“It was a thrilling night for a Broadway audience to experience our play.  Keenan Scott II is a bold new voice for now, and last night he exhibited the power and resilience of everyone who makes up the Broadway community.”

Brian Moreland, Producer

When Thoughts of a Colored Man opened on Oct. 13, 2021, it made history as the first Broadway show to be written, directed by, starring, and lead produced by Black men.

The Thoughts of a Colored Man ensemble cast currently features Emmy Award® winner Dyllón Burnside, Bryan Terrell Clark, Da’Vinchi, Grammy Award® nominee Luke James, Tony Award® nominee Forrest McClendon, Grammy Award nominee Tristan Mack Wilds and Esau Pritchett.

As with most Broadway productions, Thoughts of a Colored Man will continue its regularly scheduled performances through the Holiday season, including two performances today (Wednesday) at 2 p.m. and 8 p.m.

The post Thoughts of A Colored Man Playwright Steps In To Save The Show appeared first on Broadway Black.

The founding members of BTU, which include the star power of Audra McDonald, Brian Stokes Mitchell, Wendell Pierce, Billy Porter, Anna Deavere Smith, Lillias White, Kenny Leon, Norm Lewis, Vanessa Williams, and more, spearheaded the development of this 17-page document titled The New Deal in a summit that took place from March through August of 2021. This summit included the voices of industry leaders across five working groups – theatre owners, producers, unions, creatives, and casting directors.

Black Theatre United’s New Deal For Broadway is a first of its kind document outlining both short-term reforms to be implemented prior to Broadway’s reopening in Fall 2021 and long-term reforms to be implemented in the next 1-3 years. The document details reforms in the areas of artistic culture, policies and cultural training, pipeline initiatives, audience development and community engagement.

Download Black Theatre United’s New Deal For Broadway HERE! 

The BTU Founders said, “Black Theatre United was proud to host this remarkable and historic collaboration. It is an important first step to reopening our industry with a bright spotlight focused on diversity, equity, inclusion, accessibility, and belonging for Black professionals in the arts. Though one of many initiatives created by Black, BIPOC and allied organizations since the death of George Floyd, BTU’s Summit is the first to bring together all areas of our industry from theatre owners and producers to creatives, casting and unions. We are grateful to all those who have worked diligently with us for the last six months and to all those who committed to the principles of this document by signing their names to it. Special thanks to our collaborators Kenji Yoshino and David Glasgow from the Center for Diversity, Inclusion, and Belonging at NYU School of Law for their facilitation, EDIAB training for all participants, and drafting of the New Deal.”

Led by NYU Law School’s Center for Diversity, Inclusion and Belonging Director Kenji Yoshino and facilitated by BTU Founding Members, attendees included representatives from:

The Broadway League (Charlotte St. Martin),

Shubert Organization (Bob Wankel & Julio Peterson),

Nederlander Organization (Nick Scandalios, Anthony LaTorella & Christina Selby),

Jujamcyn Theaters (Jordan Roth & Hal Goldberg),

Disney Theatrical Productions (Thomas Schumacher & Anne Quart),

Circle in the Square (Paul Libin),

Lincoln Center Theatre (Andre Bishop & Adam Siegel),

Roundabout Theatre Company (Todd Haimes & Steve Dow),

Second Stage (Carole Rothman & Khady Kamara),

Manhattan Theatre Club (Lynne Meadow),

John Gore Organization/Broadway Across America (Lauren Reid),

ASU Gammage (Colleen JenningsRoggensack),

The Telsey Office (Bernie Telsey),

Tara Rubin Casting (Tara Rubin),

X Casting (Victor Vazquez),

Stewart/Whitley (Benton Whitley),

Actors’ Equity Association (Mary McColl, Kate Shindle & E. Faye Butler),

Stage Directors and Choreographers Society (Laura Penn),

Local One IATSE (Eileen Macdonald, Bobby Score, Richard F. Rogers & Wilber Graham),

Make-Up Artists and Hair Stylists Local 798, IATSE (Daniel Dashman & Angela Johnson),

American Federation of Musicians Local 802 (Pete Donovan)

Producers: Maggie Brohn, Stephen Byrd, Kristin Caskey, Liz Curtis, Sue Frost, Alia Jones-Harvey, Tom Kirdahy, Brian Moreland, Ron Simons and David Stone.

