<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Ruben Santiago Hudson Archives - Broadway Black</title>
	<atom:link href="https://www.broadwayblack.com/tag/ruben-santiago-hudson/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.broadwayblack.com/tag/ruben-santiago-hudson/</link>
	<description>When Theatre Goes Dark</description>
	<lastBuildDate>Thu, 28 Jan 2021 20:53:16 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/04/cropped-Broadway-Gold-B-1.png?fit=32%2C32&#038;ssl=1</url>
	<title>Ruben Santiago Hudson Archives - Broadway Black</title>
	<link>https://www.broadwayblack.com/tag/ruben-santiago-hudson/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">26346292</site>	<item>
		<title>Started From the Bottom: August Wilson’s Classic Finds It’s Home on Netflix</title>
		<link>https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/</link>
					<comments>https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/#respond</comments>
		
		<dc:creator><![CDATA[Tremaine A. Price]]></dc:creator>
		<pubDate>Wed, 09 Dec 2020 21:51:50 +0000</pubDate>
				<category><![CDATA[TV Land]]></category>
		<category><![CDATA[Chadwick Boseman]]></category>
		<category><![CDATA[Colman Domingo]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[George C. Wolfe]]></category>
		<category><![CDATA[Glynn Turman]]></category>
		<category><![CDATA[Michael Potts]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<category><![CDATA[Viola Davis]]></category>
		<guid isPermaLink="false">https://www.broadwayblack.com/?p=23822</guid>

					<description><![CDATA[<p>When August Wilson said, “Have a belief in yourself that is bigger than anyone’s disbelief,” I’m sure he could not have imagined the lasting impact and legacy his works would have on American theatre. During a time when his voice is permeating the ethos of our artistic souls, his classic work Ma Rainey’s Black Bottom has [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/">Started From the Bottom: August Wilson’s Classic Finds It’s Home on Netflix</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div id="attachment_24367" style="width: 426px" class="wp-caption alignright"><a href="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?ssl=1"><img data-recalc-dims="1" fetchpriority="high" decoding="async" aria-describedby="caption-attachment-24367" data-attachment-id="24367" data-permalink="https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/ma-rainey-main/" data-orig-file="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?fit=2000%2C1333&amp;ssl=1" data-orig-size="2000,1333" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;David Lee/Netflix&quot;,&quot;camera&quot;:&quot;ILCE-9&quot;,&quot;caption&quot;:&quot;Ma Rainey&#039;s Black Bottom (2020): Viola Davis as Ma Rainey. Cr. David Lee / Netflix&quot;,&quot;created_timestamp&quot;:&quot;1564064968&quot;,&quot;copyright&quot;:&quot;NETFLIX&quot;,&quot;focal_length&quot;:&quot;35&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.01&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Ma-Rainey-Main" data-image-description="" data-image-caption="&lt;p&gt;Ma Rainey&amp;#8217;s Black Bottom (2020): Viola Davis as Ma Rainey. Cr. David Lee / Netflix&lt;/p&gt;
" data-large-file="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?fit=880%2C586&amp;ssl=1" class=" wp-image-24367" src="https://i0.wp.com/temp.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main-1024x682.jpg?resize=416%2C277" alt="" width="416" height="277" srcset="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=180%2C120&amp;ssl=1 180w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=561%2C374&amp;ssl=1 561w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=1122%2C748&amp;ssl=1 1122w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=364%2C243&amp;ssl=1 364w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=728%2C485&amp;ssl=1 728w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=608%2C405&amp;ssl=1 608w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=758%2C505&amp;ssl=1 758w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=1152%2C768&amp;ssl=1 1152w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=72%2C48&amp;ssl=1 72w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=144%2C96&amp;ssl=1 144w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?resize=313%2C209&amp;ssl=1 313w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?w=2000&amp;ssl=1 2000w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2020/12/Ma-Rainey-Main.jpg?w=1760&amp;ssl=1 1760w" sizes="(max-width: 416px) 100vw, 416px" /></a><p id="caption-attachment-24367" class="wp-caption-text">Ma Rainey&#8217;s Black Bottom (2020): Viola Davis as Ma Rainey. Cr. David Lee / Netflix</p></div>
<p>When <strong>August Wilson</strong> said, “Have a belief in yourself that is bigger than anyone’s disbelief,” I’m sure he could not have imagined the lasting impact and legacy his works would have on American theatre. During a time when his voice is permeating the ethos of our artistic souls, his classic work <em>Ma Rainey’s Black Bottom</em> has reemerged as a testament to the brilliance that comes out of Black artistry. <strong>Viola Davis</strong> (three-time Tony Award winner) plays the title character, Ma Rainey, approaching the bluesy chanteuse&#8217;s nuances with gravitas. As she is no stranger to the words of August Wilson &#8211; having played leading female characters of his works on stage and screen &#8211; her role in this film hits chords that echo Black Lives Matter.</p>
