Fresh from setting London’s West End ablaze with their electric chemistry, Porter and Wallace are bringing their star power stateside to lead the most politically resonant, visually decadent version of Cabaret Broadway has seen in years. Porter will step into the iconic role of the ‘Emcee,’ while Wallace will play the unforgettable ‘Sally Bowles’ in a show that’s been hailed as both “ravishing” and “gut-punching.”

“They brought down the house every night in the West End,” said director Rebecca Frecknall. “I can’t wait for Broadway audiences to experience the electricity they generate together.”

And let’s be clear: Cabaret isn’t just another revival. It’s a mirror to the moment we’re living in. From rising authoritarianism to willful societal denial, this revival feels urgent, raw, and painfully relevant. Joel Grey, the original Broadway Emcee, wrote in The New York Times that the story is “a portrayal of a decadent society willfully ignorant of its own demise.” That hits different in 2025.

Why This Matters

Porter’s casting marks a full-circle moment. After breaking barriers in Kinky Boots and winning the 2024 Isabelle Stevenson Tony Award for his advocacy, his return to the Broadway stage in Cabaret is both a celebration and a warning. His performance is expected to blend his signature defiance with nuance, camp, and truth-telling.

Meanwhile, Wallace—fresh off her critically acclaimed runs in Guys and Dolls, Oklahoma!, and Dreamgirls—brings both vocal fire and emotional depth to the role of Sally Bowles. Her London portrayal was hailed as career-defining, and her Broadway debut in the role is shaping up to be one for the books.

The Legacy Continues

This Broadway revival of Cabaret has already become a historic run. Since opening in April 2024, it’s racked up 21 nominations across major awards bodies and earned 9 Tony nominations. The production has featured a revolving door of powerful talent, including current stars Orville Peck and Eva Noblezada, who will take their final bows July 20.

Cabaret at the Kit Kat Club transforms the August Wilson Theatre into a fully immersive Weimar-era Berlin nightclub, where music, danger, queerness, and decadence collide. It’s more than a musical—it’s a statement. And with Billy Porter and Marisha Wallace at the helm, the final chapter is about to be unforgettable.

The post Billy Porter & Marisha Wallace to Lead Cabaret’s Final Broadway Run at the Kit Kat Club appeared first on Broadway Black.

“So beyond thrilled to be making my Bobbie debut today at @companybway!!!! I’ll be on for both performances! #firstBlackBobbieonBroadway #understudies @broadwayunderstudies” said Daniels via Instagram

CONGRATULATIONS NIKKI!!!

Daniels made sure to clarify that she was not the first Black Bobbie in Company ever. Jennifer Saayeng from the West End cast of Company, of which the current Broadway production hails, went on for the role Pre-Covid shutdown in 2018

Daniels’ current bio from the Company on Broadway website reads:

“Nikki Renée Daniels (Jenny) recently played Angelica Schuyler in the Chicago company of Hamilton. 10 Broadway shows, including The Book of Mormon (Nabulungi), The Gershwins’ Porgy and Bess (Clara), Les Miserables (Fantine), Anything Goes and Promises, Promises. Nikki has performed as a soloist with numerous symphony orchestras across the country, in Canada, and at Carnegie Hall. Her debut solo CD, “Home” is available on iTunes and CDBaby.com.  All my love to Jeff, Lena and Louise. @nikkireneesings”

Daniels’ current bio from the Company on Broadway website

The post Nikki Renee Daniels Becomes Broadway’s First Black Bobbie in <em>Company</em> appeared first on Broadway Black.

As we’ve watched for the past year many Broadway, Off-Broadway, and West End productions fall silent as the coronavirus pandemic closed the door on many theaters, producers from the West End production of Tina: The Tina Turner Musical have announced that the show is anticipating a summer return on June 3rd, 2021 in the event the U.K government easing up on restrictions.

Aisha Jawando and Jammy Kasongo were set to step into the roles of Tina and Ike Turner on March 17, a day after the show abruptly closed during the shutdown.

 

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A post shared by TINA The Musical London (@tinathemusical)

Tina was written by Katori Hall along with Frank Ketelaar and Kees Prins, directed by Phyllida Lloyd, and choreographed by Anthony van Laast. Set and costume designs by Mark Thompson, musical supervision by Nicholas Skilbeck, lighting by Bruno Poet, sound by Nevin Steinberg, projection design by Jeff Sugg, and orchestrations by Ethan Popp. set and costume designs by Mark Thompson, musical supervision by Nicholas Skilbeck, lighting by Bruno Poet, sound by Nevin Steinberg, projection design by Jeff Sugg, and orchestrations by Ethan Popp.

Due to the pandemic, Tina is also on pause at the Lunt-Fontanne Theatre on Broadway where Tony nominee Adrienne Warren currently leads the company in the role of Tina Turner.

The post London’s TINA Anticipates June 2021 Return! appeared first on Broadway Black.