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	<title>in the heights Archives - Broadway Black</title>
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		<title>&#8216;Wicked&#8217; Film Adaptation Finds Its Director in Jon M. Chu</title>
		<link>https://www.broadwayblack.com/jon-m-chu-directs-wicked-movie/</link>
					<comments>https://www.broadwayblack.com/jon-m-chu-directs-wicked-movie/#respond</comments>
		
		<dc:creator><![CDATA[Alaina Newell]]></dc:creator>
		<pubDate>Thu, 04 Feb 2021 16:35:29 +0000</pubDate>
				<category><![CDATA[Events and Happenings]]></category>
		<category><![CDATA[in the heights]]></category>
		<category><![CDATA[Jon M. Chu]]></category>
		<category><![CDATA[musical movie]]></category>
		<category><![CDATA[Wicked]]></category>
		<guid isPermaLink="false">https://www.broadwayblack.com/?p=25325</guid>

					<description><![CDATA[<p>Thank goodness! The long-awaited film adaptation of the musical Wicked finally has a director. Known for his gorgeous work on Crazy Rich Asians, Now You See Me 2, and the upcoming movie musical, In the Heights, Jon M. Chu announced his role in a recent tweet:  “Too late for second-guessing Too late to go back [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/jon-m-chu-directs-wicked-movie/">&#8216;Wicked&#8217; Film Adaptation Finds Its Director in Jon M. Chu</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Thank goodness! The long-awaited film adaptation of the musical </span><i><span style="font-weight: 400;">Wicked</span></i><span style="font-weight: 400;"> finally has a director. Known for his gorgeous work on Crazy Rich Asians, Now You See Me 2, and the upcoming movie musical, </span><i><span style="font-weight: 400;">In the Heights,</span></i><span style="font-weight: 400;"><strong> Jon M. Chu</strong> announced his role in a recent tweet: </span></p>
<blockquote class="twitter-tweet">
<p dir="ltr" lang="en">“Too late for second-guessing<br />
Too late to go back to sleep<br />
It’s time to trust my instincts<br />
Close my eyes and leap&#8230;”<a href="https://twitter.com/hashtag/WickedMovie?src=hash&amp;ref_src=twsrc%5Etfw">#WickedMovie</a> <a href="https://twitter.com/UniversalPics?ref_src=twsrc%5Etfw">@UniversalPics</a> <a href="https://twitter.com/hashtag/StephenSchwartz?src=hash&amp;ref_src=twsrc%5Etfw">#StephenSchwartz</a> <a href="https://twitter.com/hashtag/WinnieHolzman?src=hash&amp;ref_src=twsrc%5Etfw">#WinnieHolzman</a> <a href="https://twitter.com/hashtag/MarcPlatt?src=hash&amp;ref_src=twsrc%5Etfw">#MarcPlatt</a> it’s time.<br />
So&#8230; Twitterverse, who should we cast? <a href="https://t.co/ZaAeAJTq9f">pic.twitter.com/ZaAeAJTq9f</a></p>
<p>— Jon M. Chu (@jonmchu) <a href="https://twitter.com/jonmchu/status/1356663878780739587?ref_src=twsrc%5Etfw">February 2, 2021</a></p></blockquote>
<p><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script><br />
<span style="font-weight: 400;">Everyone who likes musicals went through their Wicked phase, and with Chu leading the team, I think they’re going to see a whole new batch of Wicked stans. </span><span style="font-weight: 400;">No word on a cast or release date, but we will keep the Broadway Black readers updated with all the tea!</span></p>
<p>We have talked about <em>Wicked</em> a couple of times, mostly discussing the irony that in a show about a girl of another skin color being judged for what makes her different, there has been no full-time Black Elphaba in any North American company. In fact, there has never been a full-time Elphaba OR Glinda, just understudies, and standbys. In fact, Brittney Johnson only recently became the first Black woman to play Glinda on Broadway. Hopefully, we will see a little more color (and not just green) in the adaptation!</p>
<p>Check out our video on Brittney Johnson becoming Broadway&#8217;s first #BlackGlinda:</p>
<p><iframe title="Brittney Johnson Becomes The First #BlackGlinda On Broadway" width="880" height="495" src="https://www.youtube.com/embed/FIf1RYjk39M?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p>The post <a href="https://www.broadwayblack.com/jon-m-chu-directs-wicked-movie/">&#8216;Wicked&#8217; Film Adaptation Finds Its Director in Jon M. Chu</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<title>In The Heights &#038; Hamilton In Talks For Hollywood</title>
		<link>https://www.broadwayblack.com/heights-hamilton-talks-hollywood/</link>
					<comments>https://www.broadwayblack.com/heights-hamilton-talks-hollywood/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Mon, 24 Aug 2015 14:48:47 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Behind The Scenes]]></category>
		<category><![CDATA[Broadway Black Cinema]]></category>
		<category><![CDATA[Its A Hit]]></category>
		<category><![CDATA[The Big Screen]]></category>
		<category><![CDATA[What If?]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[in the heights]]></category>
		<category><![CDATA[Lin-Manuel Miranda]]></category>
		<category><![CDATA[Quiara Alegría Hudes]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=9080</guid>