<p>This film adaptation tells the story of Ma and her band recording several songs over a hot afternoon in the studio while also attempting to calm tensions between her white manager and producer. Throughout the film, she stands her ground, exuding confidence and courage that is reminiscent of the leadership Davis displays as a Black actress. She shares the screen with the late star of Marvel’s “Black Panther,” <strong>Chadwick Boseman</strong>, who passed away in August (his final on-screen role), <strong>Glynn Turman</strong> (<em>A Raisin In the Sun</em> and “A Different World,”) <strong>Colman Domingo</strong> (<em>The Scottsboro Boys</em> and “Selma,”) <strong>Michael Potts</strong> (<em>Cabin In the Sky</em> and <em>Jitney</em>,) <strong>Taylour Paige</strong>, <strong>Dusan Brown,</strong> <strong>Jonny Coyne</strong>, and <strong>Jeremy Shamos</strong>. It is directed by Tony Award-winning director <strong>George C. Wolfe</strong>, adapted for the screen by Tony Award winner <strong>Ruben Santiago-Hudson</strong>, and produced by Tony Award winner <strong>Denzel Washington</strong>.</p>
<p>&nbsp;</p>
<p>“Ma Rainey’s Black Bottom” begins streaming on Netflix on December 18, 2020.</p>
<p><iframe title="Ma Rainey&#039;s Black Bottom | Official Trailer | Netflix" width="880" height="495" src="https://www.youtube.com/embed/ord7gP151vk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p>The post <a href="https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/">Started From the Bottom: August Wilson’s Classic Finds It’s Home on Netflix</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/august-wilsons-ma-rainey-viola-chadwick-netflix/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">23822</post-id>	</item>
		<item>
		<title>Atlantic Theater Company Premieres Skeleton Crew</title>
		<link>https://www.broadwayblack.com/atlantic-theater-company-premieres-skeleton-crew/</link>
					<comments>https://www.broadwayblack.com/atlantic-theater-company-premieres-skeleton-crew/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Thu, 07 Jan 2016 21:11:46 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[Special Performance]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Dominique Morisseau]]></category>
		<category><![CDATA[Lorraine Hansberry]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=12067</guid>

					<description><![CDATA[<p>She’s won the Edward M. Kennedy Prize for Drama Inspired by American History, received the Steinberg Playwright Award, and Huffington Post hailed her as a “direct heir to the magical wordsmiths named Lorraine Hansberry, Tennessee Williams, and August Wilson.” Lofty accolades for a self-proclaimed “Detroit girl with a Brooklyn undertone.” Yet, playwright and actress Dominique [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/atlantic-theater-company-premieres-skeleton-crew/">Atlantic Theater Company Premieres Skeleton Crew</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>She’s won the Edward M. Kennedy Prize for Drama Inspired by American History, received the Steinberg Playwright Award, and Huffington Post hailed her as a “direct heir to the magical wordsmiths named<strong> Lorraine Hansberry</strong>, Tennessee Williams, and <strong>August Wilson</strong>.” Lofty accolades for a self-proclaimed<strong> “</strong>Detroit girl with a Brooklyn undertone.” Yet, playwright and actress <strong><a href="http://broadwayblack.com/making-space-for-brown-girls-dominique-morisseau/"><span style="color: red;">Dominique Morisseau</span></a></strong> is just starting her ascendance to the top of the theiatre world. Her play, <em>Skeleton Crew,</em> the final installment in her trilogy of plays about her hometown of Detroit, will open on January 6, 2016 at the Atlantic Stage 2 Theater.</p>
<p><em>Skeleton </em>Crew is a tale about how a makeshift family of workers at the last exporting auto plant in the city navigate the possibility of foreclosure. Power dynamics shift and they are pushed to the limits of survival. When the line between blue collar and white collar gets blurred, how far over the lines are they willing to step?</p>
<p>The production’s cast includes <strong><a href="http://broadwayblack.com/12-angry-men-directed-george-faison-gets-extended-run/"><span style="color: red;">Jason Dirden</span></a> </strong>(<em>12 Angry Men, </em><em>A Raisin In The Sun</em>, <em>Fences</em>), <strong><a href="http://broadwayblack.com/national-black-theatre-will-celebrate-veteran-actress/"><span style="color: red;">Lynda Gravatt</span></a> </strong>(<em>Cat on a Hot Tin Roof</em>, <em>Doubt, King Hedley II</em>, <em>45 Seconds from Broadway</em>), <strong><a href="http://broadwayblack.com/adesola-osakalumi-dances-among-star-cast-arms/"><span style="color: red;">Adesola Osakalumi</span></a> </strong>(<em>Fela!,</em> <em>Fela! The Concert,</em> <em>Equus),</em> <strong>Nikiya Mathis, </strong>and<strong> Wendell B. Franklin.</strong></p>
<p>Actor, director, and Obie Award winner <strong><a href="http://broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/"><span style="color: red;">Ruben Santiago-Hudson</span></a></strong> is directing the play. Santiago-Hudson also directed the second installment of the trilogy, <em>Paradise Blue, </em>which was staged last summer at the Williamstown Theater Festival. The first installment of Morisseau’s trilogy, <em>Detroit ’67</em>, ran at the Public Theater in 2013.</p>
<p>Morisseau is a recent PoNY (Playwright of New York) fellow, and also wrote <em>Sunset Baby</em>, <em>Follow Me To Nellie’s</em>, and <em>Blood At The Root</em>. Her work has been published in N.Y. Times bestseller “Chicken Soup for the African American Soul” and in the Harlem-based literary journal “Signifyin’ Harlem.” She is a Jane Chambers Playwriting Award honoree, a two-time NAACP Image Award recipient, and winner of the Stavis Playwriting Award.</p>
