Caroline, or Change

SHOULD. HAVE. WON. EVERY. SINGLE. TONY. FOR. WHICH. THEY. WERE. NOMINATED.  Okay, I’m good now. This show opened on Broadway in 2004. It’s 2015, why hasn’t there been a revival in the works for the Great White Way? Its score combines spirituals, blues, Motown, classical music, Jewish klezmer, and folk music all in one. What other musical does that, and does so effortlessly? If only in 2004 I had been smart enough to become the theatre nerd I am today, I would have begged my mom to take me to New York City to see Tonya Pinkins, Chuck Cooper and Anika Noni Rose in this show. The musical is set in 1963 New Orleans during the American civil rights movement. Caroline works as a maid for a Jewish family, where she is allowed to keep the pocket change she finds while doing laundry. This becomes a point of pride and even crisis for the maid, who cannot cope with greater changes in her life and the growing civil rights movement.

Carmen Jones

If I had been around in the 1940s I would have been all up in the theatre to see Carmen Jones. Oscar Hammerstein’s take on  Bizet’s Opera Carmen featured an all-Black cast set in the South during the World War II era. This time, Carmen is a worker in a parachute factory; Don Jose is now Don, an army corporal; Micaela is now Cindy Lou, Joe’s lover; and Escamillo is Husky Miller, a boxer. When the show was first conceived, they had trouble finding suitable actors for it because back then, Black singers were discouraged (or practically barred) from becoming opera singers. To make up for this they plucked people from all kinds of non-acting positions–film scraper, cop, etc.

She Loves Me

Nearly every character in this show is white, and it takes place in Europe.  However, WHO CARES? This show has some amazing music. Its tender, hilarious, and entrancing “A Romantic Atmosphere” is one of the most exciting, funny production numbers to ever exist. Also I can see Audra McDonald absolutely KILLING it singing Vanilla Ice Cream. Look up the song if you don’t know. Seriously, Audra would slay that role as Amalia. The plot has been seen before:  it revolves around shop employees Georg Nowack and Amalia Balash who, despite being consistently at odds with each other at work, are unaware that each is the other’s secret pen pal met through a lonely-hearts ad.

St. Louis Woman

If you loved Porgy and Bess, you’ll love St. Louis Woman too. It has an Encores cast recording from 1998, but if you search high and low you’ll find the OBC as well. Starring the Nicholas Brothers, Pearl Bailey, and Ruby Hill, St. Louis Woman tells the story of Della Green who falls for Li’l Augie, a jockey with a winning streak, though she’s already the woman of Biglow Brown, a saloon owner. Brown is eventually killed, but he puts a curse on Li’l Augie that ends the streak and Della’s affection for the jockey.

 Once on This Island

It’s a French fairy tale about a young island girl from Haiti, Ti Moune, who falls in love with the mulatto son (Daniel) of a wealthy landowner. When he’s injured, she makes a pact with the gods that it’s going to be her life for his. He survives and is grateful, but rejects her love (RUDE!). The gods, as a reward for her sacrifice and disappointment, grant her eternal life by turning her into a tree. It reminds me a lot of The Tempest, a little Romeo and Juliet, and even some Little Mermaid just shaken up a bit and a lot more music.

We could probably list more overlooked shows, but I’m curious to know about some shows YOU think are overlooked! Sound off below.

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Also featured in this film is the incredible Katherine Dunham and her dance troupe. Dunham’s choreography was part of countless film and stage productions and her company travelled internationally for over 20 years. She inspired artists such as Alvin Ailey and her technique is still taught today in dance programs around the world.

Other brilliant dancers in this piece are the incomparable Nicholas Brothers. Their performance of “Jumpin Jive” with Cab Calloway and his orchestra is still one of the most thrilling dances captured on film.

What makes this film so important is not only the presence of artists of color on the silver screen, but the portrayal of black people as more than just domestic workers and servants in the background which had been Hollywood standard with few exceptions. This film joyously showcases some of the most talented entertainers while also breaking barriers and blazing trails for artists today.

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