The first guest joining us on Off-Book is the award winning playwright Dominique Morisseau. Her play, Skeleton Crew, the final installment in her trilogy of plays about her hometown of Detroit, starts previews on January 6, 2016 at the Atlantic Stage 2 Theater.

Skeleton Crew is a tale about how a makeshift family of workers at the last exporting auto plant in the city navigate the possibility of foreclosure. Power dynamics shift and they are pushed to the limits of survival. When the line between blue collar and white collar gets blurred, how far over the lines are they willing to step?

Dominique Morisseau, writer and actress, is an alumnus of the Public Theater Emerging Writer’s Group, the Women’s Project Playwrights Lab, and Lark Playwrights’ Workshop. Among her playwriting credits are: Detroit ’67 (Public Theater; Classical Theatre of Harlem/NBT; Northlight Theatre), Sunset  Baby (Labyrinth Theater Co – NYC; Gate Theater- London), and Follow Me To Nellie’s (O’Neill; Premiere Stages). Her produced one-acts include: Third Grade (Fire This Time Festival); Black at Michigan (Cherry Lane); Socks, Roses Are Played  Out and Love and Nappiness(Center Stage; ATH); love.lies.liberation (The NewGroup), Bumrush (Hip Hop Theater Festival) and The Masterpiece (Harlem9/HSA). Dominique is currently developing a 3-play cycle on her hometown of Detroit, entitled “The Detroit Projects.” Detroit ’67 is the first of the series. The second play, Paradise Blue, was developed with Voice and Vision, the Hansberry Project at ACT, New York Theatre Workshop, McCarter Theatre, Williamstown Theatre Festival, and the Public Theater. Dominique’s work has also been published in NY Times bestseller “Chicken Soup for the African American Soul” and in the Harlem-based literary journal “Signifyin’ Harlem.” She is a Jane Chambers Playwriting Award honoree, a two-time NAACP Image Award recipient, a runner-up for the Princess Grace Award, a recipient of the Elizabeth George commission from South Coast Rep, a commendation honoree for the Primus Prize by the American Theatre Critics Association, winner of the Barrie and Bernice Stavis Playwriting Award, the Weissberger Award for Playwriting, the U of M – Detroit Center Emerging Leader Award, a Lark/PoNY (Playwrights of New York) Fellow, and a recent recipient of the Edward M. Kennedy Prize for Drama. She is an artist that believes wholeheartedly in the power and strength of community.

The post Broadway Black Presents Off-Book: The New Theatre Podcast appeared first on Broadway Black.

The show formerly known as Witness Uganda, is inspired by the true story and life of its creators Matt Gould & Griffin Matthews. The show follows the life of a New York City man, Griffin, who volunteers for an aid project in Uganda, the challenges he faced and how it changed his life. Matthews stars as himself in the new musical with Jeremy Pope (Choir Boy) as the alternate, playing the role of “Griffin” in some performances.

Determined to find his place in the world, 20-something Griffin leaves his job and his New York City apartment to volunteer for a charity in Africa. But when his altruistic aspirations collide with the real world, his life is changed in unexpected and profound ways. Inspired by a true story, this rousing new musical infuses a world pop score with African beats in an electrifying journey about discovering whether changing the world is even possible.

Co-creator Griffin Matthews will be joined by Melody Betts (“Chicago PD”); Rodrick Covington (Central Avenue Breakdown); Kevin Curtis (A Chorus Line National Tour); Tyrone Davis, Jr. (Shrek National Tour); Nkrumah Gatling (Hair); Latrisa Harper (The Color Purple); Jason Herbert (Fela!); Aisha Jackson (Beautiful); Kristolyn Lloyd (Heathers The Musical); Michael Lluwoye (Fable); Corey Mach (Hands on a Hardbody); Tiffany Mann (Lincoln Center’s Sweeney Todd); Jamard Richardson (The Book of Mormon); Nicolette Robinson (Brooklynite); Adeola Role (Lily’s Revenge); Conor Ryan (Cinderella) and Jamar Williams (Broken Window Theory)

We take you back to our Off Book series and into the world of Invisible Thread with this musical preview. This show begins previews Oct 31 at Second Stage Theatre. See what the creators & director have to say about the process and watch some vibrant musical numbers.

New York Premiere in association with American Repertory Theater

INVISIBLE THREAD

A New Musical

BY
MATT GOULD and GRIFFIN MATTHEWS

CO-CHOREOGRAPHED BY
DARRELL GRAND MOULTRIE

CHOREOGRAPHED BY
SERGIO TRUJILLO

DIRECTED BY
DIANE PAULUS

The post Off Book: Sneak Peek of Invisible Thread at Second Stage Theatre appeared first on Broadway Black.

It was a time that was “roaring,” right? World War I and the depression following it was over, and an economic boom was in the works. The emancipation of slavery had 56 years under its belt. The Great White Way was abuzz with as many as 50 new musicals that would open in a single season. Enthusiastic patrons were willing to shell out top dollar for a seat.

Shuffle Along became an instantaneous hit as the first major production to be produced, written and performed entirely by African Americans since the George Walker–Bert Williams Bandanna Land (1908). Before that it was the 1902 In Dahomey, also featuring Walker and Williams. Shuffle Along, however, served as a hallmark to the Harlem Renaissance, contributed to the desegregation of theatres (with Black patrons allowed in orchestra seats rather than restricted to the balcony), and set the stage for nine more African-American musicals by 1924.