<p>Santiago-Hudson is a noted actor and playwright who has appeared on Broadway in <em>Jelly&#8217;s Last Jam</em> and <em>Stick Fly</em>. He received a Tony Award for his performance in August Wilson&#8217;s <em>Seven Guitars</em>. In 2001, Santiago-Hudson wrote <em>Lackawanna Blues</em>, an autobiographical play in which he portrayed himself and some twenty different characters from his past. He adapted it for an award-winning 2005 HBO film starring Hill Harper, S. Epatha Merkerson, and Terrance Howard.</p>
<p>In 2013, Santiago-Hudson won an Obie Award for Direction and was nominated for the Drama Desk Award for Outstanding Director of a Play for his work in the Off-Broadway production of August Wilson&#8217;s <em>The Piano Lesson</em>.</p>
<p><em>Skeleton </em>will run through February 14, 2016. Tickets for the production can be purchased <a href="https://web.ovationtix.com/trs/pr/952754"><span style="color: red;">here</span></a>.</p>
<p>The post <a href="https://www.broadwayblack.com/atlantic-theater-company-premieres-skeleton-crew/">Atlantic Theater Company Premieres Skeleton Crew</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/atlantic-theater-company-premieres-skeleton-crew/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12067</post-id>	</item>
		<item>
		<title>And The Winner Is&#8230;Broadway Black Top 10 of 2015</title>
		<link>https://www.broadwayblack.com/winner-broadway-black-top-10-2015/</link>
					<comments>https://www.broadwayblack.com/winner-broadway-black-top-10-2015/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Sun, 27 Dec 2015 04:49:10 +0000</pubDate>
				<category><![CDATA[Good Works]]></category>
		<category><![CDATA[How Do We Feel]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Its A Hit]]></category>
		<category><![CDATA[Just Wow!]]></category>
		<category><![CDATA[Let's Talk]]></category>
		<category><![CDATA[Never Forget]]></category>
		<category><![CDATA[Amazing Grace]]></category>
		<category><![CDATA[Amber Riley]]></category>
		<category><![CDATA[An Octoroon]]></category>
		<category><![CDATA[Andre Holland]]></category>
		<category><![CDATA[Barbecue]]></category>
		<category><![CDATA[Blair Underwood]]></category>
		<category><![CDATA[Branden Jacobs-Jenkins]]></category>
		<category><![CDATA[Cicely Tyson]]></category>
		<category><![CDATA[Cynthia Erivo]]></category>
		<category><![CDATA[Danai Gurira]]></category>
		<category><![CDATA[Danielle Brooks]]></category>
		<category><![CDATA[David Alan Grier]]></category>
		<category><![CDATA[deadre aziza]]></category>
		<category><![CDATA[Dominique Morisseau]]></category>
		<category><![CDATA[Eclipsed]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[invisible thread]]></category>
		<category><![CDATA[James Earl Jones]]></category>
		<category><![CDATA[jennifer hudson]]></category>
		<category><![CDATA[paradise blue]]></category>
		<category><![CDATA[Queen Latifah]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<category><![CDATA[Shanice WIlliams]]></category>
		<category><![CDATA[Stephanie Mills]]></category>
		<category><![CDATA[The Color Purple]]></category>
		<category><![CDATA[The Gin Game]]></category>
		<category><![CDATA[The Wiz Live]]></category>
		<category><![CDATA[Uzo Aduba]]></category>
		<category><![CDATA[Whorl Inside A Loop]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=12657</guid>

					<description><![CDATA[<p>As we enter a new year, it&#8217;s only right to reflect on the greatness that happened in 2015. From Broadway to Off-Broadway to live musical events, one-night-only events, and staged readings, 2015 was kind to Broadway Black stars and theatergoers like me. Here at Broadway Black, we can&#8217;t just let 2015 end without sharing what [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/winner-broadway-black-top-10-2015/">And The Winner Is&#8230;Broadway Black Top 10 of 2015</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>As we enter a new year, it&#8217;s only right to reflect on the greatness that happened in 2015. From Broadway to Off-Broadway to live musical events, one-night-only events, and staged readings, 2015 was kind to Broadway Black stars and theatergoers like me. Here at Broadway Black, we can&#8217;t just let 2015 end without sharing what we&#8217;d consider the Top 10 of 2015.</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/we-were-there-hamilton/">Hamilton </a></strong></em></span></p>
<p>What is a best of 2015 list without <em>Hamilton</em>? Not a list at all. The hip-hop musical about America’s most controversial founding father with its diverse cast and <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/hamilton-cast-album-hit-number-one-rap-charts/">#hamiltunes</a></span> that will be stuck in your head forever earns its prized spot on the list. Any show capable of selling out for over a year is a winner in my book. #HamilTonys</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/we-were-there-invisible-thread/">Invisible Thread </a></strong></em></span></p>
<p>Did I mention I saw this show four times? I&#8217;m not kidding. The only reason it wasn&#8217;t more is because I&#8217;m not rich and I went home for Christmas break. The show that tells the story of one man&#8217;s incredible journey of self and the people&#8217;s lives he impacts was a no-brainer on my list. The dancing, the acting, and the singing is enough to bring you in and take you to new places. #Belamusana</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/color-purple-broadway/">The Color Purple </a></strong></em></span></p>
