Which is why Broadway Black has no choice but to share the release of Contemporary Plays by African American Women: Ten Complete Works by Sandra Adell. If there is one voice that’s been undervalued on stage, it’s that of the Black woman. That’s what makes this anthology so great. It’s a combined work that includes prominent Black female playwrights and some up-and-coming writers.

It features works from contemporary Black female playwrights including Blue Door by Tanya Barfield; Levee James  by S. M. Shephard-Massat; Hoodoo Love  by Katori Hall; Carnaval  by Nikkole Salter; Single Black Female  by Lisa B. Thompson; Fabulation, or The Re-Education of Undine by Lynn Nottage; BlackTop Sky by Christina Anderson; Voyeurs de Venus by Lydia Diamond; Fedra by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition by Keli Garrett.

The description reads:

African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into–and shake up–issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation.

Sandra Adell (Ph.D., UW–Madison) is a professor of Literature in the department of Afro-American Studies at the University of Wisconsin–Madison, Comparative Literature. Her other works include Confessions of a Slot Machine Queen, Literary Masters: Toni Morrison, Dictionary of Twentieth-Century Culture: African American Culture, and Double Consciousness/Double Bind: Theoretical Issues in Twentieth-Century Black Literature.

Contemporary Plays by African American Women: Ten Complete Works was released December 15th and is available for purchase in hardcopy, paperback, and digital copy at Amazon here.

The post Sandra Adell Releases Ten Contemporary Plays by African American Women appeared first on Broadway Black.

Later, McDonald sat down to talk about the highly-anticipated new musical Shuffle Along, and explained the historical significance of the show (it broke many barriers including being first to feature jazz in musicals, feature black actors, and even have black audience members in the orchestra seats). She also talked about what it’s like learning choreography from tap phenomenon  Savion Glover (she swears she’ll have it together by the first preview).

As a bonus, The Tonight Show blessed us with another clip where McDonald recalls some of her tales from backstage while doing Porgy and Bess and 110 In The Shade, which includes dog poop and ladybug tattoos.

Check out the videos below and if you haven’t already, get your Shuffle Along tickets here. Previews start at The Music Box on March 15th, and officially opens April 28th. Trust us, it’s a show you definitely don’t want to miss.

The post Audra McDonald Sings Yahoo! Answers On Jimmy Fallon + Talks Shuffle Along Broadway appeared first on Broadway Black.

“How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten spot in the Caribbean, by providence impoverished, in squalor, grow up to be a hero and a scholar?”

These are the words that start it all and we’re surprised that they were allowed on the telecast but we’re glad that they didn’t change that. They delivered such a powerful performance for the world to see & the impact of the opening lines are needed to draw in the masses. We were surely standing on our feet by the end of it.

Now, we know it’s already hard to get tickets for the show & once The Tony Awards come in June it’s going to be even harder but it’s the performances that air like this that make it even more special once you actually do get the chance.

Hamilton is the highly acclaimed, hip hop-infused story about America’s first treasurer, Alexander Hamilton. It has topped rap charts. It has beat out the almighty Lion King as top grossing musical TWICE. It’s members have appeared on a cypher on BET. And it has welcomed thousands of public school students into the theater to give the gift of the arts. Based on the biography of Alexander Hamilton by Ron Chernow, Miranda has penned what has come to be one of the most influential and talked about shows of our generation. 

It also didn’t stop after the performance. Hamilton, the musical received more airtime when the musical won Best Musical Theatre Album & the award, as well as the acceptance speech, aired on the main telecast. Watch Lin-Manuel Miranda, the creator of Hamilton, give a clever acceptance speech in the form a rap. He’s truly a remarkable genius with words.

The post Hamilton The Musical Performs & Wins on The Grammy Awards appeared first on Broadway Black.

After teasing the collaboration on their social media pages for days, the two Broadway stars finally gave fans what they’d been waiting for with this neo-soul version and music video of the Pippin favorite.

