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	<title>Revelations Archives - Broadway Black</title>
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		<title>Alvin Ailey Returns to New York City Center</title>
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		<pubDate>Tue, 13 Oct 2015 16:16:10 +0000</pubDate>
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					<description><![CDATA[<p>New York City Center will be graced with the return of the Alvin Ailey American Dance Theater  December 2nd  through January 3rd. This season, dance aficionados will have a plethora of enticing performance offerings to choose from including world premieres, company premieres and brand new productions, in addition to several returning performances. World Premieres Robert [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/alvin-ailey-returns-new-york-city-center/">Alvin Ailey Returns to New York City Center</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><span style="color: #000000;">New York City Center </span>will be graced with the return of the <span style="color: #ff0000;"><strong><a style="color: #ff0000;" href="http://www.alvinailey.org/" target="_blank" rel="noopener">Alvin Ailey American Dance Theater </a></strong></span> December 2nd  through January 3rd. This season, dance aficionados will have a plethora of enticing performance offerings to choose from including world premieres, company premieres and brand new productions, in addition to several returning performances.</p>
<h3><span class="s1">World Premieres</span></h3>
<p><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/awakening#node-5062" target="_blank" rel="noopener"><strong>Robert Battle’s <em>Awakening</em></strong></a></span><br />
Battle uses his taut, ritualistic style to powerful effect in a dance that expertly balances chaos and resolution, dissonance and harmony. His first new work since becoming artistic director in 2011 is set to a symphonic score by frequent collaborator John Mackey.</span></p>
<p><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/exodus#node-4709" target="_blank" rel="noopener"><strong>Rennie Harris’ <em>Exodus</em></strong></a></span><br />
In an electrifying piece called “one of the best made for Ailey in recent years” (<em>The New York Times</em>), Harris imbues his signature house dance moves with uncommon depth.</p>
<p><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/open-door#node-5061" target="_blank" rel="noopener"><strong>Ronald K. Brown’s <em>Open Door</em></strong></a></span><br />
Renowned for his fusion of African and modern dance, Brown adds new flavor to his signature style, setting this work to recordings by Arturo O’Farrill and the Afro-Latin Jazz Orchestra.</span></p>
<p><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/untitled-america-first-movement#node-5063" target="_blank" rel="noopener"><strong><span class="s1">Kyle Abraham’s <em>Untitled America: First Movement</em></span></strong></a></span><br />
In the first installment of a 3-part suite to be completed in 2016, Abraham – a MacArthur ‘genius grant’ winner – explores the lasting impact of the prison system on individuals and their families.</p>
<p><iframe title="Exodus by Rennie Harris" src="https://player.vimeo.com/video/131227710?dnt=1&amp;app_id=122963" width="880" height="495" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe></p>
<h3 class="p1"><span class="s1">Company Premieres</span></h3>
<p class="p1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/no-longer-silent#node-4754" target="_blank" rel="noopener"><strong>Robert Battle’s <em>No Longer Silent</em></strong></a></span><br />
A long-forgotten score by Erwin Schulhoff, a Jewish composer banned in Nazi Germany, inspired this searing, large ensemble work, which shows off “a different side of Ailey” (<em>The New York Times</em>).</p>
<p class="p1"><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/piazzolla-caldera#node-5064" target="_blank" rel="noopener"><strong>Paul Taylor’s <em>Piazzolla Caldera</em></strong></a></span><br />
Astor Piazzolla’s fiery tango music sets the stage for a series of sizzling encounters – some predatory, some playful.</span></p>
<p><iframe title="No Longer Silent by Robert Battle" src="https://player.vimeo.com/video/131226062?dnt=1&amp;app_id=122963" width="880" height="495" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe></p>
<h3 class="p1"> <span class="s1">New Productions</span></h3>
<p class="p1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/blues-suite#node-140" target="_blank" rel="noopener"><strong>Alvin Ailey’s <em>Blues Suite</em></strong></a></span><br />
