Dr. Barbara Ann Teer’s National Black Theatre [NBT] announces the cast of the first workshop production for this year’s cohort of I Am Soul Playwriting Residency byplaywright Lee Edward Colston II. Colston’s workshop production of The First Deep Breath will be February 13 – 17, 2019 and will be directed by Malika Oyetimein. rnrnLee Edward Colston IIrnrnAs part of NBT’s Soul Series L.A.B. [Liberating Artistic Bravery], The First Deep Breath will conclude an 18-month residency for Lee Edward Colston II as the institution celebrating NBT’s 50th season which is themed “Liberation: A Journey Beyond Walls.” rnrnThe full cast for this workshop production will be: Paris Campbell (Albert), Paris Crayton III (Leslie), SJ Hannah (Abdul Malik), Vanessa A. Jones (Ruth), Drew Shade (Tyree), Cole Taylor (AJ), Chelsea Lee Williams (Dee Dee), C. Kelly Wright (Pearl). NBT is also excited to have on the creative team: Izmir Ickbal (Set/Lights), Elia Chuaqui (Sound), Beylnda Hardin (PSM).rnrn rnrnAbout The First Deep Breath: Pastor Albert Jones plans a special church service to honor his late daughter Diane on the sixth anniversary of her death. But when his eldest son, Abdul-Malik, returns home from prison, the First family of Mother Bethel Baptist Church is forced to confront a hornet’s nest of long-buried secrets. With each member of the Jones clan desperately fighting to stay afloat, sometimes a family that stays together drowns together. rnrnLaunched in 2012, I AM SOUL – Playwright Residency Program is the only program in the country that is dedicated to Black playwrights, whose work demonstrates exceptional artistic merit and excellence in the theatrical field, with a commitment to production. Coined as a dream MFA program this eighteen (18) month residency also seeks to unleash the soul of a playwright on the page so that they can develop, hone and explore new ways of artistic expression in a safe, supported and transformative environment. With I AM SOUL, NBT seeks to deepen the artistic relationship between Black theatrical institutions and Black playwrights in order to re-establish Black theatrical institutions as the foremost supporters and producers of new works created by Black playwrights. rnrnPast residents: Mfoniso Udofia, Aurin Squire, Angelica Chéri, Derek Lee McPhatter, Nambi E. Kelley, Dennis A. Allen II rnrnCurrent residents: Eric Micha Holmes, Lee Edward Colston II, Tracey Conyer Lee & Darrel Holnes. rnrnTickets for The First Deep Breath are now on sale. www.nationalblacktheatre.org
Drew Shade is a visionary creative force at the intersection of Black theatre, media, and culture. As the Founder and Creative Director of Broadway Black, Off-Book: The Podcast, and The Antonyo Awards, he champions artistic excellence and amplifies the voices of Black theatre artists with intention, heart, and unapologetic pride.
His work has been featured in The New York Times, Playbill, Deadline, The Observer, and Apple TV’s Dear…, and he's collaborated with brands and institutions such as NBC, BET, Audible, Universal Pictures, SheaMoisture, The Public Theater, Signature Theatre, National Black Theatre, and more. He has also served as a cultural consultant and curator for countless Broadway productions for over a decade — establishing himself as a trusted voice and tastemaker in theatre and media.
In addition to his work behind the scenes, Shade is a performer and creative artist in his own right, with credits including Classical Theatre of Harlem’s The First Noel at The Apollo, The Preacher’s Wife musical at The Alliance Theatre, and a Sondheim tribute concert at Carnegie Hall led by Tituss Burgess. He’s also lent his voice to campaigns for Google and continues to explore visual storytelling through photography — from red carpets to press coverage.
Rooted in joy, justice, and the belief that Black theatre is both legacy and revolution, Shade continues to build platforms and shine light where it’s long been overdue — so Black artists are seen, heard, and celebrated on their own terms.
“Have a belief in yourself that is bigger than anyone’s disbelief.” – August Wilson
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