“We’ve been brainstorming about different musical ideas for concerts and albums. We soon realized we have the same musical taste for soul, funk, and R&B.  So I thought, to celebrate Valentine’s Day, let’s give Broadway lovers a new side of us they haven’t seen before while celebrating this classic musical theater tune!”

The video opens with the two having a sexy jam sesh at the piano and ends with a sing-off that makes you wish you could just grab a cocktail, a candlelit table in a corner and watch them and the band vibe all night long.

“The music video follows two artists finding a spark during their first collaboration. Patina and I couldn’t be more excited to give folks a taste of this new sound come Valentine’s Day. Got lots more brewing up musically. This is just the tip of the iceberg!”

If the rest of their collabos are as hot as this, we can’t wait!

The post Joshua Henry and Patina Miller Release Love Song Duet appeared first on Broadway Black.

Broadway Black writer Jerrica White had the opportunity to catch up with actors Lakisha Michelle May (Moxie), Chinasa Ogbuagu (Abasiama) and Chinaza Uche (Disciple) to discuss the play.

Chinasa Ogbuagu, Lakisha May, and Chinaza Uche all joined the production after doing workshops of the play. What seemed to draw them to the production was the idea that there were plenty of shows about African-Americans but less of Africans who live in America and what they bring to the culture.

For actress Lakisha May, who earned her MFA from the American Conservatory Theater and also holds a  BA from Spelman College, it was simple. She loved the fight of her character ‘Moxie’ a prostitute from the south who was not content with her station in life. May was able to contrast her personal history as a descendant of slaves and being the first in her family to graduate from college with the struggles of her character. Said May of the character,

She is a young woman that’s really fighting. One of her lines states “Just because I was born this way doesn’t mean I intend on staying this way”. She is trying to get out of this situation. What can you do?

Chinasa Ogbuagu, a Nigerian-American actress brought a different perspective to the play. According to Ogbuagu Nigerian (Ebo) culture has informed much of who she is but when she travels to Nigeria she is also very aware of her ‘American-ness’. Culturally she was able to relate very well to her character.

School is important to the culture coupled with hard work which is the American dream… which came from immigrants..

For Chinaza Uche, the American dream has always been hard. The actor who holds a BFA from NYU’s Tisch School of the Arts states simply,

The American Dream  has been built to challenge you. It is a battle to define “Who am I?” Defining oneself is a huge part of participating in the American Dream.

The actors were asked about how working with Mfoniso Udofia, who is known for her mixture of poetry and prose on stage, challenged them.  Said May,

There is a rhythm that is inherent in the work and while it may sound like the American South coming out of Moxie, it wasn’t easy.  The play is truly language intensive. My classical training was indeed used to approach the character.I feel that as a result of this work, I can now do anything and I look forward to the next language intensive play.

May reflects that she is left feeling she can do anything and do it in her own voice.

I am super grateful to be in this space and do this work.

For Ogbuagu, a deep respect for the genius of Udofia shaped a powerful experience.

She is so smart and she has found a way to write an amazing beautiful story that is also educating people on an experience that they are not familiar with and how could they be? I appreciate her for that.

According to the cast, Udofia was a stickler for punctuation and slash marks to keep the rhythm a certain way and for them, it worked. Said Ogbuagu,

When you adhered to the punctuation as written it flows and starts to work in a way that makes alot of sense.

As Ogbuagu and Uche ran lines together after rehearsals, this wisdom became evident and they both shared humorous moments realizing that if the stopped trying to do it their way, the dialogue worked a lot better. The cast collectively gave off an aura of warmth and respect when describing their impressions of Udofia. The playwright was repeatedly described as compassionate and strong and most importantly that she came through for the actors. Ogbuagu says,

That for me as an actor is everything. It’s really lovely. It’s everything.

The cast erupts into laughter as Uche adds,

You can really see who Mfoniso is as a playwright when you look at the scenes of Moxie!

