clean up after movies, and becoming aware of them and of the theatre of that, the theatre act following the movie.” She went on to say: “That was really exciting to me. And watching a bunch of independent small town theaters make the shift from film to digital and what that meant for the viewing experience, what that meant for the theater, and what that meant for the daily life of the ushers and projectionists.”</p>
<p>From 2012-2013, 75 percent of movie theaters in the U.S. converted to digital technology, according to Baker during an NPR interview. A play with that as a foundation would seem quite the Seinfeld “show about nothing.” But it&#8217;s an intriguing concept for a setting to deliver a “hilarious and heart-rending cry for authenticity in a fast-changing world,” as noted about the play.</p>
<p>Interestingly, the Playwrights Horizons artistic director Tim Sanford sent letters to subscribers who complained of the show’s length. Yet, he was met with much more commendation from others, and it was decided not to edit the play’s run time. Moreover, <i>The Flick</i> is the sixth production to premiere at Playwrights Horizons and go on to win a Pulitzer.</p>
<p>Joining Beltran (Avery) – who went on as &#8220;Usnavi&#8221; for the 2009 national tour of In <em>The Heights</em> – will be Brian Miskell (Skylar/The Dreaming Man) and Nicole Rodenburg (Rose). They replace Clifton Moten, Alex Hanna and Louisa Krause, while Matthew Maher will continue his role as &#8220;Sam.&#8221;</p>
<p>Other Off-Broadway credits for Beltran include <em>The Fortress of Solitude</em> (2014) <em>Choir Boy</em> (2013) and <em>10 Things To Do Before I Die</em> (2009).</p>
<p><i>The Flick</i> is currently scheduled to play through January 10, 2016.</p>
<p>The post <a href="https://www.broadwayblack.com/kyle-beltran-stars-flick-barrow-street-theatre/">Kyle Beltran Stars In The Flick At Barrow Street Theatre</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">9375</post-id>	</item>
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		<title>Gloria By Branden Jacobs-Jenkins Plays Vineyard Theatre</title>
		<link>https://www.broadwayblack.com/gloria-by-branden-jacobs-jenkins-plays-vineyard-theatre/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Fri, 12 Jun 2015 17:47:01 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Good Works]]></category>
		<category><![CDATA[One To Know]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Branden Jacobs-Jenkins]]></category>
		<category><![CDATA[Vineyard Theatre]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=6868</guid>

					<description><![CDATA[<p>Obie Award winner Branden Jacobs-Jenkins (2014- Appropriate, An Octoroon) will make his Vineyard Theatre mainstage debut with his play, Gloria. This new work explores the lives of a group of young professionals whose day-to-day is dynamically interrupted by a series of surprise events. The cast features Kyle Beltran (In the Heights), Catherine Combs (Regional: Smokefall), [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/gloria-by-branden-jacobs-jenkins-plays-vineyard-theatre/">Gloria By Branden Jacobs-Jenkins Plays Vineyard Theatre</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Obie Award winner <b>Branden Jacobs-Jenkins </b>(2014- <i>Appropriate</i>, <i>An Octoroon</i>) will make his Vineyard Theatre mainstage debut with his play, <i>Gloria</i>. This new work explores the lives of a group of young professionals whose day-to-day is dynamically interrupted by a series of surprise events. The cast features <b>Kyle Beltran</b> (<i>In the Heights</i>), Catherine Combs (Regional: <i>Smokefall</i>), Michael Crane (<i>Bloody Bloody Andrew Jackson)</i>, Jennifer Kim (film: <i>The Bourne Legacy</i>), Jeanine Serralles (<i>Verite</i>), and Ryan Spahn (Regional: <i>Tribes</i>); with Evan Cabnet directing.</p>
<p><a href="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/06/Gloria-Vineyard.jpg"><img data-recalc-dims="1" decoding="async" class="alignleft size-medium wp-image-6921" src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/06/Gloria-Vineyard-300x141.jpg?resize=300%2C141" alt="Gloria Vineyard" width="300" height="141" /></a>Branden Jacobs-Jenkins has proven himself as a brilliant young playwright with his plays <i>Neighbors</i> and <i>Wars</i>, as well as the aforementioned works. His desire to examine the complexities of identity and social construct has led to receiving the Princess Grace Award, The Paula Vogel Award, and the Dorothy Streslin Playwriting Fellowship, in addition to the acclaim and respect of the national theater community. This artist and this art is extremely necessary in the current climate because it breaks down long standing walls of division brick by brick while including moments of joy. The importance of this is that it not only heals, it advances society as a whole.</p>