<p>Of course, <em>The Color Purple</em> was going to make this list. <strong>Cynthia Erivo</strong>, <strong>Danielle Brooks</strong> and <strong>Jennifer Hudson</strong> make their Broadway debuts and they enter with a big ol&#8217; splash. The simplistic styling of this musical requires the actors to give their all and bare it on the stage, which they do every night. I see Tonys in their future.</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/whorl-inside-loop-opening-night/">Whorl Inside A Loop </a></strong></em></span></p>
<p>No wonder it&#8217;s going to Broadway!  It&#8217;s that darn good. Second Stage is doing some pretty awesome things over there on 43rd Street, if this show is any indication. It tells the story of an actress teaching prisoners how to tell and act out their personal stories. This show definitely tugged at my heartstrings and now, hopefully, many more will be able to witness its brilliance.</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/opening-night-cicely-tyson-james-earl-jones-gin-game/">The Gin Game </a></strong></em></span></p>
<p>Legendary. <strong>James Earl Jones</strong> and <strong>Cicely Tyson</strong> sharing the stage again was one of the most amazing moments of 2015. Being able to just be in that room and watch these masters grace the stage effortlessly was a big deal. Black don&#8217;t crack, and neither does our ability to memorize scripts and get out there and be amazing eight nights a week.</p>
<p><span style="color: #ff0000;"><strong><a style="color: #ff0000;" href="http://broadwayblack.com/taste-barbecue-public-theatre/">Barbecue </a></strong></span></p>
<p>The Public Theater also has some hits on their hands. <em>Barbecue</em> centered around family, addiction, and making difficult choices. Written by Obie Award Winning Playwright Robert O’Hara, the play was full of twists and turns that left audiences gasping and guessing about what was going to happen next.</p>
<p><em><strong>Paradise Blue</strong></em></p>
<p>Our girl <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/making-space-for-brown-girls-dominique-morisseau/">Dominique Morisseau</a></span> came through. The production is directed by the always amazing <strong>Ruben</strong> <strong>Santiago-Hudson</strong> and stars Tony Award-nominee <strong>De’Adre Aziza </strong>(<em>Passing Strange</em>), Golden Globe-nominee <strong>Blair Underwood </strong>(<em>A Street Car Named Desire</em>), and <strong>Andre Holland. </strong>This show, which is the first in a trilogy, made waves at the Williamstown Theatre Festival. Like Morisseau herself, I doubt it&#8217;s the last you&#8217;ll hear about it.</p>
<p><em><strong>An Octoroon </strong></em></p>
<p><em>An Octoroon</em> (the term &#8220;Octoroon&#8221; is a person who is one-eighth Black) is all about race in the United States. The brilliant show written by <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/playwrights-morisseau-jacobs-jenkins-receive-steinberg-award/">Branden Jacobs-Jenkins</a></span> got its start at Soho Rep and uses satire to get at the United States&#8217; horrible legacy of slavery. Incorporating Black face, red face and everything in between, this show took it <em>there</em> unapologetically. <em>An Octoroon</em> can make an entire audience uncomfortable and force them to face the harsh realities of this &#8220;great&#8221; nation all in one. After all, art is an imitation of life, right?</p>
<p><span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/we-were-there-amazing-grace-opening-night/">Amazing Grace</a></strong></em></span></p>
<p>Gone too soon. The song I sang as a child suddenly held more weight when I finally was able to see this show in the summer. Beautifully and thoroughly executed, <em>Amazing Grace</em> was a gracious piece of theatre that wasn&#8217;t afraid to go <em>there.</em> While it may have left Broadway, the cast recording will be enough to keep me going.</p>
<p><em><strong>Eclipsed </strong></em></p>
<p>This is another one that <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/lupita-nyongo-will-take-eclipsed-broadway-feburary/">moved from Off-Broadway</a></span> because of its stellar cast and amazing story. <strong>Danai Gurira</strong> is genius. Set during the Liberian Civil War, <em>Eclipsed</em> tells the stories of the captive wives of a rebel officer who band together to form a fragile community—until the balance of their lives is upset by the arrival of a new girl. Heartfelt, funny, and mesmerizing are just a few adjectives to describe how great of a show this is.</p>
<p><strong>Special Mention:</strong> <span style="color: #ff0000;"><em><strong><a style="color: #ff0000;" href="http://broadwayblack.com/exclusive-thewizlive-watch-party/">The Wiz Live!</a></strong></em></span></p>
<p>How could I make a list without The Wiz Live! on it? This show and all of its #melaninmagic captivated audiences everywhere. The old classic story of The Wiz with a modern twist appealed to audiences young and old, and brought together an entire community on Dec. 3rd. That night also made us realize <strong>Shanice Williams</strong> was going places, <strong>Stephanie Mills</strong> has <em>still</em> got it, <strong>David Alan Grier</strong> has some serious pipes, <strong>Uzo Aduba</strong> and <strong>Queen Latifah</strong> can do no wrong, <strong>Amber Riley</strong> was underappreciated on Glee, and &#8220;conversate&#8221; is an actual word.</p>