Uche continues,

But truly, the compassion for the characters is huge. A great writer really takes care of the actor and she (Udofia) really does that by kind of telling us exactly what to do. There was always love and support to really develop what needed to happen. Yeah, she’s awesome.

The cast was also asked how director Ed Sylvanus Iskandar, who is Indonesian, added to the storytelling? According to Ogbuagu,

Ed has an immigrant experience of his own and while its not the same, he can understand some things and some things he had to learn too. He brought an amazing theatricality to this production and an elevation. Ed was able to come from a different experience and truly elevate the production. I loved that he did that.

Finally, the cast was asked what the wanted audience members to take away from Sojourners. 

May stated audience members should reflect on the intersection of Africans and African Americans.

It’s an opportunity for these two groups who are connected by the diaspora to be in the same space and deal with the stereotypes that each have of one other. There is a class story that can be taken away regarding the American Dream, especially from Moxie’s perspective.  The takeaway is that the American dream can’t always come in to fruition for everybody, particularly if you have brown skin.

Ogbuagu adds,

 Compassion and understanding of an experience different from your own. We are talking a lot about immigration with this election and a different understanding of immigrants; that not everybody  who comes to this country and wants to take over. People also have homes that they love. People want to come and they want to have an experience here, but then a lot of people do want to be able to go and come. Yeah, just compassion and understanding of somebody else’s experience.

Uche sums it up by saying,

Compassion is close to the word dimension. There are so many people who we overlook and I think that one of the things this play does is that it shows that if these three immigrants and this Black prostitute can have lives that are so rich and each have so much going on and have their own personal dreams, how many other people are we judging too quickly in our real lives and how many other stories are we not hearing? This is one family’s story and its so rich and so beautiful! There are black holes in our history that we don’t talk about where people were doing important shit! People were living important lives and I hope people leave with thinking, I want to know more about other people that I don’t know about.

Mfoniso Udofia and cast have done a wonderful job with Sojourners. It is a fascinating new way of seeing the immigrant experience and a different look at how we can define the American dream. Sojourners runs thru February 13, 2016, at the Peter Jay Sharp Theater.

The post Sojourners: A Different View of the American Dream appeared first on Broadway Black.

I sat down with Broadway performance artist Grasan Kingsberry to find out just what the key to his success and longevity on Broadway is. 10 Broadway credits to his name including Motown the Musical, Catch Me If You Can, The Color Purple, Dirty Rotten Scoundrels and Aida and one of a very small handful (he makes the fifth) of Broadway artists to ever, and I mean ever, reprise a role that they originally created, Grasan Kingsberry has set himself apart with great distinction. I went looking for just what his recipe might be, just what WAS his special ingredient?  I expected the usual litany of hard work, dedication, and focus, but instead I found a man who has attained so much more than commercial success. He has a purpose and truly as the old folks say a calling. Kingsberry’s focus is on so much more than the next show, accolades or fame. He has turned being different into making a difference both in himself and through his art.

Kingsberry has always been different. Growing up as a kid with a dream in Charlotte, North Carolina, he had long been preparing for the stage. As a child, he fell in love with music and found himself picking through tunes by ear. By the time he was in high school, he had made his way into Northwest School of the Arts and also had been a stellar athlete throughout his matriculation through secondary school. Kingsberry spent his time at Northwest studying dance, music theory, musical theater, voice, piano, and acting.

Deciding that performance art was going to be his focus, he moved away from being an athlete, replacing that love of playing with becoming a super fan of the Carolina Panthers. But music and dance were calling him and his next stop would be at Julliard. He graduated from Julliard with a BFA and role in Broadway’s Aida. The tone had been set and Kingsberry was ready.