					<description><![CDATA[<p>In a perfect world, theatregoers would have the pleasure of seeing their favorite shows on the silver screen. Sometimes it works out and a broader audience gets the opportunity to experience stories that they could only previously enjoy on Broadway. This was the case with Mamma Mia!, which began on the stage and ended up [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/heights-hamilton-talks-hollywood/">In The Heights &#038; Hamilton In Talks For Hollywood</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>In a perfect world, theatregoers would have the pleasure of seeing their favorite shows on the silver screen. Sometimes it works out and a broader audience gets the opportunity to experience stories that they could only previously enjoy on Broadway. This was the case with <em>Mamma Mia!, </em>which began on the stage and ended up on the screen. With all of the excitement surrounding the scorching hot offerings of phenom <strong><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.linmanuel.com/" target="_blank" rel="noopener">Lin-Manuel Miranda</a></span></strong>, creator of <em>In the Heights</em> and <em>Hamilton,</em> one would think film would be a natural progression.</p>
<p>Miranda’s works bring an energy and zest to the theatre that have drawn the praise of <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.jenniferlopez.com/" target="_blank" rel="noopener">Jennifer Lopez</a></span>, <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.imdb.com/name/nm0923736/" target="_blank" rel="noopener">Joss Whedon</a></span> and<span style="color: #ff0000;"> <a style="color: #ff0000;" href="https://twitter.com/potus?lang=en" target="_blank" rel="noopener">President Barack Obama</a></span>. Cleverly fusing hip hop and salsa into the score of <em>In the Heights</em> and doubling back for more hip hop with a healthy splash of R&amp;B for <em>Hamilton</em>, Miranda seems to be on a winning streak. But a Broadway smash does not guarantee that the musical will work on film.</p>
<p>In 2008, Manuel was excited when Universal Pictures acquired the film rights for his Tony Award-winning Best Musical, <em>In the Heights</em>. At the time, Miranda was expected  to reprise the role of leading man, Usnavi, with <span style="color: #ff0000;"><strong><a href="http://quiara.com/quiara.com/Index.html" target="_blank" rel="noopener"> <span style="color: #ff0000;">Quiara Alegría Hudes</span></a></strong></span>, who wrote the Tony-nominated book, and was set to write the screen adaptation. But after concerns about signing on a big enough Latino star who would sell internationally, and an enormous $37 million dollar budget, the concept simply did not work as originally planned.</p>
<blockquote><p>A lot of the reason the Universal version of <em>Heights</em> went away is that they were afraid they didn&#8217;t have a big enough Latino star to bankroll this movie. The people I dealt with at the studio who wanted to make this movie were very passionate about it. We had a very strong hand at the wheel with Kenny Ortega, who has made some of the great musical movie moments of all time, from <em>Newsies</em> to <em>Dirty Dancing</em>. But the bean counters were like, &#8220;Well, they don&#8217;t sell international.&#8221; You know this speech very well. That&#8217;s Hollywood being scared, and that&#8217;s everyone there having to answer to somebody else. And one of the things I learned was, the less money that&#8217;s involved, the more power you have.</p></blockquote>
<p>The experience has now led to a revamp of the screenplay and a $15 million dollar budget. Manuel feels these changes are much better and should move the project forward.</p>
<p>In terms of a possible movie from his current hit <em>Hamilton,</em> Manuel says,</p>
<blockquote><p>I have been amazed at the filmmakers who have expressed interest in adapting <em>Hamilton</em>. I would insist that the movie be exactly the same in terms of diversity. That conversation&#8217;s a ways off: It&#8217;s not happening anytime soon. What I learned from my go-round with <em>In the Heights</em> is that it&#8217;s tough to make a movie. In Hollywood, even the people in charge have people in charge.</p></blockquote>
<p>For now, there is no clear answer of when, or if, either of these amazing productions will hit movie theaters. And that&#8217;s okay, because if it does happen, it&#8217;s quite clear that Manuel is determined not to lose the essence of either show just to sell movie tickets. That&#8217;s the kind of integrity that&#8217;s currently lacking in Hollywood. Even the venerable and iconic film maker <span style="color: #ff0000;"><a style="color: #ff0000;" href="https://twitter.com/spikelee" target="_blank" rel="noopener">Spike Lee</a></span> agrees,</p>
<blockquote><p>&#8221; I haven&#8217;t seen anything this DOPE on stage or screen in years&#8230;Game recognize game.&#8221;</p></blockquote>
<blockquote class="twitter-tweet" data-width="550" data-dnt="true">
<p lang="en" dir="ltr">The <a href="https://twitter.com/spikelee?ref_src=twsrc%5Etfw">@SpikeLee</a> in the 3rd row at the matinee&#8230;I felt like John Starks on that stage! Thanks maestro. <a href="https://twitter.com/hashtag/HamiltonPublic?src=hash&amp;ref_src=twsrc%5Etfw">#HamiltonPublic</a> <a href="http://t.co/MLyxdX2GR5">pic.twitter.com/MLyxdX2GR5</a></p>
<p>&mdash; Lin-Manuel Miranda (@Lin_Manuel) <a href="https://twitter.com/Lin_Manuel/status/579427127029813249?ref_src=twsrc%5Etfw">March 21, 2015</a></p></blockquote>
<p><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script></p>
<blockquote><p>And that is exactly how we like it! For more information on <em>In the Heights </em>or <em>Hamilton </em>click<span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.linmanuel.com/#!projects/cnec" target="_blank" rel="noopener"> here</a></span>.</p></blockquote>
<p>The post <a href="https://www.broadwayblack.com/heights-hamilton-talks-hollywood/">In The Heights &#038; Hamilton In Talks For Hollywood</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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