Ailey’s first masterpiece launched his company in 1958 and still poignantly conjures the sorrow, humor and humanity of the music he called “hymns to the secular regions of the soul.” Performed with a live, on-stage band.</p>
<p class="p1"><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/case-you#node-4756" target="_blank" rel="noopener"><strong>Judith Jamison’s <em>A Case of You</em></strong></a></span><br />
This duet – an excerpt from Jamison’s 2005 <em>Reminiscin’</em> – is a “steamy, emotionally intense” (<em>The New York Times</em>) showstopper danced to Diana Krall’s sultry rendition of the classic Joni Mitchell song.</span></p>
<p class="p1"><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/cry#node-282" target="_blank" rel="noopener"><strong>Alvin Ailey’s <em>Cry</em></strong></a></span><br />
Ever since Judith Jamison debuted this tour-de-force in 1971, it has been an unforgettable standout in the Ailey repertory, depicting the struggle of women throughout history who overcame ruthless hardship to arise triumphant.</span></p>
<p class="p1"><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/love-songs#node-354" target="_blank" rel="noopener"><strong>Alvin Ailey’s <em>Love Songs</em></strong></a></span><br />
A male counterpart to <em>Cry</em>, this lyrical solo from 1972 offers an emotional journey through love and longing, to a suite of songs recorded by Donny Hathaway and Nina Simone.</span></p>
<p class="p1"><span class="s1"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/toccata#node-4755" target="_blank" rel="noopener"><strong>Talley Beatty’s <em>Toccata</em></strong></a></span><br />
This high-spirited romp – a section from Beatty’s longer work, <em>Come and Get the Beauty of It Hot</em> – evokes the energy of the city streets, illuminating his genius for using the jazz idiom to its fullest expressive and musical effect.</span></p>
<p><iframe title="A Case of You by Judith Jamison" src="https://player.vimeo.com/video/134656119?dnt=1&amp;app_id=122963" width="880" height="495" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe></p>
<p>Returning favorites include<span style="color: #ff0000;"> <span class="disc-arrow-right"><a style="color: #ff0000;" href="https://www.alvinailey.org/after-rain-pas-de-deux#node-4368" target="_blank" rel="noopener">After the Rain Pas de Deux</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/bad-blood" target="_blank" rel="noopener">Bad Blood</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/caught#node-245" target="_blank" rel="noopener">Caught</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/four-corners" target="_blank" rel="noopener">Four Corners</a> , </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/grace" target="_blank" rel="noopener">Grace</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/lift" target="_blank" rel="noopener">LIFT</a>, </span><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/memoria#node-156" target="_blank" rel="noopener"><span class="disc-arrow-right">Memoria</span></a></span><br />
<span style="color: #ff0000;"><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/night-creature" target="_blank" rel="noopener">Night Creature</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/odetta#node-4367" target="_blank" rel="noopener">ODETTA</a>, </span><span class="disc-arrow-right"><a style="color: #ff0000;" href="http://www.alvinailey.org/polishpieces#node-378" target="_blank" rel="noopener">Polish Pieces</a>,</span></span><span class="disc-arrow-right"><span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org/about/company/alvin-ailey-american-dance-theater/repertory/revelations" target="_blank" rel="noopener">Revelations</a></span> and </span><span style="color: #ff0000;"><span class="disc-arrow-right" style="color: #ff0000;"><a style="color: #ff0000;" href="https://www.alvinailey.org/uprising#node-4370" target="_blank" rel="noopener">Uprising</a> </span></span></p>
<p>If you haven&#8217;t yet experienced the exciting, powerfully inspired creativity that defines an Alvin Ailey American Dance Theater performance, this season at the New York City Center is bound to make you a lifetime fan. The website even has a handy tool to assist you in selecting the best performances for you whether its your first time attending or you are a long time supporter. With tickets starting at $25, this is a season you don&#8217;t want to miss. For more information, click <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://ask.alvinailey.org/#_ga=1.147683700.2112756054.1443996164" target="_blank" rel="noopener">here</a></span>.</p>
<h2></h2>
<p>&nbsp;</p>
<p>The post <a href="https://www.broadwayblack.com/alvin-ailey-returns-new-york-city-center/">Alvin Ailey Returns to New York City Center</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<title>Alvin Ailey American Dance Theater at Lincoln Center</title>