<p>Thats our list, what did you see that you put on your list? Sound off in the comments below and check out in-depth information on all of these shows on our site!</p>
<p>The post <a href="https://www.broadwayblack.com/winner-broadway-black-top-10-2015/">And The Winner Is&#8230;Broadway Black Top 10 of 2015</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/winner-broadway-black-top-10-2015/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12657</post-id>	</item>
		<item>
		<title>Ruben Santiago-Hudson Discusses Broadway&#8217;s Musical Legacy for City Center Encores! Unscripted</title>
		<link>https://www.broadwayblack.com/ruben-santiago-hudson-discusses-broadways-musical-legacy-city-center-encores-unscripted/</link>
					<comments>https://www.broadwayblack.com/ruben-santiago-hudson-discusses-broadways-musical-legacy-city-center-encores-unscripted/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Tue, 08 Dec 2015 15:10:10 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Awards Nominees & Winners]]></category>
		<category><![CDATA[Events and Happenings]]></category>
		<category><![CDATA[Leads & Legends]]></category>
		<category><![CDATA[Learn Your History]]></category>
		<category><![CDATA[Broadway Musical]]></category>
		<category><![CDATA[Encores]]></category>
		<category><![CDATA[Greene Space]]></category>
		<category><![CDATA[New York City Center]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<category><![CDATA[Unscripted]]></category>
		<category><![CDATA[WNYC]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=12033</guid>

					<description><![CDATA[<p>New York City Center continues its work of “bringing the backstage center stage” with City Center Encores! Unscripted. Partnering with The Jerome L. Greene Performance Space at WNYC, City Center presents a new live-streamed series that goes beyond the “talkback” and nostalgia to look about how Broadway musicals have reflected and shaped American life. The [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/ruben-santiago-hudson-discusses-broadways-musical-legacy-city-center-encores-unscripted/">Ruben Santiago-Hudson Discusses Broadway&#8217;s Musical Legacy for City Center Encores! Unscripted</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>New York City Center continues its work of “bringing the backstage center stage” with <i>City Center Encores! Unscripted</i>. Partnering with The Jerome L. Greene Performance Space at WNYC, City Center presents a new live-streamed series that goes beyond the “talkback” and nostalgia to look about how Broadway musicals have reflected and shaped American life. The first conversation – hosted by<i> Encores!</i> artistic director Jack Viertel – kicks off Dec. 14, with “Sexism. Racism. Show Tunes. Discuss.”</p>
<p>Tony Award winner <b>Ruben Santiago-Hudson </b>– who boasts a 40-year career – will examine sexist and racist attitudes rooted in classic musicals with fellow award winners Sheldon Harnick (<i>Fiddler on the Roof</i>) and Jeanine Tesori (<i>Fun Home</i>).</p>
<p>For City Center’s announcement about the events, Viertel stated:</p>
<blockquote><p>“At <i>Encores!</i>, we’re always asking questions about the American musical: where it’s been, where it’s going, what we can learn from the songwriters of Broadway’s Golden Age, and about the attitudes of any given era, which might be very different from our own. This series opens up that conversation to everyone. There’s no one else who does what we do at <i>Encores!</i> in terms of restoring and presenting great musicals as they were originally intended. Our hope is that <i>Encores! </i>Unscripted will explore the connections between the shows we do here –from <span style="color: #ff0000;"><i><a style="color: #ff0000;" href="http://broadwayblack.com/ny-city-center-encores-resurrects-cabin-in-the-sky/" target="_blank" rel="noopener">Cabin in the Sky</a></i></span> to <i>1776</i> – and the shows currently playing on Broadway.”</p></blockquote>
<p>Santiago-Hudson has stated: “Whether I’m acting, writing or <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/" target="_blank" rel="noopener">directing</a></span>, I want to tell the truth about human beings – especially my folk.” His roots, which spring from an Puerto Rican father and African-American mother, began in New York. Santiago-Hudson made his Broadway debut with <b>George C. Wolfe</b>’s <i>Jelly’s Last Jam</i> (1992-1993). His last Broadway appearance was during 2011-2012 in the <b>Kenny Leon</b>-directed <i>Stick Fly</i> (written by <b>Lydia R. Diamond</b>) as “Joy LeVay,” along with <b>Dulé Hill</b>, <b>Mekhi Phifer</b>, <b>Tracie Thoms</b> and <b>Condola Rashad</b>. Other acting work has included August Wilson’s <i>Gem of the Ocean</i> and <i>Seven Guitars</i>; the latter garnered him a Tony Award.</p>
<p>The Lackawanna, NY native wrote the 2001 autobiographical play <i>Lackawanna Blues</i> and portrayed 20 different characters as well as himself; it was adapted in 2005 as an HBO film and earned him the Humanitas Prize as well as Emmy and Writers Guild of America award nominations. His follow-up “truth” play was <span style="color: #ff0000;"><i><a style="color: #ff0000;" href="https://youtu.be/HkvhjPkeha0" target="_blank" rel="noopener">Your Blues Ain’t Sweet Like Mine</a></i></span>, which was produced by Two River Theater in New Jersey this year. For his direction, he was awarded, in 2013, the Lucille Lortel Award and Obie Award and nominated for the Drama Desk Award for his work in the Off-Broadway production of Wilson’s <i>The Piano Lesson</i>. In 2009, he received the NAACP Lifetime Achievement Theatre Award for his role as “Mayor Joe Starks” in <i>Their Eyes Were Watching God</i>.</p>