Today finds Kingsberry still making history. He is currently performing in the revival of The Color Purple. This is noteworthy because it’s such a rare occurrence that an actor reprises an original role. As an African American male his accomplishments are somehow brighter, somehow more inspiring simply because of his ability to stand out in what has always traditionally been “the Great White Way”.  But talent as sumptuous as Kingsberry defies boundaries and heralds a new day where African American performers are more and more frequently receiving their just recognition for their contributions to the arts. Kingsberry has been a two-time recipient of the coveted gypsy robe; he received the first during On A Clear Day You Can See Forever and receiving the second on opening night of the revival of The Color Purple. Amazing enough he received his second robe four years and a day apart. “Timing is everything,” he says with the warmest of chuckles. Whatever Kingsberry puts his talent to just seems meant to be.

These synergistic themes of timing, mindfulness and intentional thinking pepper our conversation. It underscores Kingsberry’s deeply spiritual musings and convictions. Kingsberry is a man who has put a lot of thought into his purpose and his spiritual beliefs. Beliefs that he says became solidified during his very first run of The Color Purple and continue into the revival ten years later.

“This piece is really special to me. It was special to me ten years ago and it rings even more true to me now; in terms of a lot of things that I believe and things that have changed my heart from this show. Being a part of this show again just reconfirms my belief and my faith that you are where you are supposed to be. This show changed my life. The lyric content, the subject matter, the story… it raised questions of faith and self-love and finding joy through pain.”

As he circles around to breathe life into the revival, I ask him how the two shows are different. Kingsberry shares that the current revival is sharply pared down compared to the original. There are 17 actors on stage and 3 swings and this time, no choreographer. In fact, there is only one set piece and chairs that are used as props. Kingsberry doesn’t discount the previous lavish set replete with 30 actors. He says,

“I think we needed that production to know what this production was going to be, we needed the original to come to this, to what we have now. We approach it like a play. Things really move at the pace a traditional Broadway play would. And that’s how I approach it as an actor, too.”

I asked Kingsberry what else was different in his approach to his character.

“So to do it ten years later with ten years of life experience, ten years of career experience, I get to apply those things that I have learned and give new life to this character and new life to this show. I have the unique position of having been in both shows so I can apply the things I have learned that I didn’t apply to this one. I had to approach it in a new way.”

For the audience, particularly those who have seen both productions the intent is to focus on Celie. The play has an intimate feel and there is no doubt there is an element of God in the show. The relationships between the characters, the emotional content are all focal points in the revival of a show that has a storyline that spans forty years. The emphasis in this production is a desire to trust the audience to imagine what they needed to and to get rid of the superfluous to hone in on what is truly an awe-inspiring story. According to Kingsberry, this approach is effective. He adds,

“Theater is a world of imagination and we don’t need to be too literal because we have to trust the audience will understand what’s going on. We as actors have to make sure we do our job and understanding the intention behind the story.”

Kingsberry says that in the revival, audiences have been able to get closer to the characters and the storyline. Being able to absorb more of the emotional elements sans a fancy set allows them to really hear the story and it hits them harder. It’s a spiritual experience that Kingsberry shares.

“What opened my spiritual door, so to speak, was me asking questions. Once I got the show ten years ago, with Oprah coming on board, with just all the goodness surrounding the show, I just kept asking the question, why me? God, why me? What have I done to receive all of these amazing blessings and beautiful things? The more I asked that and the more I sat still with that, answers began to reveal themselves to me. So, it deepened my spiritual practice and thusly I had an awakening. Because of the show.”

And we are back to this idea of having a sense of worship and understanding of the true nature of God. Kingsberry cites listening to the lyrics Shug sings to Celie about God being inside of each of us. This was a poignantly different picture of the God of Kingsberry’s childhood who was often portrayed as an overbearing, distant deity somewhere off in the sky. The simple message of God and love has had a profound effect on the way Kingsberry views God. He now says that we are the essence of God and that our work is to glorify the creations of God, the beauty of God and the love of God.

“It was truly this show that broadened my spiritual awakening… You do this eight times a week and you really start to believe what you are saying, to really take in what you are saying and naturally it manifested into me having a really deepened spiritual practice now. What I do on stage is all of God’s work.”

