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	<title>St. Louis Woman Archives - Broadway Black</title>
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		<title>BB Casting Agency: The Music Man &#038; More</title>
		<link>https://www.broadwayblack.com/bb-casting-agency-music-man-more/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Mon, 14 Dec 2015 15:52:11 +0000</pubDate>
				<category><![CDATA[BB Casting Agency]]></category>
		<category><![CDATA[How Do We Feel]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Let's Talk]]></category>
		<category><![CDATA[Never Forget]]></category>
		<category><![CDATA[Think About It]]></category>
		<category><![CDATA[What If?]]></category>
		<category><![CDATA[Audra McDonald]]></category>
		<category><![CDATA[Colorblind Casting]]></category>
		<category><![CDATA[David Alan Grier]]></category>
		<category><![CDATA[Dream Casting]]></category>
		<category><![CDATA[Keke Palmer]]></category>
		<category><![CDATA[Kiss Me Kate]]></category>
		<category><![CDATA[Kyle baptiste]]></category>
		<category><![CDATA[nicholas christopher]]></category>
		<category><![CDATA[Nikki Renee Daniels]]></category>
		<category><![CDATA[Non-Traditional Casting]]></category>
		<category><![CDATA[Porgy and Bess]]></category>
		<category><![CDATA[Sheldon Epps]]></category>
		<category><![CDATA[St. Louis Woman]]></category>
		<category><![CDATA[Stanley Wayne Mathis]]></category>
		<category><![CDATA[The Music Man]]></category>
		<category><![CDATA[The Producers]]></category>
		<category><![CDATA[Vanessa Williams]]></category>
		<category><![CDATA[Wayne Brady]]></category>
		<category><![CDATA[You're a Good Man Charlie Brown]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=10235</guid>

					<description><![CDATA[<p>Last summer I had the privilege of experiencing the Cole Porter classic Kiss Me Kate at Pasadena Playhouse, featuring &#8212; get this &#8212; an all-Black cast. Starring Wayne Brady, Merle Dandridge and directed by the acclaimed Sheldon Epps, the ingenious adaptation of the beloved musical not only affirmed my adoration for the time-honored piece, but perpetuated [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/bb-casting-agency-music-man-more/">BB Casting Agency: The Music Man &#038; More</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Last summer I had the privilege of experiencing the Cole Porter classic <em>Kiss Me Kate</em> at Pasadena Playhouse, featuring &#8212; get this &#8212; an all-Black cast. Starring <strong>Wayne Brady</strong>, <strong>Merle Dandridge</strong> and directed by the acclaimed <strong>Sheldon Epps</strong>, the ingenious adaptation of the beloved musical not only affirmed my adoration for the time-honored piece, but perpetuated my thought that the possibilities for non-traditional casting are endless. <em> Hamilton</em> boasting a multi-racial cast, <strong>Keke Palmer</strong> as Cinderella, the late <strong>Kyle Jean-Baptiste</strong> as <em>Les Mis&#8217;</em> Jean Valjean, are all indications that ethnic is IN.  So now, I&#8217;m like a kid in a candy store, re-imagining entire works, mostly Broadway classics, that would feature some of my favorite Black artists without boundaries.  Here is my Broadway Black Wish List:</p>
<p><strong>David Alan Grier</strong> &amp; <strong>Stanley Wayne Mathis</strong> &#8211; <em>The Producers<br />
</em>When I went to see Porgy &amp; Bess with the brilliant <strong>Audra McDonald</strong> and <strong>Norm Lewis,</strong> I was less than enthused that Grier, that guy from TV&#8217;s &#8220;In Living Color,&#8221; would be making an appearance.  Clearly, I was ill-informed.  The Yale School of Drama alum approached the role with a wisdom, a professionalism and a personality that made me reevaluate every misconception I&#8217;d had.  His charisma has since had me pining to see him recreate the  role of Max Bialystock originated by Nathan Lane with Mathis as his sidekick, Leopold Bloom. With Grier&#8217;s comedic cunning, just a twinge of Mathis&#8217; Schroeder-like wit, and some obvious tweaks to the cultural references, this duo could possibly pull off &#8220;the biggest flop in history.&#8221;</p>
<p><strong>Nicholas Christopher &amp; Nikki Renee Daniels</strong> &#8211; <em>The Music Man<br />