Directors: Mark Brokaw, Rachel Chavkin, Lear DeBessonet, Michael Greif, Jerry Mitchell, Lonny Price and Charles Randolph-Wright

Choreographers: Christopher Gattelli, Denis Jones and Sergio Trujillo,

Designers: David Brian Brown and Cookie Jordan

Composers: Kristen Anderson-Lopez, Tom Kitt, Robert Lopez, Zane Mark and Jeanine Tesori

Playwrights Lynn Nottage and Doug Wright

Music Directors: Mary-Mitchell Campbell, Alex Lacamoire and Stephen Oremus.

The Black Theatre United commercial summit was funded by a generous grant from the Ford Foundation and the Tiger Baron Foundation provided additional funding.

BTU’s founding group of actors, directors, musicians, writers, technicians, producers and stage management includes: Lisa Dawn Cave, Darius de Haas, Carin Ford, Capathia Jenkins, LaChanze, Kenny Leon, Norm Lewis, Audra McDonald, Michael McElroy, Brian Stokes Mitchell, Wendell Pierce, Billy Porter, Anna Deavere Smith, Allyson Tucker, Tamara Tunie, Lillias White, NaTasha Yvette Williams, Schele Williams and Vanessa Williams.

AWARENESS • ADVOCACY • ACCOUNTABILITY

“As members of the Black theatre community, we stand together to help protect Black people, Black theatre, and Black lives of all shapes and orientations in communities across the country. Our voices are united to educate, empower, and inspire through excellence and activism in the pursuit of justice and equality. We will tell our stories, preserve our history, and ensure the legacy of Black theatre as American culture. Join us. This call to action is just the beginning. It was the latest manifestations of police brutality that galvanized Black Theatre United into being. With roots reaching into all 50 of the United States this coalition can harness invaluable political scope and influence. To elevate a cause or to overturn policies that target black people in any one state or community, the group will draw on members with local connections to use their visibility and influence for good in theater and on the national stage.

For more information visit www.BlackTheatreUnited.com

The post Black Theatre United Releases Historic New Deal For Broadway appeared first on Broadway Black.

Gurira, who is most notably known as an actress — the star of the wildly popular AMC seriesThe Walking Dead — wrote the play fresh out of finishing her studies at New York University’s Tisch School of the Arts, where she earned her Master’s of Fine Arts. She’s starred on Broadway in the August Wilson play Joe Turner’s Come And Gone but is making her Great White Way debut as a playwright with Eclipsed.

“That’s kind of the thing that excites me the most is the idea that we’re breaking that type of barrier with these types of women and hearing these particular voices on The Great White Way,” she said. “It’s really time to break through those barriers and show that there isn’t a reason for the lack of representation or the under-representation.”

Read the entire Bold & Black On The Great White Way article and view more pictures of the entire cast HERE. Such a great read and gorgeous photography by Marc Baptiste. Below are just a few of our favorites including “Academy Award winner Lupita Nyong’o joined by a stellar ensemble including Pascale Armand, Akosua Busia, Zainab Jah and Saycon Sengbloh, & the playwright Danai Gurira.

The post The Women of Eclipsed Shine in Uptown Magazine appeared first on Broadway Black.

After teasing the collaboration on their social media pages for days, the two Broadway stars finally gave fans what they’d been waiting for with this neo-soul version and music video of the Pippin favorite.

“We’ve been brainstorming about different musical ideas for concerts and albums. We soon realized we have the same musical taste for soul, funk, and R&B.  So I thought, to celebrate Valentine’s Day, let’s give Broadway lovers a new side of us they haven’t seen before while celebrating this classic musical theater tune!”

The video opens with the two having a sexy jam sesh at the piano and ends with a sing-off that makes you wish you could just grab a cocktail, a candlelit table in a corner and watch them and the band vibe all night long.