Speaking with Kingsberry is much like sitting by a small relaxing brook with an old friend, far away from the bright lights and buzz of the big city. His intelligence, humility, and deep spirituality stand in stark contrast to the hustle and bustle that defines the life of a Broadway entertainer.  Kingsberry has managed to forego the ego and bravado and his humanity shines through powerfully in every word.

Thematically, a pattern seems to present itself in his recent work. One of artistic activism that gently points to what he truly believes is the intersection of all of the societal ills. Prior to joining the cast (again) of The Color Purple, Kingsberry played Sam Cooke in a play called One Night in Miami. The story was about Sam Cooke, Malcolm X, Cassius Clay and Jim Brown electing to forego a celebration after Clay wins the heavyweight championship. The four friends skip the pompous festivities and instead spend the evening together in a hotel in the heart of the Black neighborhood that Clay trained in for the bout. The play is an imagining of what happened during that night in 1964. I asked Kingsberry who would he spend his ‘One Night in Miami’ with and his answer was powerful, thoughtful and sentimental. Alice Walker whom he says he could talk with for hours, his reverend Dr. Michael Bernard Beckwith who is the Founder and Spiritual Director of the Agape International Spiritual Center and his own father. I can hear the strong emotion in his voice when he talks about what such a night might entail. When speaking about why he chose to include his father he gets a bit teary eyed.

“I would want him to experience it and I would also want to learn more from him and his upbringing. It would be a cool way for us to bond.”

Grasan Kingsberry is a history maker. There is no denying his success on Broadway but in truth, his real heroism comes from how he views the world and the importance of everyone in it. His loving approach to the work he does and his commitment to select thoughtful pieces communicate important  and complex ideas at a time where truthfully, he could focus on doing anything he wants. Grasan Kingsberry has a calling and we are definitely better for listening to what he has to say through his artistic expressions.

You can catch Kingsberry in the ensemble and as Adam/Buster on Broadway in The Color Purple. Meanwhile, we will be on the lookout for upcoming music projects and other performances showcasing his musical talent.

The post Grasan Kingsberry: A Man Called to Dream, Create, & Love appeared first on Broadway Black.

In the Shealy family home just a few days before Christmas, Dotty and her three middle-aged children gather with so much more than the holidays on their minds. Their anxieties go far beyond finding a suitable blue spruce for the living room: this wild and moving dark comedy, served with a large helping of the crackling humor that only families can incite, grapples with aging parents, midlife crises, and the heart of an inner city neighborhood.

Dot touches the spirit in a way that’s gut wrenching and glorious; it hits you in the heart while it hurts right down to your funny bone. It’s no surprise that Dot is so good. Domingo has made a career out of being great at what he does garnering Olivier, Tony, Drama Desk, and Drama League Award nominations and an OBIE and Lucille Lortel Award. Currently the diverse entertainer is also starring in AMC’s ‘Fear the Walking Dead’ ( a winning television show franchise that also boasts Danai Gurira (Michonne, ‘The Walking Dead’ and writer of the amazing play Eclipsed starring Lupita Nyong’o).

Dot is directed by five time Tony Award winner Susan Stroman, who is returning to The Vineyard Theatre after her masterful work directing and choreographing The Scottsboro Boys a musical in which  Domingo was also a member of the cast  receiving a Tony nomination for his performance.  Dot  premieres Off Broadway at the Vineyard Theatre February 3rd through March 20th 2016.

The post Colman Domingo’s Dot Will Begin Off Broadway Premiere appeared first on Broadway Black.

If you’re like me and haven’t been able to snag a ticket, you’re in luck. Hamilton is coming to the small screen. Wait. Pause. No, not the full musical! But rather, the incredible story of its journey to the Richard Rodgers Theater and its blockbuster status as the hottest show on Broadway.

PBS will air Hamilton’s America as part of its “Great Performances” series this fall. Filmed by the Oscar nominated film company, RadicalMedia, the documentary chronicles the two years leading up to its Broadway open with interviews, cast trips to Washington DC, Philadelphia, New York, and the home of Alexander Hamilton, and of course footage of the production.