		<link>https://www.broadwayblack.com/alvin-ailey-american-dance-theater-at-lincoln-center/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Mon, 18 May 2015 17:39:15 +0000</pubDate>
				<category><![CDATA[Dance!]]></category>
		<category><![CDATA[Events and Happenings]]></category>
		<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Alvin Ailey]]></category>
		<category><![CDATA[Bad Blood]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[Grace]]></category>
		<category><![CDATA[Judith Jamison]]></category>
		<category><![CDATA[Lincoln Center]]></category>
		<category><![CDATA[Rennie Harris]]></category>
		<category><![CDATA[Revelations]]></category>
		<category><![CDATA[Robert Battle]]></category>
		<category><![CDATA[Ulysses Dove]]></category>
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					<description><![CDATA[<p>The Alvin Ailey American Dance Theater will return to Lincoln Center this June for 15 performances. This engagement will feature new productions of works by Judith Jamison and Robert Battle, as well as a world premiere of Exodus by Rennie Harris. Also included in the program are crowd favorites, Grace by Ronald K. Brown, Ulysses Dove&#8216;s Bad [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/alvin-ailey-american-dance-theater-at-lincoln-center/">Alvin Ailey American Dance Theater at Lincoln Center</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The Alvin Ailey American Dance Theater will return to Lincoln Center this June for 15 performances. This engagement will feature new productions of works by <strong>Judith Jamison</strong> and <strong>Robert Battle, </strong>as well as a world premiere of <em>Exodus</em> by <strong>Rennie Harris</strong>. Also included in the program are crowd favorites, <em>Grace</em> by <strong>Ronald K. Brown</strong>, <strong>Ulysses Dove</strong>&#8216;s <em>Bad Blood</em>, and <em>Revelations</em> by <strong>Alvin Ailey</strong>.</p>
<p>The Alvin Ailey American Dance Theater was founded in 1958 with a mission to bring African-American cultural expression and the American modern dance tradition to the world. This mission was first carried out with the creation of Ailey&#8217;s masterpiece, Revelations, in 1960. A school was established in 1969 and the following year, both school and company found a home in Manhattan. In the years to come, the company gained national and international acclaim as the ensemble grew and Ailey collaborated with the Metropolitan Opera (Carmen) in 1972, p<img data-recalc-dims="1" loading="lazy" decoding="async" class="alignright wp-image-6022" src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/05/alvin-ailey-american-dance-theaters-antonio-douthit-boyd-2-photo-by-andrew-eccles-yellow-300x200.png?resize=400%2C266" alt="" width="400" height="266" />erformed at the Duke Ellington Festival at Lincoln Center with the Ellington Orchestra in 1975, and performed for President Carter at the White House in 1978. In 1987, Alvin Ailey received modern dance&#8217;s greatest honor, the Samuel H. Scripps American Dance Festival Award</p>
<p>The following year, he was the recipient of The Kennedy Center Honor for lifetime contribution to American culture through the performing arts. Shortly before Ailey&#8217;s untimely death in 1989, Judith Jamison, a company member since 1965, was named Artistic Director. Jamison continued to take the company further causing Dance Magazine to call the Ailey company &#8220;recession-proof&#8221; due to its worldwide success in 1992. Under her leadership, the company has continued to tour all over the world and dancers from all over the world have come to study at the Ailey School. In 2011, Jamison became Artistic Director Emerita and choreographer Robert Battle became the active Artistic Director, continuing a legacy of dance that has become vital in the artistic fabric of America.</p>
<p style="text-align: center;">Check out Alvin Ailey&#8217;s <em>REVELATIONS</em> below!</p>
<p><iframe loading="lazy" src="https://www.youtube.com/embed/LZuBFz6WYfs" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br />
The Alvin Ailey American Dance Theater will perform at Lincoln Center at the David H. Koch Theater June 10-21.<br />
For tickets and more information, visit <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.alvinailey.org">www.alvinailey.org</a></span></p>
<p>The post <a href="https://www.broadwayblack.com/alvin-ailey-american-dance-theater-at-lincoln-center/">Alvin Ailey American Dance Theater at Lincoln Center</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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