A Raisin In the Sun by Lorraine Hansberry

Loosely based on the playwright’s life, the Younger family grapples with an American dilemma that coerces the psyche into believing that separate really is equal. In post-WWII Chicago, where everyone was looking to feed themselves literally and figuratively with a piece of the American dream, Walter, Ruth, Mama, Beneatha, and Travis find themselves in the middle of a custody battle over the soul and integrity of America; believing in the power of change and progression and reconciling with the truth of a divided American landscape. This drama first debuted on Broadway in 1959, starring Sidney Poitier, Ruby Dee, Louis Gossett, Claudia McNeil, and Glynn Turman. It has since seen multiple revivals on Broadway in 2004 and 2014, with the 2004 production winning for Best Actress in a Play for Phylicia Rashaad and Best Featured Actress in a Play for Audra McDonald. The 2014 production resulted in wins for Sophie Okonedo for Best Featured Actress in a Play, Kenny Leon for Direction of a Play, and Best Revival of a Play. A Raisin In the Sun is also the first play written by a Black woman to be performed and produced on Broadway. 

A full audio recording of the play from L.A. Theatre Works can be found HERE.

Fences by August Wilson

Written in 1985 as part of Wilson’s “Pittsburgh Cycle,” Fences closely tracks the internal turmoil that Troy faces in providing for his wife and teenage son. As a man whose dreams were not fully realized as a major league baseball player, Troy tries to build himself up within the city sanitation department as a driver (something Black men weren’t allowed to do). Young people should read this play primarily for the conversation between Troy and his son, Cory, about being a parent, a caregiver, and a Black man. Troy says, “A man got to take care of his family. You live in my house… sleep your behind on my bedclothes… fill your belly up with my food… cause you my son—you my flesh and blood. Not ’cause I like you! Cause it’s my duty to take care of you.” The original Broadway production won the Tony Awards for Best Play, Best Performance by a Leading Actor in a Play (James Earl Jones), Best Direction, and Best Performance by a Featured Actress in a Play (Mary Alice). The 2010 revival won Best Performance by a Leading Actor and Leading Actress in a Play for Denzel Washington and Viola Davis, respectively, and Best Revival of a Play. 

for colored girls who have considered suicide when the rainbow is enuf by Ntozake Shange 

Shange’s emotional choreopoem, which fuses music, dance, and poetry, is a literary blueprint for understanding and appreciating Black women. It debuted at the Booth Theater in New York City in 1976 and was only the second work by a Black woman to be done on Broadway (it was nominated for a Tony Award for Best Play in 1976). Referred to only by a color (red, orange, blue, green, purple, yellow, and brown), each woman relishes in her own self-discovery and self-identity in a world that has yet to see them for the beautiful humans they are. Shange illuminates the power of Black female sisterhood while also encouraging the reader to heal, survive, and reclaim their joy. The Public Theater recently did a production in 2019 that Camille A. Brown choreographed. 

Pipeline by Dominique Morisseau

Omari is a young Black male dealing with the pressures of high school academia in a school where microaggressions are as common as saying the pledge of allegiance. Morisseau’s modern drama on race and the education system may appear to be a shocking reflection of what young people may encounter today. Still, it is also a challenge for educators everywhere to see their students beyond a name on a class roster. Omari and his mother, Nya, push each other to combat the triggers that young Black men face regularly, and do some deep soul-searching to heal their mother-son relationship, so Omari doesn’t lose himself by proving himself. The play was nominated for five Lucille Lortel Awards during its run at Lincoln Center and can currently be found on BroadwayHD.

The Colored Museum by George C. Wolfe

Performed as vignettes known as “exhibits,” The Colored Museum illuminates the  Black experience by taking the reader and audience member on a historical journey from the flight to Savannah from the Ivory Coast in “Git On Board” to the ode to Black theatre drama in “The Last Mama-on-the-Couch Play” in which Wolfe makes references to Shange’s for colored girls who have considered suicide when the rainbow is enuf and Hansberry’s A Raisin In the Sun. The Colored Museum takes the tragedy and pain of our experience as Black people living in America. It gives it a distinct voice of truth and integrity that has otherwise been whitewashed and gaslit.

Honorable mentions:

A Soldier’s Play by Charles Fuller

Blues For Mister Charlie by James Baldwin

Stick Fly by Lydia R. Diamond

The post Class Is In Session: 5 Plays by Black Playwrights Every Young Black Student Should Read appeared first on Broadway Black.

Harlem Theater produced the show and commissioned Stew to compose the show.

Co-composed with his long-time collaborator Heidi Rodewal, who also performs, the show pays homage to the great African-American writer and activist James Baldwin.

Written in 1955 “Notes of a Native Song” is collection of, playwright, poet, and social critic, James Baldwin’s essays. Containing 10 of Baldwin’s essays the book discusses race issues in America and Europe.

Stew said Baldwin’s work is embedded so deeply within his DNA that, until I began writing Notes of a Native Song, he was rather unaware of how intimately, if not thoroughly, it had guided his path: from church youth choir to punk rock clubs, from LA to Amsterdam, from Broadway to Harlem Stage, Baldwin was his GPS. During youth his work answered a lot of big questions but the challenges he posed I’m still wrestling with today.

Notes of a Native Song is a cabaret style show consisting of a live collage of songs, text and videos. The show will highlight Baldwin’s brave and activism for airing uncomfortable truths as celebratory events of literature and beauty throughout his career.

Presented in association with the Schomburg Center the show is part of Harlem Stage’s 2015 season and celebrates the 90th anniversary of Baldwin’s birth.

Performances of Notes of a Native Song will take place Friday at 7p.m.and Saturday and Sunday at 2pm at the Harlem Stage Gatehouse.

Get your tickets HERE before it’s sold out!

The post Notes Of A Native Song Premieres At Harlem Stage appeared first on Broadway Black.