</em>I&#8217;ve seen Christopher in a few roles, mostly contemporary pieces, and to say he is charming would be an understatement.  But many aren&#8217;t familiar with his straight-toned, classical music style and I&#8217;d love to see him bring that to the stage as the smooth-talking, fast-walking Professor Harold Hill with Daniels as the sensible and sensitive Marian&#8230;the Librarian.  Daniels&#8217; performance in <em>Porgy and Bess</em> proved that she has the vocal timbre to handle the traditional Meredith Wilson score and, quite honestly, I&#8217;d just love to see their chemistry on stage.</p>
<p><strong>Audra McDonald</strong> &#8211; <em>St. Louis Woman</em><br />
This show is already traditionally done with an all-Black cast. Most recently, it was seen as part of the City Center Encores Series with <strong>Vanessa Williams</strong> starring as the belle of St. Louis, Della Green.  However, I dream that Ms. McDonald recreates the role of Lila, the scorned, jilted lover who murders her cheating man, because that&#8217;s pretty much what we expect from an Audra performance and what she does best &#8211; dark with just a twinge of crazy.</p>
<p>In my excitement to devise my Broadway wish list, I came across only one problem: my performer list was too short.  I found myself coming up with the same male lead or the same female protagonist, reminding me that though the pool is expanding, we have yet to reach the level of equality that we strive for in this field.  We are still outnumbered and often discounted, but art is universal and diversity is on the rise.  We&#8217;re heading towards an era where inclusive casting won&#8217;t even need to be articulated.  Go ahead and take it in: non-traditional is the new normal.</p>
<p>The post <a href="https://www.broadwayblack.com/bb-casting-agency-music-man-more/">BB Casting Agency: The Music Man &#038; More</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">10235</post-id>	</item>
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		<title>5 Great Musicals You&#8217;ve Probably Overlooked</title>
		<link>https://www.broadwayblack.com/5-great-musicals-youve-probably-overlooked/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Wed, 30 Sep 2015 18:07:46 +0000</pubDate>
				<category><![CDATA[Broadway Black History Musical]]></category>
		<category><![CDATA[Good Works]]></category>
		<category><![CDATA[How Do We Feel]]></category>
		<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Its A Hit]]></category>
		<category><![CDATA[Leads & Legends]]></category>
		<category><![CDATA[Learn Your Craft]]></category>
		<category><![CDATA[Learn Your History]]></category>
		<category><![CDATA[Let's Talk]]></category>
		<category><![CDATA[Never Forget]]></category>
		<category><![CDATA[Think About It]]></category>
		<category><![CDATA[Anika Noni Rose]]></category>
		<category><![CDATA[Audra McDonald]]></category>
		<category><![CDATA[Carmen Jones]]></category>
		<category><![CDATA[Caroline Or Change]]></category>
		<category><![CDATA[Chuck Cooper]]></category>
		<category><![CDATA[Once on This Island]]></category>
		<category><![CDATA[Overlooked Musicals]]></category>
		<category><![CDATA[Pearl Bailey]]></category>
		<category><![CDATA[Ruby Hill]]></category>
		<category><![CDATA[She Loves Me]]></category>
		<category><![CDATA[St. Louis Woman]]></category>
		<category><![CDATA[The Nicholas Brothers]]></category>
		<category><![CDATA[Tonya Pinkins]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=9368</guid>

					<description><![CDATA[<p>You have heard of Dreamgirls, Wicked and In The Heights, but there are always a few musicals you leave off of your &#8220;My Top Ten Musicals of All Time&#8221; list. But fret no more, Broadway Black is here to give you five great musicals you, and probably the rest of the world, have overlooked. Caroline, or Change SHOULD. HAVE. [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/5-great-musicals-youve-probably-overlooked/">5 Great Musicals You&#8217;ve Probably Overlooked</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>You have heard of <em>Dreamgirls</em>, <em>Wicked</em> and <em>In The Heights, </em>but there are always a few musicals you leave off of your &#8220;My Top Ten Musicals of All Time&#8221; list. But fret no more, Broadway Black is here to give you five great musicals you, and probably the rest of the world, have overlooked.</p>