The Noble Sissle–Eubie Blake musical – so popular that police created a one-way thoroughfare to the 63rd Street Music Hall to ease the traffic jams – ran for an unprecedented 504 performances through July 1922. Poet Langston Hughes, whose first poem was the 1921 “A Negro Speaks of Rivers,” was among the many repeat attendees. He was so enthralled with the “honey of a show” that he wrote:

“The 1920s were the years of Manhattan’s Black Renaissance…. Certainly it was the musical revue, Shuffle Along, that gave a scintillating send-off to that Negro vogue in Manhattan…. People came back to see it innumerable times. It was always packed…. When I saw it, I was thrilled and delighted…. It gave just the proper push – a pre-Charleston kick – to that Negro vogue of the ‘20s, that spread to books, African sculpture, music and dancing.”

So, when the vintage graphics were revealed for the Shuffle Along website, liken my excitement to all the above for what will mark a 95th anniversary of the pioneering work.

To see the colorfully billed star-quality names – Audra McDonald, Brian Stokes Mitchell, Billy Porter, Brandon Victor Dixon and Joshua Henry (in an alternating palette of lemon, orange, red and sea green) – my heart did a Charleston flutter reminiscent of when the actors were announced they would share the stage. I grinned looking at “Savion Glover” and “George C. Wolfe” next to the words “choreographed by” and “directed by,” respectively. The duo meet again for the first time since Bring in ‘da Noise/Bring in ‘da Funk.

Full Cast: Adrienne Warren, Darius de Haas, Felicia Boswell, Christian Dante White, Brooks Ashmanskas, Amber Iman, Phillip Attmore, C.K. Edwards, Afra Hines,Curtis Holland, Adrienne Howard, Kendrick Jones, Lisa LaTouche, Alicia Lundgren, J.C. Montgomery, Erin N. Moore, Janelle Neal, Brittany Parks,Arbender Robinson, Karissa Royster, Britton Smith, Zurin Villanueva, J.L. Williams, Pamela Yasutake, and Richard Riaz Yoder, as previously reported

The 2016 revival of Shuffle Along or The Making of the Musical Sensation of 1921 and All That Followed isn’t set to showcase its “glamour” and “hotcha” until April at the Music Box Theatre. April 21 to be exact, with previews to begin March 14. But people are ready.

The Tony-winning Wolfe, who offers up a new book from the original vaudeville comedians F.E. Miller and Aubrey Lyles, has called Shuffle Along, “the real juice… the real spark, not Black performers performing White people’s vision of Black people.” However, the original show has been critiqued as relying on minstrel stereotypes (Miller and Lyles would even perform in burnt-cork blackface). In fact, a character’s line went something to the effect that the lighter the skin, the more desirable an African American woman.

The musical launched the careers of Josephine Baker, Florence Mills and Adelaide Louise Hall; it featured an impressive 16-woman chorus line; and obliterated taboos with a Black love story being front and center.

For 2015-2016, Broadway will have perhaps its most diverse season (Amazing Grace; Hamilton; The Gin Game; The Color Purple; and Children of a Lesser God) and chances to establish the ever-evasive but always needed renaissance. Whatever you must do to be part of it, don’t drag your feet.

Visit shufflealongbroadway.com to enter your email for news and updates. Tickets go on sale Sept. 12.

The post Shuffle Along Is Getting Ready To Go Into Full Swing! appeared first on Broadway Black.

01.01 We go behind the scenes of the Broadway Legacy 2.0 photoshoot with Broadway Legacy creator & director Christian Dante White.

Please visit Broadwaylegacy.com & BrentDundore.com for more

Adriane Lenox (After Midnight, Doubt)

LaChanze (If/Then, The Color Purple)

Amber Iman (Soul Doctor), Marisha Wallace (Something Rotten),

Chondra Profit,(The Lion King),

Marva Hicks (Motown: The Musical, Caroline, Or Change)

Patrice Covington (Motown: The Musical National Tour),

Krystal Joy Brown(Motown: The Musical, Big Fish)

Kimberly Marable (Sister Act, The Lion King)

Candice Marie Woods (Nice Work If You Can Get It, Catch Me If You Can),

Crystal Joy (Motown: The Musical)

Aisha De Haas (Caroline, Or Change, One Mo’ TIme)

Capthia Jenkins (Newsies: The Musical, Caroline, Or Change),

Nikki Renee Daniels (Book Of Mormon, Gershwins’ Porgy & Bess)

Krisha Marcano (Motown: The Musical, The Color Purple)

Maia Nkenge Wilson (The Book of Mormon, The Color Purple)

Jesse Nager (Motown: The Musical, Mary Poppins)

Brandon Victor Dixon (Motown: The Musical, The Color Purple)

Clifton Davis (Aladdin, Two Gentlemen of Verona)

Michael McElroy (Next To Normal, Rent, Big River)

Maurice Murphy (Motown: The Musical, Leap Of Faith)

 Grasan Kingsberry (Nice Work If You Can Get It, Leap Of Faith)

The post [WATCH] Off Book: Broadway Legacy with Christian Dante White appeared first on Broadway Black.