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	<title>Russell Hornsby Archives - Broadway Black</title>
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		<title>Freedom Riders: A Journey With No End in Sight, Harlem Stage Honors 10 Years of Reckoning and Resistance</title>
		<link>https://www.broadwayblack.com/freedom-riders-a-journey-with-no-end-in-sight-harlem-stage/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Tue, 14 Oct 2025 16:04:29 +0000</pubDate>
				<category><![CDATA[Events and Happenings]]></category>
		<category><![CDATA[On Tour]]></category>
		<category><![CDATA[Angelica Ross]]></category>
		<category><![CDATA[Billy Eugene Jones]]></category>
		<category><![CDATA[Freedom Riders]]></category>
		<category><![CDATA[Harlem Stage]]></category>
		<category><![CDATA[Lisa Arrindell]]></category>
		<category><![CDATA[Russell Hornsby]]></category>
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					<description><![CDATA[<p>Harlem Stage, the powerhouse institution known for setting untold stories free, is once again taking the lead in truth-telling theatre. This October, the acclaimed arts hub presents Freedom Riders: A Journey With No End in Sight. This bold theatrical concert reading confronts the unyielding cycle of racial injustice in America. Running October 7–18, 2025, the [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/freedom-riders-a-journey-with-no-end-in-sight-harlem-stage/">Freedom Riders: A Journey With No End in Sight, Harlem Stage Honors 10 Years of Reckoning and Resistance</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p><strong>Harlem Stage</strong>, the powerhouse institution known for setting untold stories free, is once again taking the lead in truth-telling theatre. This October, the acclaimed arts hub presents <em>Freedom Riders: A Journey With No End in Sight. This bold theatrical concert reading</em> confronts the unyielding cycle of racial injustice in America. Running <strong>October 7–18, 2025,</strong> the limited engagement unites an extraordinary cast and an electrifying live score under the visionary direction of <strong>Indira Etwaroo</strong>, Harlem Stage&#8217;s Artistic Director and CEO.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-recalc-dims="1" fetchpriority="high" decoding="async" width="880" height="431" data-attachment-id="38700" data-permalink="https://www.broadwayblack.com/freedom-riders-a-journey-with-no-end-in-sight-harlem-stage/harlem-stage-freedom-riders-bus-art-designed-by-katie-burk/" data-orig-file="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?fit=1826%2C894&amp;ssl=1" data-orig-size="1826,894" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Harlem Stage Freedom Riders Bus Art Designed by Katie Burk" data-image-description="&lt;p&gt;Harlem Stage Freedom Riders Bus Art Designed by Katie Burk&lt;/p&gt;
" data-image-caption="&lt;p&gt;Harlem Stage Freedom Riders Bus Art Designed by Katie Burk&lt;/p&gt;
" data-large-file="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?fit=880%2C431&amp;ssl=1" src="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?resize=880%2C431&#038;ssl=1" alt="Harlem Stage Freedom Riders Bus Art Designed by Katie Burk" class="wp-image-38700" srcset="https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?resize=1024%2C501&amp;ssl=1 1024w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?resize=300%2C147&amp;ssl=1 300w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?resize=768%2C376&amp;ssl=1 768w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?resize=1536%2C752&amp;ssl=1 1536w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?w=1826&amp;ssl=1 1826w, https://i0.wp.com/www.broadwayblack.com/wp-content/uploads/2025/10/Harlem-Stage-Freedom-Riders-Bus-Art-Designed-by-Katie-Burk.png?w=1760&amp;ssl=1 1760w" sizes="(max-width: 880px) 100vw, 880px" /><figcaption class="wp-element-caption">Harlem Stage Freedom Riders Bus Art Designed by Katie Burk</figcaption></figure>
</div>


<h3 class="wp-block-heading">A Decade of Bearing Witness</h3>



<p>Adapted from <em>12 Angry Men: True Stories of Being a Black Man in America Today</em>, the 2012 anthology published by The New Press and first staged by The Billie Holiday Theatre in 2015, this production marks a decade of evolution. Now reimagined as <em>Freedom Riders: A Journey With No End in Sight</em>, the work expands beyond its origins to encompass the full spectrum of Black experience, including the urgent realities facing Black Trans lives, the trauma of police brutality, and the haunting persistence of systemic racism.</p>