<p>Jennifer Sendrow, executive producer at WYNC, also discussed the events. As noted on City Center’s website page, she said: “The Greene Space and <i>Encores!</i> know that our audiences not only delight in the electricity of a live performance, they want to dig deeply into the stories and ideas that propel their favorite shows. We’re convening some of the brightest minds on Broadway to make a must-listen oral history of a fiercely creative time in American theater that will inspire and challenge future generations of artists and fans alike.”</p>
<p>The three-part series will conclude March 14, with “Who Tells Their Stories? Historical Narratives on Broadway” featuring <i>Bloody Bloody Andrew Jackson</i> composer Michael Friedman, <span style="color: #ff0000;"><i><a style="color: #ff0000;" href="http://broadwayblack.com/hamilton-lyrics-decoded-got/" target="_blank" rel="noopener">Hamilton The Musical</a></i></span> star <span style="color: #ff0000;"><b><a style="color: #ff0000;" href="http://broadwayblack.com/depth-look-leslie-odom-jr-aaron-burr-hamilton/" target="_blank" rel="noopener">Leslie Odom, Jr.</a></b></span>, along with cast members from the <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/encores-1776-takes-cue-hamilton-diverse-casting/" target="_blank" rel="noopener"><i>Encores! </i>production of <i>1776</i></a></span>.</p>
<p>Tickets are on sale now. All shows will be webcast live and available as archived videos and podcasts.</p>
<p>Santiago-Hudson presented a TEDx talk at his alma mater Binghamton University on the theme of “staying the course.”</p>
<p><iframe title="Stray the path...the story of my life: Ruben Santiago-Hudson at TEDxBinghamtonUniverity" width="880" height="495" src="https://www.youtube.com/embed/VcJqIaRvOiM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>The post <a href="https://www.broadwayblack.com/ruben-santiago-hudson-discusses-broadways-musical-legacy-city-center-encores-unscripted/">Ruben Santiago-Hudson Discusses Broadway&#8217;s Musical Legacy for City Center Encores! Unscripted</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/ruben-santiago-hudson-discusses-broadways-musical-legacy-city-center-encores-unscripted/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12033</post-id>	</item>
		<item>
		<title>Ruben Santiago-Hudson Directs Blair Underwood &#038; De&#8217;Adre Aziza In Paradise Blue</title>
		<link>https://www.broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/</link>
					<comments>https://www.broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Fri, 19 Jun 2015 17:20:04 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Awards Nominees & Winners]]></category>
		<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Blair Underwood]]></category>
		<category><![CDATA[dominique morriseau]]></category>
		<category><![CDATA[paradise blue]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=7023</guid>

					<description><![CDATA[<p>Paradise Blue, the first play in Dominique Morisseau&#8216;s Detroit trilogy, opens on July 22 at the Williamstown Theatre Festival. Paradise Blue has no shortage of star actors behind the production: Ruben Santiago-Hudson directs Tony Award-nominee De’Adre Aziza (Passing Strange), Golden Globe-nominee Blair Underwood (A Street Car Named Desire), and Andre Holland (Joe Turner&#8217;s Come and Gone) in this world premiere of [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/">Ruben Santiago-Hudson Directs Blair Underwood &#038; De&#8217;Adre Aziza In Paradise Blue</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Paradise Blue</em>, the first play in <span style="color: #ff0000;"><strong><a style="color: #ff0000;" href="http://broadwayblack.com/making-space-for-brown-girls-dominique-morisseau/">Dominique Morisseau</a></strong></span>&#8216;s Detroit trilogy, opens on July 22 at the <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://wtfestival.org">Williamstown Theatre Festival</a></span>. <em>Paradise Blue</em> has no shortage of star actors behind the production: <strong>Ruben Santiago-Hudson</strong> directs Tony Award-nominee <strong>De’Adre Aziza </strong>(<em>Passing Strange</em>), Golden Globe-nominee <strong>Blair Underwood </strong>(<em>A Street Car Named Desire</em>), and <strong>Andre Holland</strong> (<em>Joe Turner&#8217;s Come and Gone</em>) in this world premiere of a bracing and charged drama.</p>
<p>Blue (Underwood), a gifted trumpeter, contemplates selling his once-vibrant jazz club in Detroit’s Blackbottom neighborhood to shake free the demons of his past and better his life. But where does that leave his devoted Pumpkin, who has dreams of her own? And what does it mean for the club’s resident bebop band? When a mysterious woman (Aziza) with a walk that drives men mad comes to town with her own plans, everyone’s world is turned upside down.</p>
<p>Emmy-nominated actor Ruben Santiago-Hudson is no stranger to the stage. In 1996, he won the Tony</p>
<div id="attachment_7171" style="width: 310px" class="wp-caption alignright"><a href="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/06/Hudson.jpg"><img data-recalc-dims="1" loading="lazy" decoding="async" aria-describedby="caption-attachment-7171" class="size-medium wp-image-7171" src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/06/Hudson-300x225.jpg?resize=300%2C225" alt="Ruben Santiago Hudson" width="300" height="225" /></a><p id="caption-attachment-7171" class="wp-caption-text">Ruben Santiago Hudson</p></div>
