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	<title>Gbenga Akinnagbe Archives - Broadway Black</title>
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	<description>When Theatre Goes Dark</description>
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	<title>Gbenga Akinnagbe Archives - Broadway Black</title>
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		<title>Fulfillment to Close on October 19</title>
		<link>https://www.broadwayblack.com/fulfillment-close-october-19/</link>
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		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Tue, 13 Oct 2015 16:13:02 +0000</pubDate>
				<category><![CDATA[Off Broadway]]></category>
		<category><![CDATA[Fulfillment]]></category>
		<category><![CDATA[Gbenga Akinnagbe]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=10566</guid>

					<description><![CDATA[<p>It’s always a sad occasion when a play ends its theatre run. But it’s especially bittersweet when it’s a production whose provocative and stimulating scenes warrant employing the talents of a sex choreographer. Such is the case with Thomas Bradshaw’s Fulfillment, which will be closing at the Flea Theatre on October 19. The highly controversial [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/fulfillment-close-october-19/">Fulfillment to Close on October 19</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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										<content:encoded><![CDATA[<p>It’s always a sad occasion when a play ends its theatre run. But it’s especially bittersweet when it’s a production whose provocative and stimulating scenes warrant employing the talents of a sex choreographer. Such is the case with Thomas Bradshaw’s <span style="color: #ff0000;"><em><a style="color: #ff0000;" href="http://www.theflea.org/show_detail.php?page_type=0&amp;show_id=165">Fulfillment</a></em></span>, which will be closing at the Flea Theatre on October 19.</p>
<p>The highly controversial play about an up-and-coming Black lawyer confronting the obstacles of alcoholism and potential racism, while learning to handle his sexually adventurous girlfriend, stars <span style="color: #ff0000;"><strong><a style="color: #ff0000;" href="http://broadwayblack.com/alfre-woodards-back-nyc-knucklehead/">Gbenga Akinnagbe</a> </strong></span>in the title role of “Michael.” Michael has a new girlfriend a new, expensive apartment and a seemingly perfect life. However, there are demons in his life that he must overcome in order to truly be “fulfilled.”</p>
<p>Akinnagbe, known for his role as the hitman “Chris Partlow” from HBO’s acclaimed series “The Wire”  has also appeared on stage in the 2013 revival of N. Richard Nash&#8217;s classic romantic comedy, <em>The Rainmaker</em>. For his role in <em>Fulfillment</em>, Akinnagbe received <span style="color: #ff0000;"><a style="color: #ff0000;" href="http://www.theatermania.com/off-broadway/reviews/fulfillment_74284.html">raves</a></span> for his “sensitive, multilayered performance.”</p>
<p>The production also features <strong>Otoja Abit</strong>, Jeff Biehl, Christian Conn, Denny Dillon, Susannah Flood, and Peter McCabe.</p>
<p>Bradshaw&#8217;s plays, including <em>Intimacy </em>and <em>Burning,</em> are notorious for their frequent and graphic occurrences of actors performing simulated sex acts and plots involving rape, incest and sexual slavery, as well as racially-based humor. The same can be found in <em>Fulfillment </em>as the play includes graphic intercourse, erotic spanking, and choking; so much so that it required the aforementioned sex choreographer, Yehuda Duenyas.</p>
<p><em>Fulfillment </em>opened on September 11 to mixed reviews. The New York Times’ Ben Brantley called it “<em>engaging and unsettling.</em>“ Samuel Leiter of The Broadway Blog praised Ethan McSweeny’s direction but said it “isn’t enough to overcome the characters’ inconsistencies, the episodic plot’s implausibilities, and the sense that its scenes of sex and violence are there merely because that’s what one expects in a Bradshaw play.”</p>
<p>Although <em>Fulfillment</em> is leaving New York, it’s scheduled to open in Chicago at the American Theatre Company to kick off Season 31: The Legacy Season. The play will run November 6-December 13, 2015 under McSweeny’s direction. For tickets and more information, visit <span style="color: #ff0000;"><a style="color: #ff0000;" href="https://atcweb.secure.force.com/ticket/#details_a0S1a0000003wPxEAI">here</a></span>.</p>
<p>The post <a href="https://www.broadwayblack.com/fulfillment-close-october-19/">Fulfillment to Close on October 19</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">10566</post-id>	</item>
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		<title>Alfre Woodard&#8217;s Back To NYC In &#8216;Knucklehead&#8217;</title>
		<link>https://www.broadwayblack.com/alfre-woodards-back-nyc-knucklehead/</link>
					<comments>https://www.broadwayblack.com/alfre-woodards-back-nyc-knucklehead/#comments</comments>
		