<p>Etwaroo, who first brought the stories to life a decade ago, frames this iteration as both a memorial and a movement. &#8220;Those were moments of protest, prayer, and spiritual reckoning,&#8221; she said. &#8220;Now, a decade later, these stories must be set free at a time when truth is under assault and history is being erased.&#8221;</p>



<h3 class="wp-block-heading">A Cast of Titans</h3>



<p>The star-studded ensemble reads like a roll call of artistic excellence across stage and screen:</p>



<ul class="wp-block-list">
<li><strong>Lisa Arrindell</strong> (<em>Disappearing Acts, Saints &amp; Sinners</em>)</li>



<li><strong>Russell Hornsby</strong> (<em>Fences, The Hate U Give, Grimm</em>)</li>



<li><strong>Billy Eugene Jones</strong> (<em>A Soldier&#8217;s Play, Purlie Victorious</em>)</li>



<li><strong>Angelica Ross</strong> (<em>Pose, American Horror Story</em>)</li>



<li><strong>Stephen Tyrone Williams</strong> (<em>A Master Builder, The Knick</em>)</li>



<li></li>
</ul>



<p>Together, they embody the living testimonies of survival, resistance, and faith that define the Black American experience. Their performances are underscored by a live trio of musical brilliance—<strong>Arden Altino</strong> on piano, <strong>Daniel Bernard Roumain</strong> on violin, and <strong>Divinity Roxx</strong>, the Grammy-nominated bassist and former Beyoncé musical director. The trio&#8217;s original score, commissioned through Harlem Stage&#8217;s <em>WATERWORKS</em> initiative, transforms the stage into a living soundscape of struggle and transcendence.</p>



<h3 class="wp-block-heading">A Theatre as Sacred Ground</h3>



<p>Each performance of <em>Freedom Riders</em> functions as more than a show—it&#8217;s a communal gathering. Set inside Harlem Stage&#8217;s historic Gatehouse theatre, the production invites audiences to sit within a space built from the bones of the Croton Aqueduct system. This structure once carried life-giving water through New York City. Now, it holds something even more vital: truth.</p>



<p>Previews begin <strong>October 7–8</strong>, with an invite-only opening night on <strong>October 9</strong>, followed by public performances and student matinees through <strong>October 18</strong>. In a powerful gesture of access, Harlem Stage has launched a <em>Buy One, Give One</em> ticket initiative: every ticket purchased helps sponsor a student&#8217;s attendance, ensuring that young people have the chance to witness this transformative experience.</p>



<h3 class="wp-block-heading">The Legacy Continues</h3>



<p>Founded in 1983, Harlem Stage has built a global reputation as a sanctuary for artists of the Global Majority. The institution&#8217;s mission to center radical artistic freedom, equity, and innovation has fostered generations of groundbreaking talent, including MacArthur &#8220;Genius&#8221; fellows <strong>Kyle Abraham,</strong> <strong>Bill T. Jones</strong>, <strong>Jason Moran</strong>, <strong>Vijay Iyer</strong>, and <strong>Cecil Taylor</strong>.</p>



<p>With <em>Freedom Riders</em>, Harlem Stage continues that lineage, proving once again that theatre isn&#8217;t just entertainment. It&#8217;s testimony. It&#8217;s survival. It&#8217;s legacy.</p>



