Theater greats including Phylicia Rashad, Melba Moore, Marva Hicks, George Faison, and Chita Rivera all participated in the exclusive event purposed to honor the life and works of Johnson as well as raise money for the full-length feature documenting his career, also entitled Up In The Air.

Most renowned for his choreography in the timeless film, The Wiz, Johnson was one of the first African Americans to appear in a Broadway ensemble.  Having been featured and learning from some of the dance greats, including Bob Fosse and Jerome Robbins, Johnson began creating his own art in the 1950’s.  In addition to commissioning some of his most notable works for the Dance Theatre of Harlem and the Alvin Ailey American Dance Theater, he also received a Tony Award nomination for his choreography in the 1970 musical Purlie. 

The evening was hosted by the regal Ms. Rashad and proved to be a glorious exhibition of Johnson’s contributions.  The Philadelphia Dance Company and Howard University’s department of dance restaged some of Johnson’s well known choreographed pieces.  Moore, an original cast member of Purlie, and Hicks, a former Howard University student of the tribute, both provided vocal selections in his honor.

The man behind the documentary- choreographer/writer/teacher and Up In The Air producer, David Robertson, provided one of the most thrilling pieces of the evening – a revival of the infamous Emerald city scene from “The Wiz” complete with special appearances of original dancers from the film.

Having been inspired by Johnson, Robertson has spent the last few years interviewing the sensation and building this tribute in hopes of creating a “lasting testament to his creative genius that will inspire future generations of artists.”

For more information and to contribute to Up In The Air, visit UpInTheAirDoc.com.

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With a total of 11 top ten U.S. hits on the Billboard charts over the past 40 years, both singles and albums, Melba Moore sits with the host of Broadway Black Box, Andrew Shade, to discuss how she’s been able to withstand the changes in the industry and what it takes to have a career span decades.

From theatre to music Melba Moore is a force to be reckoned with and she gives us an inside look on how its all done. You might find yourself more than surprised by her journey. She’s done way more than sing with Beyonce in Fighting Tempations. So, make sure you get your tickets for her upcoming concert. April 13th 9:30pm at The Metropolitan Room. Be There! Find out more HERE!

In 1970, Moore was cast as “Lutiebelle” Gussie Mae Jenkins,” opposite Cleavon Little, in the musical Purlie. Originally she was assigned only the title song, but she had such success with it in previews that songwriters Gary Geld and Peter Udell gave her another, “I Got Love.” This song was such a smash hit that it shot Melba to stardom. Not only did it supply the title to her debut album, which earned her a 1971 Grammy nomination as Best New Artist, but it boosted her to the 1970 Tony Award for Best Performance by a Featured Actress in a Musical, a 1970 Theatre World Award, and a 1970 Drama Desk Award for Outstanding Performance.

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