In a special and intimate conversation hosted by Red Bull Theater’s Associate Artistic Director, David Winkelstein, Tony Award winner Andre De Shields (

During the interview, De Shields says, “It was such an exciting and heart-opening, mind-opening, and spirit-opening experience for me.” He goes on to talk about an actor’s purpose, their mission, and their responsibility as a creative when approaching a role. He states, “It is the actor’s process to allow, not force, these three ingredients [mind, body, and spirit] to converge; and when they converge, we have created the most precious gem with the most facets through which we can refract our light…”

The podcast was recorded on February 1, 2021 and you can check out the full video below.

The post The Wizard and The Bard: Andre De Shields In Conversation About Shakespeare’s King Lear appeared first on Broadway Black.

The first guest joining us on Off-Book is the award winning playwright Dominique Morisseau. Her play, Skeleton Crew, the final installment in her trilogy of plays about her hometown of Detroit, starts previews on January 6, 2016 at the Atlantic Stage 2 Theater.

Skeleton Crew is a tale about how a makeshift family of workers at the last exporting auto plant in the city navigate the possibility of foreclosure. Power dynamics shift and they are pushed to the limits of survival. When the line between blue collar and white collar gets blurred, how far over the lines are they willing to step?

Dominique Morisseau, writer and actress, is an alumnus of the Public Theater Emerging Writer’s Group, the Women’s Project Playwrights Lab, and Lark Playwrights’ Workshop. Among her playwriting credits are: Detroit ’67 (Public Theater; Classical Theatre of Harlem/NBT; Northlight Theatre), Sunset  Baby (Labyrinth Theater Co – NYC; Gate Theater- London), and Follow Me To Nellie’s (O’Neill; Premiere Stages). Her produced one-acts include: Third Grade (Fire This Time Festival); Black at Michigan (Cherry Lane); Socks, Roses Are Played  Out and Love and Nappiness(Center Stage; ATH); love.lies.liberation (The NewGroup), Bumrush (Hip Hop Theater Festival) and The Masterpiece (Harlem9/HSA). Dominique is currently developing a 3-play cycle on her hometown of Detroit, entitled “The Detroit Projects.” Detroit ’67 is the first of the series. The second play, Paradise Blue, was developed with Voice and Vision, the Hansberry Project at ACT, New York Theatre Workshop, McCarter Theatre, Williamstown Theatre Festival, and the Public Theater. Dominique’s work has also been published in NY Times bestseller “Chicken Soup for the African American Soul” and in the Harlem-based literary journal “Signifyin’ Harlem.” She is a Jane Chambers Playwriting Award honoree, a two-time NAACP Image Award recipient, a runner-up for the Princess Grace Award, a recipient of the Elizabeth George commission from South Coast Rep, a commendation honoree for the Primus Prize by the American Theatre Critics Association, winner of the Barrie and Bernice Stavis Playwriting Award, the Weissberger Award for Playwriting, the U of M – Detroit Center Emerging Leader Award, a Lark/PoNY (Playwrights of New York) Fellow, and a recent recipient of the Edward M. Kennedy Prize for Drama. She is an artist that believes wholeheartedly in the power and strength of community.

The post Broadway Black Presents Off-Book: The New Theatre Podcast appeared first on Broadway Black.