“The music video follows two artists finding a spark during their first collaboration. Patina and I couldn’t be more excited to give folks a taste of this new sound come Valentine’s Day. Got lots more brewing up musically. This is just the tip of the iceberg!”

If the rest of their collabos are as hot as this, we can’t wait!

The post Joshua Henry and Patina Miller Release Love Song Duet appeared first on Broadway Black.

BB: So is this a good transition for you into the theatre community?

AR: Yes. (laughs) I already knew you were gonna ask me that. 

BB: Is there an ideal role that you have?

AR: Yes there is and I can’t talk about it yet. 

BB: For another time?

AR: (Still laughing) Yes for another time. 

The post Amber Riley Will Play Effie in ‘Dreamgirls’ on the West End appeared first on Broadway Black.

I sat down with Broadway performance artist Grasan Kingsberry to find out just what the key to his success and longevity on Broadway is. 10 Broadway credits to his name including Motown the Musical, Catch Me If You Can, The Color Purple, Dirty Rotten Scoundrels and Aida and one of a very small handful (he makes the fifth) of Broadway artists to ever, and I mean ever, reprise a role that they originally created, Grasan Kingsberry has set himself apart with great distinction. I went looking for just what his recipe might be, just what WAS his special ingredient?  I expected the usual litany of hard work, dedication, and focus, but instead I found a man who has attained so much more than commercial success. He has a purpose and truly as the old folks say a calling. Kingsberry’s focus is on so much more than the next show, accolades or fame. He has turned being different into making a difference both in himself and through his art.

Kingsberry has always been different. Growing up as a kid with a dream in Charlotte, North Carolina, he had long been preparing for the stage. As a child, he fell in love with music and found himself picking through tunes by ear. By the time he was in high school, he had made his way into Northwest School of the Arts and also had been a stellar athlete throughout his matriculation through secondary school. Kingsberry spent his time at Northwest studying dance, music theory, musical theater, voice, piano, and acting.

Deciding that performance art was going to be his focus, he moved away from being an athlete, replacing that love of playing with becoming a super fan of the Carolina Panthers. But music and dance were calling him and his next stop would be at Julliard. He graduated from Julliard with a BFA and role in Broadway’s Aida. The tone had been set and Kingsberry was ready.

Today finds Kingsberry still making history. He is currently performing in the revival of The Color Purple. This is noteworthy because it’s such a rare occurrence that an actor reprises an original role. As an African American male his accomplishments are somehow brighter, somehow more inspiring simply because of his ability to stand out in what has always traditionally been “the Great White Way”.  But talent as sumptuous as Kingsberry defies boundaries and heralds a new day where African American performers are more and more frequently receiving their just recognition for their contributions to the arts. Kingsberry has been a two-time recipient of the coveted gypsy robe; he received the first during On A Clear Day You Can See Forever and receiving the second on opening night of the revival of The Color Purple. Amazing enough he received his second robe four years and a day apart. “Timing is everything,” he says with the warmest of chuckles. Whatever Kingsberry puts his talent to just seems meant to be.

These synergistic themes of timing, mindfulness and intentional thinking pepper our conversation. It underscores Kingsberry’s deeply spiritual musings and convictions. Kingsberry is a man who has put a lot of thought into his purpose and his spiritual beliefs. Beliefs that he says became solidified during his very first run of The Color Purple and continue into the revival ten years later.

“This piece is really special to me. It was special to me ten years ago and it rings even more true to me now; in terms of a lot of things that I believe and things that have changed my heart from this show. Being a part of this show again just reconfirms my belief and my faith that you are where you are supposed to be. This show changed my life. The lyric content, the subject matter, the story… it raised questions of faith and self-love and finding joy through pain.”

As he circles around to breathe life into the revival, I ask him how the two shows are different. Kingsberry shares that the current revival is sharply pared down compared to the original. There are 17 actors on stage and 3 swings and this time, no choreographer. In fact, there is only one set piece and chairs that are used as props. Kingsberry doesn’t discount the previous lavish set replete with 30 actors. He says,

“I think we needed that production to know what this production was going to be, we needed the original to come to this, to what we have now. We approach it like a play. Things really move at the pace a traditional Broadway play would. And that’s how I approach it as an actor, too.”