<p><em>Broadway Black celebrates the legacy and future of Black theatre—on Broadway and beyond.</em></p>
<p>The post <a href="https://www.broadwayblack.com/freedom-riders-a-journey-with-no-end-in-sight-harlem-stage/">Freedom Riders: A Journey With No End in Sight, Harlem Stage Honors 10 Years of Reckoning and Resistance</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<title>World Premiere of 12 Angry Men Directed By George Faison Examines Racial Profiling</title>
		<link>https://www.broadwayblack.com/world-premiere-12-angry-men-directed-george-faison-examines-racial-profiling/</link>
					<comments>https://www.broadwayblack.com/world-premiere-12-angry-men-directed-george-faison-examines-racial-profiling/#respond</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Wed, 14 Oct 2015 16:31:49 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[Coming Soon]]></category>
		<category><![CDATA[Leads & Legends]]></category>
		<category><![CDATA[Limited Engagement]]></category>
		<category><![CDATA[Think About It]]></category>
		<category><![CDATA[Dorian Missick]]></category>
		<category><![CDATA[Dule Hill]]></category>
		<category><![CDATA[Jason Dirden]]></category>
		<category><![CDATA[Jerome Preston Bates]]></category>
		<category><![CDATA[John Amos]]></category>
		<category><![CDATA[Michael Potts]]></category>
		<category><![CDATA[Nelson Ellis]]></category>
		<category><![CDATA[Roscoe Orman]]></category>
		<category><![CDATA[Russell Hornsby]]></category>
		<category><![CDATA[Stephen McKinley Henderson]]></category>
		<category><![CDATA[Victor Williams]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=10564</guid>

					<description><![CDATA[<p>What better time than now to explore on stage the topic of race in our nation? As part of Project Protest: The Art of Revolution, The Center for Arts &#38; Culture at Bedford Stuyvesant Restoration Corporation presents a world premiere reading of 12 Angry Men. In the midst of a time rapant with police misconduct [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/world-premiere-12-angry-men-directed-george-faison-examines-racial-profiling/">World Premiere of 12 Angry Men Directed By George Faison Examines Racial Profiling</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>What better time than now to explore on stage the topic of race in our nation? As part of Project Protest: The Art of Revolution, The Center for Arts &amp; Culture at Bedford Stuyvesant Restoration Corporation presents a world premiere reading of <em>12 Angry Men</em>. In the midst of a time rapant with police misconduct and brutality and the #BlackLivesMatter movement, Kumble Theater for the Performing Arts brings to the stage twelve African-American men and their stories of being racially profiled.</p>
<p><em>12 Angry Men</em> is an original theatrical adaptation of the book &#8220;12 Angry Men: True Stories of Being a Black Man in America Today&#8221; by Gregory S. Parks and Matthew W. Hughley. The original book is comprised of essays by journalists, artists, professional sports players, and prosecutors of different backgrounds and ages, reflecting on their experience as being a Black man in America.  Described as &#8220;powerful&#8221;, and &#8220;beautifully written, yet painfully honest&#8221; by Jet Magazine, <em>12 Angry Men</em> unravels the American dream and just how attainable that is in a world plagued with social injustice.</p>
<p>Directed by<b> </b>Tony Award winning choreographer, <strong>George Faison </strong>(<em>The Wiz</em>), <em>12 Angry Men</em> will be on stage October 15-18, 2015. The cast features a rotating cast of actors including: <strong>John Amos, Jerome Preston Bates, Jason Dirden, Nelson Ellis, Stephen McKinley Henderson, Dule Hill, Russell Hornsby, Dorian Missick, Roscoe Orman, Michael Potts, Victor Williams, Sheldon Best</strong>, <strong>Brandon Dirden</strong>, <strong>Frank Harts</strong>, <strong>Chukwudi Iwuji</strong>, <strong>Gabriel Lawrence</strong>, <strong>Roscoe Orman</strong>, <strong>Michael Potts</strong>, <strong>Terrell Tilford</strong>, and <strong>John Dav<span class="text_exposed_show">id Washington.</span></strong></p>
<div style="text-align: center;">Get your tickets now! More info on the show and tickets <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.thebillieholiday.org/current-season.html" target="_blank" rel="noopener">here</a></span>!</div>
<p><a href="http://broadwayblack.com/world-premiere-12-angry-men-directed-george-faison-examines-racial-profiling/12-angry-men/" rel="attachment wp-att-10952"><img data-recalc-dims="1" decoding="async" class="aligncenter wp-image-10952 " src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/10/12-angry-men.jpg?resize=692%2C235" alt="12 angry men" width="692" height="235" /></a></p>
<p>The post <a href="https://www.broadwayblack.com/world-premiere-12-angry-men-directed-george-faison-examines-racial-profiling/">World Premiere of 12 Angry Men Directed By George Faison Examines Racial Profiling</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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