“Great Performances” has been making concerts, shows, and performances accessible through public programming for many years. In fact, this is the second time Lin-Manuel Miranda’s work has been featured on the show. In the Heights: Chasing Broadway Dreams aired in 2009, shedding light on Miranda’s other hit, In the Heights.

This intimate look behind the scenes promises to bring fresh insight! I think we’ll be “Satisfied”..At least until we hear of a full length Original Broadway Cast filmed performance in the works. *crosses fingers*

Hamilton is the highly acclaimed, hip hop-infused story about America’s first treasurer, Alexander Hamilton. It has topped rap charts. It has beat out the almighty Lion King as top grossing musical TWICE. It’s members have appeared on a cypher on BET. And it has welcomed thousands of public school students into the theater to give the gift of the arts. Based on the biography of Alexander Hamilton by Ron Chernow, Miranda has penned what has come to be one of the most influential and talked about shows of our generation. 

The post Hamilton Joins PBS’s Great Performances Series appeared first on Broadway Black.

Eclipsed Broadway

In Eclipsed, Lupita Nyong’o stars in a complicated and brilliant story of women living in the midst of war-torn Liberia. Several captive wives define their survival in different ways while locked in the grip of a raging civil war. A young woman comes along and must decide for herself what path she will forge through the chaos. The play, penned by playwright and actress Danai Gurira (known for her role as ‘Michonne’ on the television series, “The Walking Dead”) explores themes of identity and choice in this stunning production. The production will hit Broadway at the John Golden Theatre with previews on February 23 and opens on March 6, 2016.

#BroadwayBlack | Original Cast w/ @Lupita_Nyongo Set for @EclipsedBway, Will Make History https://t.co/gZLxb16kzy pic.twitter.com/SdySfxB4fl

— BROADWAY BLACK! (@BroadwayBlack) December 8, 2015

Head of Passes

Beloved actress and Tony Winner Phylicia Rashad returns to Broadway to star in Head of Passes, a play that speaks to audiences of faith, acceptance and family. Head of Passes will begin previews on March 15, 2016, at the Newman Theater. Opening night is set for March 28.

At the mouth of the Mississippi River, Shelah’s family and friends have come to celebrate her birthday and save her from a leaking roof. But in this contemporary parable inspired by the Book of Job, unexpected events turn the reunion into the ultimate test of faith and love. As her world seems to collapse around her, Shelah must fight to survive the rising flood of life’s greatest challenges.

JUST IN: Phylicia Rashad Will Star in @octarell's Head of Passes @PublicTheaterNY https://t.co/y77h9qgBs7 pic.twitter.com/kqLLjBvkZ0

— BROADWAY BLACK! (@BroadwayBlack) November 11, 2015

Shuffle Along

Shuffle Along is an African-American musical revue with music and lyrics by Noble Sissle and Eubie Blake, and a connecting plot about a mayoral race, written by Flournoy Miller and Aubrey Lyles. Audra McDonald, Brian Stokes Mitchell, Brandon Victor Dixon, Joshua Henry, and Billy Porter make this a show not to miss! Shuffle Along will begin previews March 15, 2016, and open April 28, 2016 at Music Box Theatre in New York.

https://www.youtube.com/watch?v=sUxTDUzHiNg

Whorl Inside A Loop (Broadway)

In Whorl Inside a Loop, a well-regarded actress agrees to teach six inmates how to tell their stories behind the bars of a men’s maximum-security prison. Sharing intimate and sometimes hilarious details of their former lives (while portraying characters of varying age, gender and race), this unlikely group forms a bond—even as the actress’ life outside spins out of control. And when what happens in prison doesn’t stay there, no one is sure whom to trust.