I asked Kingsberry what else was different in his approach to his character.

“So to do it ten years later with ten years of life experience, ten years of career experience, I get to apply those things that I have learned and give new life to this character and new life to this show. I have the unique position of having been in both shows so I can apply the things I have learned that I didn’t apply to this one. I had to approach it in a new way.”

For the audience, particularly those who have seen both productions the intent is to focus on Celie. The play has an intimate feel and there is no doubt there is an element of God in the show. The relationships between the characters, the emotional content are all focal points in the revival of a show that has a storyline that spans forty years. The emphasis in this production is a desire to trust the audience to imagine what they needed to and to get rid of the superfluous to hone in on what is truly an awe-inspiring story. According to Kingsberry, this approach is effective. He adds,

“Theater is a world of imagination and we don’t need to be too literal because we have to trust the audience will understand what’s going on. We as actors have to make sure we do our job and understanding the intention behind the story.”

Kingsberry says that in the revival, audiences have been able to get closer to the characters and the storyline. Being able to absorb more of the emotional elements sans a fancy set allows them to really hear the story and it hits them harder. It’s a spiritual experience that Kingsberry shares.

“What opened my spiritual door, so to speak, was me asking questions. Once I got the show ten years ago, with Oprah coming on board, with just all the goodness surrounding the show, I just kept asking the question, why me? God, why me? What have I done to receive all of these amazing blessings and beautiful things? The more I asked that and the more I sat still with that, answers began to reveal themselves to me. So, it deepened my spiritual practice and thusly I had an awakening. Because of the show.”

And we are back to this idea of having a sense of worship and understanding of the true nature of God. Kingsberry cites listening to the lyrics Shug sings to Celie about God being inside of each of us. This was a poignantly different picture of the God of Kingsberry’s childhood who was often portrayed as an overbearing, distant deity somewhere off in the sky. The simple message of God and love has had a profound effect on the way Kingsberry views God. He now says that we are the essence of God and that our work is to glorify the creations of God, the beauty of God and the love of God.

“It was truly this show that broadened my spiritual awakening… You do this eight times a week and you really start to believe what you are saying, to really take in what you are saying and naturally it manifested into me having a really deepened spiritual practice now. What I do on stage is all of God’s work.”

Speaking with Kingsberry is much like sitting by a small relaxing brook with an old friend, far away from the bright lights and buzz of the big city. His intelligence, humility, and deep spirituality stand in stark contrast to the hustle and bustle that defines the life of a Broadway entertainer.  Kingsberry has managed to forego the ego and bravado and his humanity shines through powerfully in every word.

Thematically, a pattern seems to present itself in his recent work. One of artistic activism that gently points to what he truly believes is the intersection of all of the societal ills. Prior to joining the cast (again) of The Color Purple, Kingsberry played Sam Cooke in a play called One Night in Miami. The story was about Sam Cooke, Malcolm X, Cassius Clay and Jim Brown electing to forego a celebration after Clay wins the heavyweight championship. The four friends skip the pompous festivities and instead spend the evening together in a hotel in the heart of the Black neighborhood that Clay trained in for the bout. The play is an imagining of what happened during that night in 1964. I asked Kingsberry who would he spend his ‘One Night in Miami’ with and his answer was powerful, thoughtful and sentimental. Alice Walker whom he says he could talk with for hours, his reverend Dr. Michael Bernard Beckwith who is the Founder and Spiritual Director of the Agape International Spiritual Center and his own father. I can hear the strong emotion in his voice when he talks about what such a night might entail. When speaking about why he chose to include his father he gets a bit teary eyed.

“I would want him to experience it and I would also want to learn more from him and his upbringing. It would be a cool way for us to bond.”

Grasan Kingsberry is a history maker. There is no denying his success on Broadway but in truth, his real heroism comes from how he views the world and the importance of everyone in it. His loving approach to the work he does and his commitment to select thoughtful pieces communicate important  and complex ideas at a time where truthfully, he could focus on doing anything he wants. Grasan Kingsberry has a calling and we are definitely better for listening to what he has to say through his artistic expressions.