<p><i>Gloria</i> by Branden Jacobs-Jenkins is running now until July 3rd Off-Broadway at the Vineyard Theatre, 108 East 15th Street New York, NY 10003. For tickets and more information, visit <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.vineyardtheatre.org" target="_blank" rel="noopener">www.vineyardtheatre.org</a></span></p>
<p>The post <a href="https://www.broadwayblack.com/gloria-by-branden-jacobs-jenkins-plays-vineyard-theatre/">Gloria By Branden Jacobs-Jenkins Plays Vineyard Theatre</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">6868</post-id>	</item>
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		<title>Original Cast Recording: The Fortress Of Solitude</title>
		<link>https://www.broadwayblack.com/original-cast-recording-fortress-solitude/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Sat, 28 Mar 2015 12:53:26 +0000</pubDate>
				<category><![CDATA[Behind The Scenes]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Andre De Shields]]></category>
		<category><![CDATA[Kevin Mambo]]></category>
		<category><![CDATA[Kyle Beltran]]></category>
		<category><![CDATA[Original Cast Recording]]></category>
		<category><![CDATA[The Fortress of Solitude]]></category>
		<category><![CDATA[The Public Theater]]></category>
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					<description><![CDATA[<p>Kevin Mambo (Fela!, The Convert, Ruined, The Book of Mormon) &#38; Kyle Beltran (In The Heights, Choir Boy, Head of Passes) led a cast that included Tony Award nominee André De Shields (The Wiz, Ain&#8217;t Misbehavin&#8217;, Play On!), Carla Duren (Hairspray, 110 in the Shade, Ruined) and Jahi Kearse (Holler If Ya Hear Me, Passing Strange, Topdog/Underdog) in the now-closed off-Broadway musical The Fortress of Solitude. If [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/original-cast-recording-fortress-solitude/">Original Cast Recording: The Fortress Of Solitude</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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										<content:encoded><![CDATA[<p><strong>Kevin Mambo</strong> <em>(Fela!, The Convert, Ruined, The Book of Mormon)</em> &amp; <strong>Kyle Beltran</strong> <em>(In The Heights, Choir Boy, Head of Passes) </em>led a cast that included Tony Award nominee <b>André De Shields</b> <em>(The Wiz, Ain&#8217;t Misbehavin&#8217;, Play On!)</em>, <strong>Carla Duren </strong><em>(Hairspray, 110 in the Shade, Ruined) </em>and <strong>Jahi Kearse </strong><em>(Holler If Ya Hear Me, Passing Strange, Topdog/Underdog)</em> in the now-closed off-Broadway musical <em>The Fortress of Solitude</em>. If you didn&#8217;t get to see it while it ran at <em>The Public Theater</em>, not to worry — the Original Cast Recording is now available, and from what we&#8217;re hearing, it&#8217;s AMAZING.</p>
<p><img data-recalc-dims="1" decoding="async" src="https://i0.wp.com/publictheater.org/PageFiles/2749/Production%20photos/FortressSolitude214rR.jpg?w=880" alt="" /></p>
<blockquote><p>According to The Public Theater&#8217;s website, &#8220;<i>The Fortress of Solitude</i> is the extraordinary coming-of-age story about 1970s Brooklyn and beyond — of black and white, soul and rap, block parties and blackouts, friendship and betrayal, comic books and 45s. And the story of what would happen if two teenagers obsessed with superheroes believed that maybe, just maybe, they could fly.&#8221;</p></blockquote>
<p>Check out this video from our friends over at <a href="http://www.playbill.com/">Playbill.com</a><strong> </strong>of Kevin Mambo and Kyle Beltran performing <em>Superman/Sidekick </em>in the studio, as they record the Original Cast Recording of <em>The Fortress of Solitude. </em><br />
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<p>You can pick up your copy of the recording in stores, or online <strong><a href="http://www.sh-k-boom.com/fortress-of-solitude-cast-recording">HERE</a></strong>.</p>
<p>The post <a href="https://www.broadwayblack.com/original-cast-recording-fortress-solitude/">Original Cast Recording: The Fortress Of Solitude</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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