<p><span style="color: #ff0000;"><strong><em><a style="color: #ff0000;" href="http://broadwayblack.com/remember-when-tonya-pinkins-changed-lives-as-caroline/">Caroline, or Change</a> </em></strong></span></p>
<p>SHOULD. HAVE. WON. EVERY. SINGLE. TONY. FOR. WHICH. THEY. WERE. NOMINATED.  Okay, I’m good now. This show opened on Broadway in 2004. It’s 2015, why hasn’t there been a revival in the works for the Great White Way? Its score combines spirituals, blues, Motown, classical music, Jewish klezmer, and folk music all in one. What other musical does that, and does so effortlessly? If only in 2004 I had been smart enough to become the theatre nerd I am today, I would have begged my mom to take me to New York City to see <strong>Tonya Pinkins, Chuck Cooper and Anika Noni Rose</strong> in this show. The musical is set in 1963 New Orleans during the American civil rights movement. Caroline works as a maid for a Jewish family, where she is allowed to keep the pocket change she finds while doing laundry. This becomes a point of pride and even crisis for the maid, who cannot cope with greater changes in her life and the growing civil rights movement.</p>
<p><strong><em>Carmen Jones</em></strong></p>
<p>If I had been around in the 1940s I would have been all up in the theatre to see <em>Carmen Jone</em>s. Oscar Hammerstein’s take on  Bizet’s Opera <em>Carmen</em> featured an all-Black cast set in the South during the World War II era. This time, Carmen is a worker in a parachute factory; Don Jose is now Don, an army corporal; Micaela is now Cindy Lou, Joe&#8217;s lover; and Escamillo is Husky Miller, a boxer. When the show was first conceived, they had trouble finding suitable actors for it because back then, Black singers were discouraged (or practically barred) from becoming opera singers. To make up for this they plucked people from all kinds of non-acting positions&#8211;film scraper, cop, etc.</p>
<p><strong><em>She Loves Me</em></strong></p>
<p>Nearly every character in this show is white, and it takes place in Europe.  However, WHO CARES? This show has some amazing music. Its tender, hilarious, and entrancing &#8220;A Romantic Atmosphere&#8221; is one of the most exciting, funny production numbers to ever exist. Also I can see<strong> Audra McDonald</strong> absolutely KILLING it singing Vanilla Ice Cream. Look up the song if you don’t know. Seriously, Audra would slay that role as Amalia. The plot has been seen before:  it revolves around shop employees Georg Nowack and Amalia Balash who, despite being consistently at odds with each other at work, are unaware that each is the other&#8217;s secret pen pal met through a lonely-hearts ad.</p>
<p><strong><em>St. Louis Woman</em></strong></p>
<p>If you loved Porgy and Bess, you’ll love <em>St. Louis Woman</em> too. It has an Encores cast recording from 1998, but if you search high and low you’ll find the OBC as well. Starring the <strong>Nicholas Brothers, Pearl Bailey, and Ruby Hill,<em> </em></strong><em>St. Louis Woman</em> tells the story of Della Green who falls for Li&#8217;l Augie, a jockey with a winning streak, though she&#8217;s already the woman of Biglow Brown, a saloon owner. Brown is eventually killed, but he puts a curse on Li&#8217;l Augie that ends the streak and Della&#8217;s affection for the jockey.</p>
<p><strong> </strong><em><strong>Once on This Island</strong></em></p>
<p>It’s a French fairy tale about a young island girl from Haiti, Ti Moune, who falls in love with the mulatto son (Daniel) of a wealthy landowner. When he&#8217;s injured, she makes a pact with the gods that it’s going to be her life for his. He survives and is grateful, but rejects her love (RUDE!). The gods, as a reward for her sacrifice and disappointment, grant her eternal life by turning her into a tree. It reminds me a lot of The Tempest, a little Romeo and Juliet, and even some Little Mermaid just shaken up a bit and a lot more music.</p>
<p>We could probably list more overlooked shows, but I&#8217;m curious to know about some shows YOU think are overlooked! Sound off below.</p>
<p>The post <a href="https://www.broadwayblack.com/5-great-musicals-youve-probably-overlooked/">5 Great Musicals You&#8217;ve Probably Overlooked</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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