You can catch Kingsberry in the ensemble and as Adam/Buster on Broadway in The Color Purple. Meanwhile, we will be on the lookout for upcoming music projects and other performances showcasing his musical talent.

The post Grasan Kingsberry: A Man Called to Dream, Create, & Love appeared first on Broadway Black.

As Actors Equity puts it, “swings are those members of the company who cover all the other chorus members. Often the most important to cast because of the nature of the job, a Swing must have a wide vocal range, be able to dance and be able to step into a role from young child to an older character, male or female. A Swing also must know the smallest detail of every ‘track.’ Essentially, the Swing must be able to do it all and must be ready to go on at a moment’s notice.”

So in honor of #NationalSwingDay here’s a few of our favorite swing testimonials from some Broadway Black stars!

Rachel Oneika Phillips

Yesterday was declared #NationalSwingDay by the Actors Equity Association. My Broadway debut was a dream come true…and that dream in reality was some of the hardest and most rewarding artistic experiences of my life. Brought on as a Swing and Understudy I rehearsed relentlessly to learn 8 female tracks and 2 lead roles in FELA! The Musical. Trust me, it is not for the faint of heart. One of my proudest accomplishments. Big respect to those who dare, can and do! As Equity puts it, “Swings are those members of the company who cover all the other chorus members. Often the most important to cast because of the nature of the job, a Swing must have a wide vocal range, be able to dance and be able to step into a role from young child to an older character, male or female. A Swing also must know the smallest detail of every ‘track.’ Essentially, the Swing must be able to do it all and must be ready to go on at a moment’s notice.” #EquityTeamSwing #TBT #FELA! #Kikelomo #bereadyatamomentsnotice #swingnation #blocstars

A photo posted by Rachel Oneika Phillips (@dragonpassionfruit) on Jan 14, 2016 at 1:23pm PST

Phoenix Best

Well I did it!! I made my official Broadway Debut tonight! I can’t believe that I finally achieved me dream! The biggest plus is that I got to do it with this girl by my side! This is the ultimate post for “swings doin things”! I love my color purple family! 1-6-16 is a day I will never forget! @bwaycolorpurple #thecolorpurple #broadway #swings #debut A photo posted by Phoenix Best (@misspheeny) on Jan 6, 2016 at 7:21pm PST

Trisha Jeffery

Once upon a time, I did it, too… And we were #Fierce Happy National Swing Day!!! The show must always go on! #nationalswingday #swingnation #swingsrock

A photo posted by Trisha Jeffrey (@trishajeffrey) on Jan 13, 2016 at 3:10pm PST

Tracie Thoms

In honor of #NationalSwingDay, here’s me as a swing in “Leader Of The Pack” at Towson Dinner Theatre in like, 1993! Yassss #DoeEyes!!! #Beehive #TheyPushedMeIntoPositionInEveryDanceNumber A photo posted by Tracie Thoms (@traciethoms) on Jan 13, 2016 at 9:49am PST

Jaquez Rudolpho

Happy National Swing Day! Almost two years ago I made my Broadway debut in Motown the musical as a swing. It wasn’t easy but I had blast. Swinging to me was like arithmetic, geography, art and music seamlessly fused together to make going on (sometimes at a minutes notice) a joy! Honoring the unsung heroes of MT #equityteamswing #swingnation #nationalswingday #musicaltheatre

A photo posted by Jaquez (@justjaquez) on Jan 13, 2016 at 8:36am PST

The post Broadway Black Celebrates National Swing Day appeared first on Broadway Black.

This documentary reminds us of a time when artists used their platforms for more than endorsements, but spoke up about real issues that plagued their communities. When caring about your community was more important than appealing to the white gaze or worrying about how to be politically correct to maintain their “popularity” , Ruby Dee (A Raisin In The Sun) and Ossie Davis weren’t afraid to speak up and out.

Two years before Ruby passed in 2014, her grandson,  Muta’ Ali Muhammad announced a kickstarter campaign to help produce and release a documentary about his grandparents’ lives, activism, and love.