There’s quite a bit of buzz about this show making a Broadway debut in 2016 and we sincerely hope so! Although we’ve reported on the possibility of a Broadway transfer after it’s successful run at Second Stage Theatre, there is no official word about this work heading to Broadway. Stay tuned to Broadway Black for details on when and where to catch this production. (We’re crossing our fingers!)

Hughie

Oscar winner Forest Whitaker will make his Broadway debut in this limited engagement at the Boothe Theatre. Previews begin February 8, 2016, and Opening Night is February 25, 2016.

Summer, 1928. New York City. Beyond the bright lights of the Great White Way, a small-time gambler and big-time drinker returns to the faded hotel he has made his home. He encounters a new night clerk at the front desk and as the early hours of the morning give way to another dawn, he continues to chase the American Dream in order to survive. Hughie is a rarely seen theatrical masterpiece that beautifully investigates the themes of loneliness and redemption and offers a unique insight into the human condition.

Smart People

Kenny Leon directs this humorous offering by Lydia R. Diamond. Previews begin January 26, 2016 at the Tony Kiser Theatre with Opening Night set for February 11, 2016.

The quest for love, achievement and identity is universal, but what role does race play in the story of our lives? On the eve of Obama’s first election, four Harvard intellectuals find themselves entangled in a complex web of social and sexual politics in this provocative and funny new play by Lydia R. Diamond.

https://t.co/GB0rUSz0KC | #MahershalaAli & @TThompsonYES Will Star in Smart People @2STNYC https://t.co/tIgXEblKZ5 pic.twitter.com/HsIAfzi6zw

— BROADWAY BLACK! (@BroadwayBlack) November 2, 2015

The Color Purple

The Color Purple heralds the debut of powerhouse Oscar, Golden Globe and Grammy-winning singer and actress Jennifer Hudson. The show began previews on Nov 10, 2015 and Opened Dec 10, 2015 and is currently running at the Bernard B. Jacobs Theatre.

This unforgettable and intensely moving new production mesmerized audiences when it premiered at London’s acclaimed Menier Chocolate Factory, where critics hailed it as “a revelation” (Mark Shenton, The Stage). Now, this American classic comes to Broadway with a powerhouse cast including celebrated London star Cynthia Erivo, who will recreate her electrifying performance as Celie, along with “Orange is the New Black” star Danielle Brooks.

We would LOVE to know your thoughts about this line up and whether you will be making plans to attend. Tweet us @BroadwayBlack!

The post Broadway Black Approved: The Productions You Should See in Spring 2016 appeared first on Broadway Black.

The other gift of musicals is the cast album. While an amazing play can leave you gasping for air, a great musical has you singing and annoying people on the A train all the way back to Harlem. (An unfortunate true story.)

So I was more than a little jazzed to learn that the revival of The Color Purple, which premiered last week at the Bernand B. Jacobs Theatre, announced that a cast album will be recorded this week and released via Broadway Records.

This latest version of Purple brings Grammy and Oscar winner Jennifer Hudson to the Broadway stage. This woman has not met a medium she can’t tackle. She takes on the complicated role of “Shug Avery.” Might I also opine that Broadway is the sweet spot for a person with that powerful a voice. “Orange is the New Black” star Danielle Brooks takes over the role as “Sophia.”

And then there is Cynthia Erivo as “Celie.” All I can suggest you do is watch her and Ms. Hudson perform the title song to the musical in this official music video for the show.

The Color Purple has gone through its own transformations first as the Pulitzer Prize-winning novel by author Alice Walker, to the acclaimed and controversial film directed by Steven Spielberg.

And then the film version’s Sophia, an unknown named Oprah Winfrey put her strength into pushing a Broadway production of Purple in 2005. The story is all about black women and their strength against odds and circumstances that would kill most of us dead.

The revival of Purple premiered at the Jacobs Theatre Dec 10th, 2015. To see what Broadway Black thought of the show click here. The cast album is set for a January 29^th release date. But…you can pre-order the music now. And click here to order your tickets to The Color Purple now.

The post iTuned In: The Color Purple Cast Album appeared first on Broadway Black.