<p>Award as Best Actor (Featured Role &#8211; Play) for <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://broadwayblack.com/all-hail-king-august-wilson/">August Wilson</a></span>&#8216;s <em>Seven Guitars</em>, and also performed the role of Ricky Roma on Broadway in <em>Glengarry Glen Ross. </em>In addition, he originated the role of Buddy Bolden in <em>Jelly&#8217;s Last Jam</em>, directed by <strong>George C. Wolfe</strong>, at The Mark Taper Forum, and continued this role as a member of the original Broadway cast.</p>
<p>Santiago-Hudson also has several film and television projects coming up, including a new TNT TV series executive produced by Stephen Spielberg entitled Public Morals, as well as a brand new follow-up to his acclaimed multi-award-winning play <em>Lackawanna Blues</em>.</p>
<p>&nbsp;</p>
<p>The post <a href="https://www.broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/">Ruben Santiago-Hudson Directs Blair Underwood &#038; De&#8217;Adre Aziza In Paradise Blue</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/ruben-santiago-hudson-directs-blair-underwood-deadre-aziza-in-paradise-blue/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7023</post-id>	</item>
		<item>
		<title>You Have No Excuse: Don&#8217;t Miss August Wilson Cycle Recordings Live Stream</title>
		<link>https://www.broadwayblack.com/you-have-no-excuse-dont-miss-august-wilson-cycle-recordings-live-stream/</link>
					<comments>https://www.broadwayblack.com/you-have-no-excuse-dont-miss-august-wilson-cycle-recordings-live-stream/#respond</comments>
		
		<dc:creator><![CDATA[Drew Shade]]></dc:creator>
		<pubDate>Wed, 21 Aug 2013 22:31:42 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Leads & Legends]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Chuck Cooper]]></category>
		<category><![CDATA[Jason Dirden]]></category>
		<category><![CDATA[Jesse L. Martin]]></category>
		<category><![CDATA[Keith David]]></category>
		<category><![CDATA[Kenny Leon]]></category>
		<category><![CDATA[Leslie Uggams]]></category>
		<category><![CDATA[Phylicia Rashad]]></category>
		<category><![CDATA[Regina Taylor]]></category>
		<category><![CDATA[Ron Cephas Jones]]></category>
		<category><![CDATA[Roslyn Ruff]]></category>
		<category><![CDATA[Ruben Santiago Hudson]]></category>
		<category><![CDATA[S. Epatha Merkerson]]></category>
		<category><![CDATA[Stephen McKinley Henderson]]></category>
		<category><![CDATA[Taraji P. Henson]]></category>
		<category><![CDATA[Wendell Pierce]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=2868</guid>

					<description><![CDATA[<p>We&#8217;ve posted about the all of August Wilson&#8217;s work being read and recorded by BroadwayBlack&#8217;s finest at The Greene Space. we&#8217;ve also been raving about how epic this will be via twitter. Well, it seems that nearly all the readings have sold out, and rightfully so. It&#8217;s August Wilson! The readings of all 10 of [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/you-have-no-excuse-dont-miss-august-wilson-cycle-recordings-live-stream/">You Have No Excuse: Don&#8217;t Miss August Wilson Cycle Recordings Live Stream</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>We&#8217;ve posted about the all of <a href="http://broadwayblack.com/august-wilsons-pittsburgh-cycle-to-be-recorded-in-its-entirety/" title="August Wilson’s Pittsburgh Cycle To Be Recorded In Its Entirety">August Wilson&#8217;s work being read and recorded</a> by BroadwayBlack&#8217;s finest at The Greene Space. we&#8217;ve also been raving about how epic this will be via twitter. Well, it seems that nearly all the readings have sold out, and rightfully so. It&#8217;s <strong>August Wilson</strong>!</p>
<p>The readings of all 10 of plays will now be streamed live and you can watch them here! </p>
<blockquote><p>Join us for an historic series as an extraordinary cast of actors and directors — many who worked directly with Wilson — gather to make the first-ever recording of his celebrated 10-play cycle capturing 100 years of African American life in the 20th century.</p>
<p>The readings will feature many actors reprising the roles they performed on stage, including Tony Award winner <strong>LESLIE UGGAMS</strong> as Ruby in King Hedley II;  Drama Desk and Obie Award winner <strong>ANTHONY CHISHOLM</strong> (Oz, Premium Rush) as Fielding in Jitney and Elder Barlow in Radio Golf; <strong>BRANDON DIRDEN</strong> (The Big C, House of Payne) in his Obie Award-winning role as Boy Willie in The Piano Lesson; <strong>RUSSELL HORNSBY</strong> (Grimm, Shameless) as King Hedley in King Hedley II; Emmy Award winner <strong>KEITH DAVID</strong> (Crash, Armageddon) as Seth Holly in Joe Turner’s Come and Gone; <strong>EBONY JO-ANN</strong> as Ma Rainey in Ma Rainey’s Black Bottom; <strong>RUBEN SANTIAGO-HUDSON</strong> as Canewell in Seven Guitars; <strong>JOHN EARL JELKS</strong> as Sterling Johnson in Radio Golf; <strong>ROSLYN RUFF</strong> (Rachel Getting Married, The Help) as Berniece in The Piano Lesson, among others.</p>
<p>Other Wilson actors will take on new roles, including Tony Award nominee <strong>S. EPATHA MERKERSON</strong> (Law &#038; Order, Lincoln) as Bertha in Joe Turner’s Come and Gone and <strong>WENDELL PIERCE</strong> (Treme, The Wire) as Red Carter in Seven Guitars.</p>
<p>Academy Award nominee <strong>TARAJI P. HENSON</strong> (The Curious Case of Benjamin Button, Person of Interest) and <strong>JESSE L. MARTIN</strong> (Law &#038; Order, Rent) will make their Wilson debuts as Molly Cunningham in Joe Turner’s Come and Gone and Lyons in Fences, respectively.