The press release describes the film;

For more than a half century, audiences have been mesmerized by the love story between Hollywood legends Ossie Davis & Ruby Dee. Now, their grandson Muta’Ali unearths the foundation of this unbreakable bond in the documentary “Life’s Essentials with Ruby Dee,” which premieres on Centric TV Sunday, January 17, 2016 at 3 pm. Through intimate conversations with the award-winning actress, playwright and activist, Muta’Ali not only discovers intimate details about his grandparents’ relationship, but also questions his ability to carry on the very dynasty that gave him life. In the film, the director breaks the wall between himself and his subject to ask heartfelt questions of his grandmother. “How do you stay faithful? And if I can’t see myself doing that, how can I honestly get married knowing that I could eventually break the heart of the woman I love?”

“I can’t say I didn’t do anything to make Ossie unhappy…” Ms. Dee states as she carefully reveals the core commitment made between her and Mr. Davis. Her answer only sparked more questions for Muta’Ali, provoking him to dig deeper into the family archives and the history that chronicles their remarkable journey as trailblazers in the arts community and activists in the Civil Rights Movement. Muta’Ali also shares exclusive video footage, family photos and memorabilia. In addition, a host of celebrity friends like Alan Alda, Angela Bassett, Harry Belafonte, Danny Glover, Hill Harper, Samuel Jackson, Spike Lee, S. Epatha Merkerson, Phylicia Rashad, Glynn Turman, Dr. Cornel West, Sonia Sanchez and Malik Yoba share eyewitness accounts of this American legacy.

Check out the trailer for the feature-length documentary below and be sure to check your local listings to catch Life’s Essentials with Ruby Dee this Sunday, January 17, at 3:00 p.m. EST on Centric!

The post Life Essentials with Ruby Dee Documentary To Air On Centric appeared first on Broadway Black.

Well if you missed it. Here it is again. Yes, selected cast from both The Lion King and Aladdin performed several songs on the morning show this past Friday.

Some of you may be wondering why this is such an awesome moment. Well let’s recap.

The Lion King now in its 19th year was the first broadway show to earn more than a billion cumulatively on stage.  Aladdin is building a legacy of its own with $146 MIL gross box office so far and counting.

But the biggest thrill of this show is that fact that both are employing a gang of POC.

And not just locally, there are U.S. and world tours, and inspiring theater heads everywhere.

So in case you missed it,here are two POC heavy, long-running epic shows. Be proud. Spread the word.

The post The Signifigance of Lion King VS Aladdin on GMA appeared first on Broadway Black.

The other gift of musicals is the cast album. While an amazing play can leave you gasping for air, a great musical has you singing and annoying people on the A train all the way back to Harlem. (An unfortunate true story.)

So I was more than a little jazzed to learn that the revival of The Color Purple, which premiered last week at the Bernand B. Jacobs Theatre, announced that a cast album will be recorded this week and released via Broadway Records.

This latest version of Purple brings Grammy and Oscar winner Jennifer Hudson to the Broadway stage. This woman has not met a medium she can’t tackle. She takes on the complicated role of “Shug Avery.” Might I also opine that Broadway is the sweet spot for a person with that powerful a voice. “Orange is the New Black” star Danielle Brooks takes over the role as “Sophia.”

And then there is Cynthia Erivo as “Celie.” All I can suggest you do is watch her and Ms. Hudson perform the title song to the musical in this official music video for the show.

The Color Purple has gone through its own transformations first as the Pulitzer Prize-winning novel by author Alice Walker, to the acclaimed and controversial film directed by Steven Spielberg.

And then the film version’s Sophia, an unknown named Oprah Winfrey put her strength into pushing a Broadway production of Purple in 2005. The story is all about black women and their strength against odds and circumstances that would kill most of us dead.

The revival of Purple premiered at the Jacobs Theatre Dec 10th, 2015. To see what Broadway Black thought of the show click here. The cast album is set for a January 29^th release date. But…you can pre-order the music now. And click here to order your tickets to The Color Purple now.

The post iTuned In: The Color Purple Cast Album appeared first on Broadway Black.