		<dc:creator><![CDATA[Broadway Black]]></dc:creator>
		<pubDate>Sun, 22 Mar 2015 13:38:55 +0000</pubDate>
				<category><![CDATA[A Must See]]></category>
		<category><![CDATA[The Big Screen]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Alfre Woodard]]></category>
		<category><![CDATA[Anthony Mackie]]></category>
		<category><![CDATA[Anton Chekhov]]></category>
		<category><![CDATA[August Wilson]]></category>
		<category><![CDATA[Aunjanue Ellis]]></category>
		<category><![CDATA[Ben Bowman]]></category>
		<category><![CDATA[Drowning Crow]]></category>
		<category><![CDATA[Ebony Jo-Ann]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[for colored girls who have considered suicide when the rainbow is enuf]]></category>
		<category><![CDATA[Gbenga Akinnagbe]]></category>
		<category><![CDATA[Knucklehead]]></category>
		<category><![CDATA[New Voices in Black Cinema]]></category>
		<category><![CDATA[Ntozake Shange]]></category>
		<category><![CDATA[Regina Taylor]]></category>
		<category><![CDATA[Stephen McKnley Henderson]]></category>
		<category><![CDATA[The Piano Lesson]]></category>
		<category><![CDATA[Tracie Thoms]]></category>
		<guid isPermaLink="false">http://broadwayblack.com/?p=5034</guid>

					<description><![CDATA[<p>Emmy, Golden Globe, Screen Actors Guild, and NAACP Image Award winner Alfre Woodard has a new film opening the New Voices in Black Cinema festival. Ben Bowman’s Knucklehead, an indie drama starring Woodard and Gbenga Akinnagbe (Modern Missionary [2006] at The Intiman Theatre, The Thin Place [2010] in the NYC Fringe Festival) as a dysfunctional mother-son pair screens on Thursday, March 26th in Brooklyn. When his brother is shot, mentally [&#8230;]</p>
<p>The post <a href="https://www.broadwayblack.com/alfre-woodards-back-nyc-knucklehead/">Alfre Woodard&#8217;s Back To NYC In &#8216;Knucklehead&#8217;</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Emmy, Golden Globe, Screen Actors Guild, and NAACP Image Award winner<strong> Alfre Woodard</strong> has a new film opening the <em>New Voices in Black Cinema</em> festival. Ben Bowman’s <em>Knucklehead</em>, an indie drama starring Woodard and <strong>Gbenga Akinnagbe </strong>(<em>Modern Missionary </em>[2006]<em> </em>at The Intiman Theatre, <em>The Thin Place</em> [2010] in the NYC Fringe Festival) as a dysfunctional mother-son pair screens on <span class="aBn" tabindex="0" data-term="goog_1509536757">Thursday, March 26th</span> in Brooklyn.</p>
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<p>When his brother is shot, mentally disabled Langston Bellows (Gbenga Akinnagbe, <em>The Wire</em>) is left without a protector in Brooklyn’s housing projects. Now under the control of his abusive mother (Alfre Woodard, <em>12 Years A Slave</em>) he must take his future into his own hands. Langston strives for independence from his prior life, from his mother, and from his fractured mind.</p>
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<div class="additionalNotes"><img data-recalc-dims="1" fetchpriority="high" decoding="async" class="alignleft wp-image-5036" src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/03/Drowning-Crow-Feb-09-04-1-201x300.jpg?resize=300%2C447" alt="Drowning-Crow-Feb-09-04-1" width="300" height="447" />Woodard was last seen on Broadway in <strong>Regina Taylor&#8217;s </strong><em>Drowning Crow (</em>the 2004 adaptation and updating of Anton Chekhov&#8217;s <em>The Seagull</em>), opposite <strong>Anthony Mackie</strong> (<em>Ma Rainey&#8217;s Black Bottom</em>, <em>A Behanding in Spokane</em>), <strong>Aunjanue Ellis</strong> (<em>Joe Turner&#8217;s Come And Gone</em>, <em>The Tempest</em>), <strong>Ebony Jo-Ann</strong> (<em>Ma Rainey&#8217;s Black Bottom</em>,<em> Mule Bone</em>, <em>The Sunshine Boys</em>, <em>Gem of the Ocean</em>), <strong>Stephen McKinley Henderson </strong>(<em>King Hedley II</em>, <em>Ma Rainey&#8217;s Black Bottom</em>, <em>Fences</em>, <em>A Raisin in the Sun</em>), and<strong> Tracie Thoms </strong>(<em>Rent</em>, <em>Stick Fly</em>). She made her professional theatre debut in 1974 at Washington, D.C.&#8217;s <em>Arena Stage</em>. Her breakthrough role came three years later (1977) in the off-Broadway production of <strong>Ntozake Shange&#8217;s </strong>classic <em>for colored girls who have considered suicide / when the rainbow is enuf</em>.<img data-recalc-dims="1" decoding="async" class=" size-medium wp-image-5038 alignright" src="https://i0.wp.com/broadwayblack.com/wp-content/uploads/2015/03/Alfre-Woodard-2-228x300.jpg?resize=228%2C300" alt="Alfre Woodard 2" width="228" height="300" /></div>
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<p>Alfre&#8217;s film and television career is vast and diverse. She won her Screen Actors Guild Award in 1995 for her work in the film version of <strong>August Wilson&#8217;s </strong><em>The Piano Lesson</em>.</p>
<p><em>Knucklehead </em>screens Thursday, March 26th at the Peter Jay Sharp Building BAM Rose Cinemas. To purchase tickets and get more information, <a href="http://www.bam.org/film/2015/knucklehead"><strong>CLICK HERE</strong></a>.</p>
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<p>The post <a href="https://www.broadwayblack.com/alfre-woodards-back-nyc-knucklehead/">Alfre Woodard&#8217;s Back To NYC In &#8216;Knucklehead&#8217;</a> appeared first on <a href="https://www.broadwayblack.com">Broadway Black</a>.</p>
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