</p></blockquote>
<p>Check Back here to watch the reading recordings each week.</p>
<p>In the meantime listen to Ruben Santiago Hudson, Phylicia Rashad, and others talk about the legacy of August Wilson, read the cast lists for the recordings, and copy the schedule of the recording series below</p>
<p><strong>SCHEDULE</strong></p>
<p>All readings start at 7pm at <a href="http://www.thegreenespace.org/articles/thegreenespace/2013/jul/01/august-wilsons-american-century-cycle/" target="_blank" rel="noopener">The Greene Space</a>, 44 Charlton Street (at Varick Street), Downtown Manhattan.</p>
<p>Ma Rainey’s Black Bottom– Monday, August 26<br />
Directed by Ruben Santiago Hudson</p>
<p>David Margulies…………………………&#8230;Sturdyvant<br />
Tuck Milligan…………………………………….Irvin<br />
Charles Weldon………………………………&#8230;Cutler<br />
Clarke Peters…………………………………..Toledo<br />
Harvy Blanks……………………………&#8230;.Slow Drag<br />
Ebony Jo-Ann…………………………..…Ma Rainey<br />
Joniece Abbott-Pratt………………..…….Dussie Mae<br />
Jonathan Majors………………………..…&#8230; Sylvester</p>
<p>Fences–Wednesday, August 28<br />
Directed by Kenny Leon</p>
<p>Eugene Lee………………………………… Jim Bono<br />
Jesse L. Martin………………………………….Lyons<br />
Ray Anthony Thomas………………………….Gabriel<br />
Jonathan Majors………………………………….Cory<br />
Regina Taylor…………………………………….Rose</p>
<p><iframe loading="lazy" title="Ruben Santiago-Hudson on Preserving August Wilson&#039;s Legacy" width="880" height="495" src="https://www.youtube.com/embed/JFo0WjQ6Uy0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>Joe Turner’s Come and Gone– Wednesday, September 4<br />
Directed by Phylicia Rashad</p>
<p>Keith David…………………………….…..Seth Holly<br />
Taraji P. Henson……………….… Molly Cunningham<br />
S. Epatha Merkerson……………………. Bertha Holly<br />
Roger Robinson……………………….……… Bynum<br />
Raynor Scheine………………….…&#8230;Rutherford Selig<br />
Jason Dirden…………………….……..Jeremy Furlow<br />
John Douglas Thompson……….……..Harold Loomis<br />
January LaVoy………………….……Mattie Campbell<br />
Nile Bullock………………….………Reuben Mercer<br />
Alexis Holt…………………….………..Zonia Loomis</p>
<p>The Piano Lesson– Monday, September 9<br />
Directed by Ruben Santiago-Hudson</p>
<p>Brandon J. Dirden………………………….Boy Willie<br />
Roslyn Ruff…………………………………..Berniece<br />
Jason Dirden…………………………..……….Lymon<br />
Alexis Holt…………………………..………&#8230;Maretha<br />
Eric Lenox Abrams………………….……….….Avery<br />
Chuck Cooper……………………….……Wining Boy<br />
Mandi Masden……………………………..…….Grace</p>
<p><iframe loading="lazy" title="Stephen McKinley Henderson on August Wilson&#039;s Cultural Achievement" width="880" height="495" src="https://www.youtube.com/embed/hDu1wDvNjWo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>Two Trains Running– Wednesday, September 11<br />
Directed by Michele Shay</p>
<p>Ron Cephas Jones……………………………….Wolf<br />
James A. Williams………………………….Holloway<br />
Owiso Odera………………………………….Sterling<br />
Leon Addison Brown……………………….Hambone<br />
Harvy Blanks…………………………………….West</p>
<p>Seven Guitars– Friday, September 13<br />
Directed by Stephen McKinley Henderson</p>
<p>Ruben Santiago-Hudson…………………… Canewell<br />
Wendell Pierce……………………….……Red Carter<br />
Brenda Pressley………………………………&#8230;Louise<br />
Lou Ferguson………………………………….Hedley<br />
Harry Lennix……………………………Floyd Barton<br />
Cassandra Freeman……………………………&#8230;Ruby</p>
<p>Jitney– Monday, September 16<br />
Directed by Ruben Santiago Hudson</p>
<p>Anthony Chisholm…………………………&#8230;.Fielding<br />
Amari Cheatom………………………….Youngblood<br />
Stephen M Henderson…………………………Turnbo<br />
Barry Shabaka Henley…………………………..Doub<br />
Harvy Blanks…………………………………..Shealy<br />
Joaquina Kalukango……………………………..Rena</p>
<p><iframe loading="lazy" title="Phylicia Rashad on August Wilson&#039;s American Century Cycle" width="880" height="495" src="https://www.youtube.com/embed/OaRPd4t8N0g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>King Hedley II– Saturday, September 21<br />
Directed by Michele Shay</p>
<p>Russell Hornsby………………………King Hedley II<br />
Leslie Uggams…………………………………..Ruby<br />
Kevin Carroll…………………………………&#8230;Mister<br />
Stephen M. Henderson………………………..Elmore<br />
Marsha Stephanie Blake………………………..Tonya<br />
Arthur French……………………………Stool Pigeon</p>
<p>Gem of the Ocean– Tuesday, September 24<br />
Directed by Kenny Leon</p>
<p>Eugene Lee…………………………………………Eli<br />
Stephen Tyrone Williams……………..Citizen Barlow<br />
Phylicia Rashad……………………………Aunt Ester<br />
Danai Gurira……………………………&#8230;Black Mary<br />
Raynor Scheine……………………&#8230;Rutherford Selig<br />
Anthony Chisholm………………….Solly Two Kings<br />
Keith Randolph Smith…………………………Caesar</p>
<p>Radio Golf– Saturday, September 28<br />
Directed by Marion McClinton</p>
<p>Anthony Chisholm………….. ….Elder Joseph Barlow<br />
John Earl Jelks…………………&#8230;&#8230;..Sterling Johnson<br />
Rocky Carroll………………………&#8230;Harmond Wilks<br />
Sharon Washington……………………&#8230;Mame Wilks<br />
James A. Williams…………………&#8230;Roosevelt Hicks</p>
<p><iframe loading="lazy" title="Michele Shay on the Power of August Wilson&#039;s 10-Play Cycle" width="880" height="495" src="https://www.youtube.com/embed/0zmCbVZFTd0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></p>
<p>The post <a href="https://www.broadwayblack.com/you-have-no-excuse-dont-miss-august-wilson-cycle-recordings-live-stream/">You Have No Excuse: Don&#8217;t Miss August Wilson Cycle Recordings Live Stream</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.broadwayblack.com/you-have-no-excuse-dont-miss-august-wilson-cycle-recordings-live-stream/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">2868</post-id>	</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin


Served from: www.broadwayblack.com @ 2026-06-17 02:33:55 by W3 Total Cache
-->